-(truck horn blaring) -(car engine whirring)
(tyres screech)
(loud thud)
(riveting music)
(truck horn blaring)
Carefully. Carefully.
Take care of the bag.
(truck horn blaring)
-(thud) -(glass shatters)
(soft music)
(footsteps)
(breathes heavily)
I think there are three parts
of the treasure's key.
You found one from
Dixit sir's chamber. The second one was
with your father. Perhaps now it's with
his murderer.
And the third part?
And the third...
If there are three parts of the key,
which lock's key is this?
Dixit sir might have said something
when he spoke to you.
Nothing...
Doctor, your book.
(intriguing music)
When I met Dixit sir that night, he gave me this diary.
Dixit sir won't give you anything without a reason.
Don't you think the binding is different?
When I was pursuing archaeology,
I saw many such books.
Hold on. Hold on.
(intriguing music swells)
Carefully.
-(laughs) -(door opens)
(door closes)
(bustling traffic)
(engine stops)
-Patil. -Yes, sir.
Go and check the CCTV camera.
Yes, sir.
(mysterious music)
Oh, man!
(music continues)
Sir, I checked the CCTV footage.
All three of them have gone to Mumbai by bus.
I have sent the details to the control room, sir.
-We are keeping an eye on them. -Hmm.
Somebody else is also keeping a watch on them.
Interesting.
Sir, I believe
Dr. Ravi might be speaking the truth.
It's possible.
If he is speaking the truth,
why did he return to the crime scene?
Hmm.
This case...
is as straight as that Jalebi.
-Patil. -Hmm.
Pack some Jalebis.
We are going to Mumbai.
Yes.
Go.
-(intriguing music) -(food sizzling)
(paper crackles)
(Aditya) Wow!
Arabian Sea and Bombay Harbour.
-(Aditya) Full vintage vibe, sir. -Yes.
This is the map of Bombay dating back to 1930.
(Prashik) The road map of Bombay.
But on the map the roads are wrong.
Such roads don't exist in Mumbai anymore.
(Ravi) Mr. Prashik,
this is not Bombay's road map.
-Then? -(Aditya) What?
I think this
could be a network of underground pipelines
built during the British era.
-See. -Underground pipelines.
-(Aditya) These dark ones, bro? -Yes. That's the one.
Yes. It's possible.
Even today underground pipelines
belonging to that era are used in South Mumbai.
Underground pipelines?
What better place to hide something?
Yes.
(Ravi) So according to the map,
four monuments were built by the British.
-The Gateway of India. -(Prashik) Hmm.
(Ravi) The General Post Office. Victoria Terminus or CST.
And Government House, which means Raj Bhavan.
The pipeline connects all these four monuments.
This means our clue is
somewhere here, amidst them.
It will take us our entire life to comb this area.
Look at this.
(paper crackling)
(Aditya) What happened, bro?
This map has the seal of King Edward VII.
Isn't it strange?
-What do you mean? -Why?
(paper rustling)
I mean King Edward VII
died before World War I.
And this map has the Gateway of India,
which was built in 1924.
But still, the map has the seal of King Edward VII.
There must be some connection.
(snaps finger) Guys, I got it.
When King Edward was the Prince of Wales,
where could he have stayed when he came to India?
-Where? -You tell me.
Come on, guys. Where will the Prince of Wales stay in India?
(bangs on table)
Raj Bhavan. Government House.
Raj Bhavan.
Are the map's clues indicating that we should go to Raj Bhavan?
That's what I am saying.
(Aditya) Raj Bhavan it is.
But Raj Bhavan belongs to the British era.
What connection can it have with the Marathas?
We will go there and find out the connection.
What do you mean by "we will go there and see"?
Is it a public park?
-But, sir, we will have to go. -How will we go inside?
(Ravi) Tomorrow there is an event in Raj Bhavan.
The celebration of Indian folk dance.
What if we gain entrance under the pretext of attending the event?
We will have to use such a pretext that will--
I can help.
I was the High Court Judge's assistant.
Dixit sir had many high-profile clients.
I am sure someone will give us passes.
Superb.
But, Ravi, if we are caught...
We will be labelled as terrorists.
What do you mean?
I mean terrorists.
(intriguing music)
(Ravi) Raj Bhavan.
-(waves crashing) -(seagulls squawking)
Adi, if anything happens, inform me.
Careful, bro.
Hold on, ma'am.
(suspenseful music)
-He's back. -All of you may go.
Thank you.
This way.
(exhales deeply)
(classical instrumental music)
(cameras clicking)
(music intensifies)
Adi, we have come inside. Now?
Perfect. Bro, listen to me carefully.
