WEBVTT

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Your cardio fitness is terrible.

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I just want to defend myself,
not win a marathon.

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- If you're attacked, you need stamina.
- Okay.

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- And speed.
- Okay.

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Reflexes. Catch!

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Catch!

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Can I ask you something?

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Go ahead.

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Are you on strong medication?

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Why?

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I've only seen reaction times this slow
in ex-junkies and alcoholics.

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THE TRAP

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THE TRAINING

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<i>Sophie now left her apartment</i>
<i>only for her nightly searches.</i>

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<i>It was like a compulsion.</i>

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<i>She ran to find him</i>

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<i>and to forget.</i>

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<i>She ran to escape</i>
<i>Anna's pain-distorted face.</i>

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<i>And her own guilt.</i>

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<i>More than once, she thought she…</i>

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<i>There was something there.</i>

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<i>This time, the deportation flight</i>
<i>is heading to the Iraqi capital Baghdad.</i>

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<i>The Federal Ministry of the Interior</i>
<i>confirmed</i>

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<i>that 34 people without legal status</i>
<i>are on board.</i>

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<i>In the fall of last year…</i>

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<i>Why "not suitable"?</i>

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He's won a bunch of journalism awards.
You told me, Katrin.

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<i>Who cares who does the interview?</i>
<i>Main thing is, you guys get one.</i>

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In your position,
I'd be kicking myself too.

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But she wants him.

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She won't be talked out of it.

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What if I go to Munich
and talk to her in person?

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<i>Katrin, forget it.</i>

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Plus, we'll only give out the address
on the day of the interview.

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And between you and me…
We might still call the whole thing off.

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You can't do that.

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I've just spoken with the editorial team.

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<i>They are holding the cover for it.</i>

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Okay, sorry. I have to go.

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Yeah. Why not?

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Yep.

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Evening.

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Indeed.

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Right.

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- Mr. Rudow?
- I'll call you back later.

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Sorry, I wasn't completely sure
if it was you.

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Yes?

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Lenzen. Robert Lenzen.

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I happen to be in town
and thought I'd drop by.

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I've been asked to interview your star.

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I thought we could have a preliminary…

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Let's see if it'll even happen.

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What do you mean?

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Lisa Konrad… How do I put this?

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It'll depend on whether she…

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Have we met before?

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I get that a lot. You're not the first.

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Well, the interview is only in four weeks.

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And I'll get the manuscript…

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- One week before.
- Okay.

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I'm…

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I'm still undecided. I told Katrin.

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She called me earlier, by the way.
Just so you know.

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Yeah, the whole situation
is not easy for Katrin.

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That's life.

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It was a pleasure.

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WE LOVE SOUR FRIES

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Good!

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Good, very good! More! Go!

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Keep going! Push!

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Push! You can do more! Push!

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Good!

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- Oh boy.
- Very good!

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Want to have a go?

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I have to go. I'm working concessions
at the movie theater.

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Need anything else?

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Same brand?

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A carton.

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Is that helpful?

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No.

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But a gun would be.

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Do you also know people
who know about that?

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Look where you're shooting.

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Steady the weapon.

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The only thing that moves
is your finger on the trigger.

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What's going on with you?

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You're suddenly into literature

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and you've come to see your daughter
for the third time in four weeks.

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I'm trying to sell my parents' house.
I'll be in town more often.

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Can I borrow these?

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Or what would you recommend?

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It's not your genre.

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It's about the complex inner life
of sensitive human beings.

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So this is her first one,
and this is the latest, right?

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Do you have a new girlfriend?
Here in Munich?

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Someone who's cultured?

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I still live in Berlin
with the very cultured Katja,

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and I'm still faithful to her.

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Can we drop it, Alex?

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I'm meeting this author
and need to read up.

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I know nothing about her.

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Read as much as you like, but…

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Dad!

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Hey, you!

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So? What should we do, sweetie?

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Movies?

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- Yes.
- Yeah?

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ORIGINAL WITH SUBTITLES

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In English? Seriously?

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Hey, it has subtitles.

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I thought a little practice won't hurt
before we go to London for Pentecost.

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Really?

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Silly me.
I just gave away your birthday present.

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- Hey.
- Hey.

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What can I get you?

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Two of the sour fries.

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No one ever buys these.

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I love those things.

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Make it three then.

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Seven fifty.

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You can hear pretty well from here.

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Yeah, just like in my apartment.
But the rent is unbeatable.

