WEBVTT

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<i>Anna!</i>

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<i>- I'll die first. I get to choose.</i>
<i>- No way! I'm older. I'll die first.</i>

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<i>Did he actually know her before he…</i>

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<i>Does he know that Anna hated cut flowers?</i>

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<i>Was she a random victim?</i>

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- Rudow.
- Lisa?

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Lisa!

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- Norbert!
- Don't "Norbert" me.

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I'm pissed off.

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So you come here?
In the middle of the night?

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I'm so pissed off
that I can't sleep anyway.

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I thought you were still in France.

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Then I wouldn't be here.

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What's possessing you to write a thriller?

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- A crime novel.
- Even worse.

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You'll confuse your readers.
You write literary fiction.

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You'll ruin the image
I painstakingly built for you.

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- I feel like writing a crime novel.
- Without talking to me at all?

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And I hear about it from your tipsy agent
when she calls me late at night?

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Lisa, I'm not just your printing press!

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- Norbert, I was going to--
- No, don't say anything. Don't.

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<i>Close the door.</i>

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<i>Close it.</i>

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- Nor--
- I know where the corkscrew is.

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THE TRAP

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THE NOVEL

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Norbert, I thought you'd be happy.

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My last book was over two years ago.

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And crime novels sell pretty well.

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Silly cow.

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This is a 2020 Château de Vaudieu.
I just brought it back with me.

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I really like it.

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Hey, what's this about an interview?

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For years you've been telling me, no PR,
and now you want to give an interview?

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So that I can't back out.

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- It's not set up yet.
- No kidding.

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I thought you could do that for me.

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I thought you only just started.

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I want to set it up early
to have a goal to work toward.

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Like a challenge.

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Where's this from?
Some bullshit books on self-improvement?

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I've got someone in mind.
Someone who writes well.

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He asks the right questions.

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- Will you call him for me?
- Get lost.

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Just imagine.

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I give an interview
one week before publication.

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It'll make a splash.

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Plus, you don't need to edit.

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No advertising, no other press, nothing.

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My publishing house
does not publish unedited books.

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Then I'll have to find another publisher.

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You don't have any siblings, do you?

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No, I'm an only child. You know that.

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My wife says it shows.

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I had a sister
who was three years younger than me.

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Her name was Anna.

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I loved her.

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Very much.

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She was murdered.

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It'll be ten years this summer.

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You've never talked about her.

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I didn't sign with your company
until weeks later.

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But…

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We've been working together
for nearly ten years.

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We are friends.

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I can only work through things
by writing about them, not by talking.

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That's what I'm trying to do now.

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You want to write
about your sister's murder?

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They never caught her killer, did they?

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No…

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You know about it?

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How?

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- How do you know about it?
- I have to…

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I should start…

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Look, I finally land this top author.

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And shortly after,
at my 50th birthday party…

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Do you remember?

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Wha…

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- Thanks.
- That doesn't mix with the pills. Hello!

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Marc, stop it.
You wanted to come here, not me.

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If you can drink, you can dance too.

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Are you okay?

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- Are you all right?
- Stop!

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Turn it off! No!

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Stop!

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Turn it off!

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- So Marc told you--
- No. Nonsense.

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Your boyfriend disappeared from my life
just like he did from yours.

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Or did he visit you in the psych ward?

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<i>No, I don't think I wanted him to.</i>

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- Did they tell you there what--
- They said not to ask you.

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That I should wait
until you wanted to talk about it.

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I accepted that.

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When my top author
finally left the locked ward,

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she still wouldn't talk about it.

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She wouldn't go home or to her parents.

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She didn't want to leave the house.

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So I offered her this place.

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Come in.

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<i>My company's guest villa.</i>

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<i>The company couldn't really</i>
<i>afford the villa anymore.</i>

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<i>To be honest, we were almost bankrupt.</i>

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You recommended my therapist.
Did she tell you--

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I've never met the woman.

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That was through word of mouth.

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Are you not happy with her?

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No, I am.

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How do you know then?

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I knew your sister.

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Briefly.

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What do you mean, "briefly"?

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She once pitched an ad concept to me.
For the company.

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It was quite good.

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What is this?

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She mentioned
that her sister was Lisa Sophie Wilking.

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The author of the sensational debut
that was a huge hit at the time.

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<i>What is all this?</i>

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What…

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<i>What is this?</i>

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And then you released <i>Light and Sounds.</i>

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Your first book
under the pseudonym Lisa Konrad.

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It saved our company's ass.

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More than that.

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How do you know that Anna was murdered?

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I only went to her place to ask her
to put in a good word for me.

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In case you wanted a new publisher.

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<i>You had never responded to my offers.</i>
<i>I mean…</i>

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<i>Before all this.</i>

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POLICE SEAL

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Yes?

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I'm here to see Anna Wilking.

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Narges, can you please come?

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Yes?

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Inspector Akbari.
You wanted to see Ms. Wilking?

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Anna Wilking, yes.

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What's happened?

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What was your relationship to Ms. Wilking?

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What… What's going on?