As per the map,
Governor's Hall will be right in front.
You have to cross it and go behind.
That's where King Edward used to stay.
The backside.
(music fades out)
Shut the door.
Adi, next?
Next.
Next? Bro, hold on. Hold on.
(keyboard clicking)
Bro, next...
Bro, there are no images or references.
I think it must be a secure zone.
There is no information online.
Did he say something?
There is no information about the next section.
We will have to find it.
(soft mysterious music)
Mr. Prashik. Priyal.
Here.
-Found something? -Look.
Priyal.
This is Maratha Shiledars' connection with Raj Bhavan.
Look at this. Look.
(Prashik) Dr. Sardeshmukh.
It means he was also a Shiledar.
Adi, get me all the information about 1962's governor Dr. Sardeshmukh.
-Quickly. -Copy.
(keyboard clicking)
(walkie-talkie beeps)
(guard) When they come, address and...
-Bro, I found something. -Yes, Adi. Tell me.
During his time,
Dr. Sardeshmukh had renovated Raj Bhavan's library.
Since then, the library is called Dr. Sardeshmukh Library.
In the west wing.
Hold on.
As per the map, the underground pipeline's exit is towards the west.
-Correct. -The library is in the west.
Well done, Adi.
(snaps fingers) Thanks, bro.
Found it. Sardeshmukh Library.
In the west wing.
Follow me.
-(door squeak opens) -(thrilling music)
-(classical instrumental music) -(walkie-talkie beeps)
(guard) There is a civilian activity in the west wing. Please check.
There is a civilian activity in the west wing. Please check.
Okay. I will check.
-(Ravi) Adi. -Yes, bro.
We have reached the west wing. Where do we have to go next?
Next?
Bro, right corridor.
I am sure that's where the library is.
(intriguing music)
This is it. Come.
(door creaks open)
(guard) Madam!
(footsteps)
What are you doing here, madam?
Where is the cultural event? I am unable to find Darbar Hall.
Madam, nobody is allowed to come here.
-Oh! -Let's go.
-Yes. -Let's go!
The underground pipeline might be underneath this room.
But I cannot see an opening.
-Where do we look for it? -Dr. Sardeshmukh Museum.
-Ravi? -Yes.
Let's go.
(cameras clicking)
(classical music)
(audience applauding)
(suspenseful music)
YOUR WEALTH IS LIKE THE SUN, EQUAL TO THE IDOL OF LOVE.
BUT THE VOW OF TULSI ON EKADASHI IS BEYOND IT.
(audience applauding)
All the artists who performed here,
their commitment towards their art
is commendable.
I also believe that commitment is an act,
not just a word.
-Mr. Prashik. -Yes.
See this.
"Your wealth is like the sun, equal to the idol of love.
"But the vow of Tulsi on Ekadashi is beyond it. "
Mr. Prashik, I have heard a story.
About Chhatrapati Shivaji Maharaj and Saint Tukaram.
When Maharaj gave Saint Tukaram many precious gifts,
Saint Tukaram uttered this verse.
-True. -For Saint Tukaram
soil and gold are the same.
Maharaj was so inspired by his words
that he expressed his desire to adopt the religious path.
But Saint Tukaram told him that,
a Kshatriya's duty is to protect his subjects.
And your duty is your faith.
The way a Shiledar's duty is to protect the treasure.
Absolutely.
Maybe that's why Governor Sardeshmukh is pointing us towards that door.
Let's go.
(door squeaks open)
-It is the same symbol. -Yes.
(sword clanks)
(lock thuds)
(sword clanks)
(lock thuds)
Unity.
(dial wheels clank)
-Mr. Prashik. -Yes.
Two people were needed at the chamber.
Two people?
We will pull out both the swords together.
You pull out the other sword.
On the count of three.
Three.
Two.
One.
-(metal sword clangs) -(metal lock clangs)
(door slides open)
Yes!
Carefully.
Adi,
I think we have found the pipeline route.
Yes.
Slowly.
Adi, do one thing.
-Adi. -Yes, bro. Tell me.
Hello.
-Adi. -Hello. Hello.
Bro, your voice is breaking. Hello.
Hello.
Adi.
(tsks)
I thought it was a pipeline.
But this is an underground tunnel.
-(switch box start) -(light turns on, flickering)
(riveting music)
The tunnels.
I had read about these tunnels.
After the World War, the Britishers built
many such tunnels for emergency exits.
Here it is.
(riveting music continues)
The emergency exit.
This is so fascinating.
Now I understood why the Shiledars are what they are.
There can't be any place better than this to hide something.
(loud clank)
(Prashik coughs)
(intriguing music)
(Ravi grunts)
(door scrapes)
(door clanks close)
(both breathe heavily)
(both grunt)
Pull.