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Here, keep the change.

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Thanks.

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Which movie
did you most enjoy listening to?

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<i>Mom?</i>

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<i>Mom!</i>

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<i>Mom!</i>

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<i>Where are you?</i>

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I'll hold the fort here.

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- No, you should go back inside.
- It's no problem.

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<i>Mom!</i>

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- I'll be back in three minutes.
- Okay.

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- Thank you.
<i>- Mom!</i>

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<i>- Where are you?</i>
- Three minutes.

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<i>Mom!</i>

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<i>Hi, my darling.</i>

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<i>What's up? I'm here. Everything's fine.</i>

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<i>You just had a bad dream.</i>

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<i>Come here.</i>

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<i>Come here. Yes, everything's fine.</i>

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FIND TRANSMITTER

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<i>Yeah, it's okay, honey.</i>

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<i>Hey…</i>

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<i>Could you spare a cigarette?</i>

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<i>- But I was…</i>
<i>- …too late!</i>

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<i>Did she or didn't she see him?</i>

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<i>Sorry!</i>

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<i>Sorry!</i>

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<i>I'm sorry!</i>

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Wake up.

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<i>You have to wake up now.</i>

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<i>Pull yourself together.</i>

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Ready?

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Stop!

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Stop!

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Stop!

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Stop!

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Sorry.

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It smells like cigarettes.

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It does.

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We haven't talked about your parents
in a while, Ms. Konrad.

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Because there's nothing to talk about.

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We had discussed
whether you might want to invite them.

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They wouldn't come.

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Why not?

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Because they…

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My parents have somehow
become stuck in their grief.

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And you haven't?

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Well, yes. But with my parents,
everything centers on their dead child.

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The one who's alive is doing fine.
You know?

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Don't you miss your parents?

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More than anything, I miss my sister.

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Had I been on time, she wouldn't
have been savagely stabbed eight times!

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Is your new book about that too?

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In all these years,
you never wrote about your sister.

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Literature usually draws on…

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the darker characters.

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Not the brighter ones.

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Anna was lovable, funny, kind-hearted.

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Speak nothing but good of the dead.

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No, not because she's dead.

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Anna really was like that.
I told you that many times.

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Yet you're writing a crime novel.

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I didn't say it was a crime novel.

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I thought, because you…

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Well, because your sister was murdered.

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I mean, I'm no expert.

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But that's what crime novels are about.
Aren't they?

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Would you be so kind, Ms. Konrad?
Please sit back down.

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Okay?

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You work out regularly?

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Yes. It's good for me.
It balances out the writing.

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Do you miss having sex?

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You're pulling out all the stops today.
Sex?

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I barely remember what that is.

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Okay, Ms. Konrad.

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I won't ask whether you're taking
your usual medication. You are an adult.

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But prolonged isolation
can result in sleep disorders,

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eating disorders,
impaired cognitive ability.

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- As well as hallucina--
- So what?

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Needing medication, Ms. Konrad,
isn't a flaw.

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It's what keeps you alive.

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Do you understand me?

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Ms. Konrad?

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- Yes.
- Yes.

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Good.

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That's good.

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Here's my suggestion.

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I'll leave a new prescription with Yuma.

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I'll prescribe something

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that'll help you focus
and calm you down a little.

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Does that work for you?

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- Yes?
- Yes.

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Good.

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Dr. Anger?

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I'm in the final stage of writing.

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I'd like to pause our sessions
for the next two weeks.

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ATOMOXETINE 40 MG

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"You don't have to…

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answer me."

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"But…

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I still have to…

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ask you this question."

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Has your daughter Sophie
ever been violent before?

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What?

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My colleague means,

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was Sophie prone to angry outbursts
as a child or teenager?

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No.

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What does Sophie say?

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Don't you talk to each other?

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Sophie and you two?

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We do.

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Of course.

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But you don't know about the report filed
against her for the nighttime attack?

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We assume it was a crime of passion.

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Even though people in Anna's circle say
she had been single for nearly a year.

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What about the man Sophie saw?

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Do you know anyone
whose name starts with "L-I" or "L-E"?

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Mom.

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Dad. You have to ask questions.

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What questions?

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"If Anna knew him,

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why did

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no one ever see

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this man with her?"

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"But if Anna didn't know him,

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why would she have

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let him in at all?"

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So?

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What do you think?

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Should I be worried?

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She still exercises excessively.
She's compensating.

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But that's perfectly normal.

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Normal? In what way?

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It's a stage of her psychogenesis.

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Trauma, regressive repression,
memory distortion…

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And then compensatory behavior
to maintain that state.

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If she's compensating,
why is she writing about the past?

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Something must have triggered her.

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So it's a good thing
that she exercises to compensate.

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What if she remembers?

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I think that's unlikely.

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If she does, I'll explain to her

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that these are false memories
consistent with her condition.

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Did she say anything
about the details of the novel?

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No, nothing.

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I could barely get it out of her
that it's about her sister.

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So I didn't push any further.

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- One rosé.
- Thank you.

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You're welcome. Extra ice?

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Two, please. Thank you.

25:37.625 --> 25:41.833
The deadline is in two weeks.
She doesn't want any sessions until then.

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What? But how are you going to…

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- Enjoy.
- Thank you.

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What if her writing brings it all back up?

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No. You're overestimating
the power of literature, Norbert.

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And you underestimate the power of drugs.

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I prescribed her a new one
that will keep her calm.

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Well, provided she takes it. To Lisa.

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Everything is fine the way it is.

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I'm doing this for her too.

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Selflessness doesn't suit you, Rudow.

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If she remembers, you're screwed.

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Hey, buddy.

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You're really hungry, huh?

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THE INTERROGATOR
AN EDUCATION

27:43.458 --> 27:45.375
SYSTEMIC QUESTIONING TECHNIQUES

27:45.458 --> 27:46.666
<i>What color is your car?</i>

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It's enough.

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What color is your car?

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I can't take this anymore.

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What color is your car?

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I don't have a car.

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What is your cat's name?

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It's a dog.

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What color is your car?

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- Red.
- You just said you don't have a car.

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Which is it?

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<i>It's about withstanding pressure.</i>

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<i>Suppressing your needs.</i>

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<i>Functioning.</i>

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<i>No matter the circumstances.</i>

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<i>That’s why I have to subject you</i>
<i>to pressure and deprivation.</i>

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MILITARY ID CARD

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<i>Understood?</i>

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This isn't research for a novel.

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What's your goal, Ms. Konrad?

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What are you really preparing for?

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What are you hoping to find out?

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Why my sister was murdered.

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Only after 30 hours without sleep
and 14 hours under extreme pressure

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did you reveal your true objective to me.

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Not bad for a beginner.

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How did you know that I--

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Clients never tell me
the real reason at first.

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So…

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So up to now, all this was just…

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Now I know what I'm dealing with.
We can begin.

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So…

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You're about to have a long conversation.

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An interview, as far as I understand.

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And you don't want to lose control.

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You want to find something out.

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And while you're at it, get a DNA sample.

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Correct?

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Ferdi! What are you doing?

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I just wanted…

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- Why are you using the dog flap?
- 'Cause you don't close it.

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Gotta pee.

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- Have you seen Ms. Konrad?
- No.

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You are now in the same physical
and mental state

30:42.708 --> 30:45.833
you'll likely be in during the interview.

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You are well trained, but you'll be upset.

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Tense.

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And you're in withdrawal, right?

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That's your decision, of course.

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But maybe you should put off your detox.

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Okay.

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We will first go over
the general framework.

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Posture.

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Facial expression.

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Gestures.

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Lisa?

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I know you have a visitor.

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I don't want to interrupt,
but I have to go.

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Just call me, okay?

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RESERVE MAJOR NILS CHRISTENSEN

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HEAD INSTRUCTOR
INTERROGATION TECHNIQUE

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<i>In this strange li…</i>

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<i>limbo between…</i>

33:47.750 --> 33:50.750
<i>In this strange limbo between</i>

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<i>shock and breakdown…</i>

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<i>in which Sophie hasn't been okay</i>
<i>for a while now</i>

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<i>but is somehow still functioning…</i>

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<i>she retreats more and more</i>
<i>into her own world.</i>

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<i>She can no longer eat.</i>

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<i>Can't sleep, can't love,</i>
<i>can't paint the way she used to.</i>

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<i>Anna is everywhere.</i>

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<i>The dying Anna.</i>

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<i>The tormented, grimacing Anna.</i>

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<i>Not the laughing, pretty, lovable one.</i>

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Any news?

34:46.083 --> 34:47.083
No.

34:48.541 --> 34:49.958
Can I come in anyway?

35:02.125 --> 35:03.375
Are you moving?