(riveting music)
-(vehicle horn blares) -Shit!
(car engine whirring)
I have come to check the CCTV. It's urgent.
You can confirm.
(man) Yes. Let him go in. He has got permission.
You can go.
Bro, pick up the phone.
I am sure the room has been specially designed.
There is no source of ventilation.
This is a vacuum chamber.
We will have to be real quick.
(both breathing heavily)
(mysterious music)
-Mr. Prashik. -Yes.
The symbol of the Shiledars.
(Prashik exhales)
Each brick has a sword and shield symbol.
When Governor Sardeshmukh renovated the library,
that's when the room must have been built.
I am sure the clue is here.
(gasping)
Mr. Prashik.
-Are you fine? -I am fine.
The clue must be in this room.
(music builds)
There is only a sword here.
-(intriguing music) -(Ravi grunts)
(brick slides on gravel)
-Mr. Prashik. -Yes.
(gasps)
Mr. Prashik.
(gasping)
-Are you fine? -Breathing issue. Otherwise, I am fine.
Okay. Listen to me.
Just calm down.
Okay? Breathe slowly.
Okay?
Mr. Prashik.
Shield.
The shield is here.
And the sword is there. It means...
You had said
that two people will be needed.
Correct. Correct.
Three.
Two.
One.
Go!
(door scrapes open)
-(thrilling music) -(brick slides)
Remove it.
(brick moves)
(grunts)
(both sigh heavily)
(Prashik) Keep it down.
-(both sigh) -(thud on ground)
(breathing heavily)
This is...
Something has been written in Modi script.
It's an ancient Marathi script that--
It was used during Chhatrapati Shivaji Maharaj's time.
Yes.
Which means, if we read what's written,
we might be able to open it.
Absolutely. Absolutely.
Come on, Ravi.
Let's leave now.
Wonder what's going on upstairs.
We haven't been in touch with them for a long time.
-Correct. -Let's go.
-(door scrapes) -(both grunt)
Wait!
I have been searching for you for many years.
It's good I found you.
Whatever he is holding, give it to me.
Or else, I will do to you
what I did to your wife.
-(gun cocks) -Hey!
-(gunshot going off) -(glass shatters)
(thrilling music)
(grunting)
(Ravi screams)
(groans)
(grunting)
(Prashik screams)
(music softens)
(groans)
(loud thud)
(music rises)
(screams)
(groans)
(lights crackling)
(grunts)
(screams)
(lights crackling)
(dynamic music)
(screams)
(dynamic music rises)
(music fades out)
(Prashik crying)
(eerie music)
We should leave.
Mr. Prashik.
We don't have time. We should leave.
We cannot go out in this condition.
There will be people upstairs.
The tunnel leads to the sea.
Emergency exit.
Let's leave from here.
Come on.
Come on. Let's go.
(stirring music)
(metal gate clangs)
(Prashik) Maybe this will help to open it.
Doctor, won't you take her?
Huh?
Governor?
I have been in Raj Bhavan for the past one year.
And nobody knew about this tunnel.
You toiled.
And I will reap the reward.
Give me what you are holding.
And take her.
The treasure you are looking for
belongs to my ancestors. It belongs to me!
That's why I killed the judge.
He killed Dixit sir.
(Ramachandran) Yes.
Now it's her turn.
Give me what you are holding.
Or else, she will die.
And you will escape after doing all this.
A sitting governor is behind all this. You think people won't find out.
People listen to their rulers.
They will believe whatever I tell them.
Give it to me.
I am warning you. I will kill her.
No. I am giving it.
-I am giving it. -Hey! Ravi, what are you doing?
Mr. Prashik, we will have to give it.
No, Ravi. Don't give it.
-We don't have an option. -No, Ravi!
-Mr. Prashik-- -I'll kill her!
-No. -Ravi, don't give it.
Hey!
(gunshot going off)
Mr. Prashik.
-(Ramachandran) Hey! -(Ravi) No, wait.
-I am giving it. -Shall I kill her?
Here. I am giving it.
Please don't shoot.
Don't shoot.
Here.
Mr. Prashik.
(metal gate clanking)
-(Priyal) Here. -Come on.
-Come on, Prashik. -Let's go.
(Prashik) Your life is precious.
You are a Shiledar. Fulfil your duty.
Let me fulfil my duty.
(yelling)
(gunshot going off)
(screams)
(metal gate clangs)
(screams)
Ravi, the door is closing. Run quickly!
We have to go, Ravi. Let's go.
We have to go, Ravi. We have to go.
(screams)
(gunshot going off)
(tense music)
(gunshot going off)