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Marc, my boyfriend, is moving out.
My ex-boyfriend.

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He still has to sign his statement.

35:23.750 --> 35:26.000
You have my sympathy.

35:26.833 --> 35:28.916
With everything you've been through.

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But you must stop searching for him
in the streets and randomly--

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I can't just sit around.

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There's another report against you.

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I only grabbed the man by the arm.
That's all I did.

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- Sophie, I only mean well.
- Then find him!

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The case will be closed
at the end of the month.

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I wanted to tell you in person.

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So much for your promise.

36:29.250 --> 36:31.916
I also wanted to ask you
to stop calling me every day.

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I'm a nuisance to you.

36:35.833 --> 36:36.875
No.

36:38.333 --> 36:41.333
But I have to record each call
in the case file.

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I’m causing you extra work.

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If it helped us find the killer,

36:57.708 --> 37:00.125
I wouldn't care
if you called me every hour.

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He is out there somewhere.

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He knows that I saw him.

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Take care, Sophie.

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<i>Only he and I know who it was.</i>

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<i>Only he and I know</i>
<i>that this is not a crime novel.</i>

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<i>But an invitation.</i>

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<i>I'm waiting for you.</i>

37:55.375 --> 37:56.375
<i>The end.</i>

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DEAR MR. LENZEN,

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ATTACHED IS THE MANUSCRIPT FOR "MY SISTER"
AHEAD OF OUR INTERVIEW ON JUNE 23

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MY SISTER

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"That morning, strangely enough,
Sophie didn't scream when she woke up."

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"Her own horrified scream."

38:48.625 --> 38:52.583
"Since her sister's murder,
that was the sound

38:53.125 --> 38:55.500
that would jolt her awake."

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<i>Only he and I know who it was.</i>

39:13.958 --> 39:18.958
"Only he and I know
that this is not a crime novel."

39:19.041 --> 39:20.583
"But an invitation."

39:21.958 --> 39:23.500
"I'm waiting for you."

39:40.833 --> 39:46.083
<i>You develop a special connection</i>
<i>to a place when you never leave it.</i>

39:47.833 --> 39:50.625
<i>All your senses become attuned to it.</i>

39:51.500 --> 39:54.666
<i>You can tell when something's not right.</i>

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<i>Something here is not right at all.</i>

40:12.000 --> 40:13.583
<i>It's too quiet.</i>

40:34.666 --> 40:36.208
Bukowski.

40:52.041 --> 40:53.208
Come.

40:54.583 --> 40:55.500
Come!

41:01.916 --> 41:02.916
Lisa?

41:09.750 --> 41:11.083
There you are.

41:11.791 --> 41:13.875
I thought you were writing a crime novel.

41:13.958 --> 41:16.500
But you've broken every genre convention.

41:16.583 --> 41:18.208
No resolution, no redemption.

41:18.291 --> 41:20.416
I've just read it. I absolutely love it.

41:20.500 --> 41:25.083
But you must never,
never ever reveal who it was. To no one.

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- Lisa.
- Blood.

41:27.750 --> 41:28.750
There.

41:30.041 --> 41:31.625
Lisa!

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A bag!

41:35.125 --> 41:38.000
Breathe in… and out.

41:38.083 --> 41:39.958
Lisa?

41:40.625 --> 41:41.916
We need a doctor.

41:42.000 --> 41:45.666
Go. I'll stay here.
I'm sure the doctor will be here soon.

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Shelley, finally. Do something.

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My God, yes. Lisa?

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Lisa, can you hear me?

41:55.791 --> 41:56.791
Lisa.

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Norbert, get my emergency bag
from the trunk. Quickly.

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How long have you been
off your medication, Ms. Konrad?

42:11.916 --> 42:14.625
No, don't close your… Norbert!

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I've just read it. She hasn't remembered.

42:17.000 --> 42:19.208
Shut up. Disinfectant.

42:25.208 --> 42:26.875
Here, hold it higher.

42:36.708 --> 42:38.500
Can she hear us?

42:38.583 --> 42:39.583
No.

42:40.458 --> 42:42.041
What did you give her?

42:42.541 --> 42:43.958
You don't want to know.

42:45.250 --> 42:48.166
She'll sleep for many hours now.

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And when she wakes up,
she will feel like a new person.

42:59.083 --> 43:00.083
Right.

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Now close your eyes.

46:56.583 --> 47:01.583
Subtitle translation by:
Susanne Creak, Diana Renker