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Ms. Wilking was murdered last night.

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By whom?

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We don't know yet, Mr…

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Faber.

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Yes, I have… I am…

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She…

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A few weeks ago,
she pitched an ad concept to us.

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I wanted to give her the green light.

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In person, visiting her home?

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The concept needs a few changes, and…

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I wanted to discuss those with her now.

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Please, have a seat, Mr. Faber.

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Yes, thank you.

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We'll need to take a DNA swab from you.

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Why?

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Just for comparison.
You touched the doorbell.

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Your name never came up.

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No one ever asked me
about a Norbert Rudow.

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They took my DNA and sent me away.

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That was it.

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Fuck.

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I'll let you get back to sleep.

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As for the interview,
send me the journalist's name.

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Fuck.

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<i>That night</i>
<i>would change Sophie's entire life.</i>

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<i>Everything…</i>

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<i>that was behind her.</i>

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<i>And everything that was still to come.</i>

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<i>Hi, this is Anna. Looking forward</i>
<i>to some good news after the beep.</i>

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Hey, you.

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I've been trying to call you.

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I'm really sorry.

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<i>I was working and lost track of time.</i>

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<i>I'll be there soon.</i>
<i>I'm super curious about your "surprise."</i>

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<i>Sophie knew that her sister didn't like it</i>
<i>when someone's late.</i>

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<i>Anna seemed to be really mad this time.</i>

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Anna!

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<i>She didn't answer</i>
<i>the doorbell or her knocking.</i>

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<i>But maybe that's</i>
<i>because the music was so loud.</i>

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<i>Anna!</i>

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<i>Anna? I'm coming in!</i>

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Anna!

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<i>Sophie wondered what surprise</i>
<i>Anna had in store for her.</i>

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Anna!

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Anna! No, no…

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Anna, stay with me! Anna, no…

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<i>The man had looked Sophie</i>
<i>straight in the eyes.</i>

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<i>It was as if there was suddenly</i>

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<i>no oxygen in the room.</i>

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<i>No air. No sound.</i>

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<i>No colors.</i>

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<i>Sophie felt cold.</i>

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<i>On the inside. So cold.</i>

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<i>Everything around her unfolded</i>
<i>like a well-rehearsed dance.</i>

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Step back please. Thank you.

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<i>Everyone seemed to know exactly</i>
<i>what to do.</i>

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<i>What came next.</i>

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<i>Everyone except her.</i>

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<i>Sophie knew she mustn't scream.</i>
<i>She mustn't lash out.</i>

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<i>Her time…</i>

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<i>It stood still.</i>

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Just a few steps back. Thank you.

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No one who knows Anna
would have done that to her.

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- Nobody is loved by everyone.
- I don't understand.

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I… I just don't understand.

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I have never seen that man, he…

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He has…

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I don't know what's happened here.

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But I promise you, I will find out.

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Quick question.
Was your sister left-handed?

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Yes. Why?

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Just for comparison.

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Leon, I need to show you something.

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And you, please don't leave.

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We'd like to take your statement
right here.

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- You promised her to find the perpetrator?
- No.

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- Not exactly.
- "Not exactly."

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You don't like her.

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I'm being professional.

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Hannes, take pictures of her.
Hands, clothes, everything.

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- Should I?
- Yes.

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Look straight ahead.
Other side. Turn 180 degrees.

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When we were about to move the body,
we found this.

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We're not done yet.

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An L and an I.

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Or an E.

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"Or whatever letter

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it was meant to be."

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Once he reads this,
he won't turn down an interview.

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Or will he?

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Is that enough of a reason for you?

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Enjoy.

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Excuse me.

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Tell me, how do you know Norbert Rudow?

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- Who?
- From Rudow Publishing.

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Ah, Rudow Publishing. Yes, I know them.

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But not Rudow personally.

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Norbert is making you an offer.

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- I'm not planning on writing a book.
- It's an interview.

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With Rudow? On what topic?

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Not with him. With his star.

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Who's that?

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Lisa Konrad.

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Right. My ex has all her books.
But that's your area. You should do it.

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I'd love to. But she wants you.

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The interview is ahead of her new novel.

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Exclusive, at her home.
It could make the cover.

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For nearly ten years,

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Konrad has consistently topped
the bestseller lists.

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And she's never given an interview.

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No one has ever met her.

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There's even a theory
that she doesn't exist.

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That someone else
is writing under that pseudonym.

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- "Lisa Konrad" is a pseudonym?
- Yes.

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Several people are suspected
of being behind it.

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Schirach, Zeh, Kehlmann…
Rudow himself too.

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- And no one knows who…
- No.

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I already said yes to Rudow.

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On my behalf? Forget it.

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I can ask around
who else might be interested.

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Katrin, do what you want, but without me.

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I will.

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RUDOW PUBLISHING
NON-FICTION AND FICTION LITERATURE

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Hey, Katrin. I'll do the interview.

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Well, that's…

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Fuck.

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LONDON
WHEN?

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"CAUGHT IN THE SYRIAN WAR"
INTERVIEW BY ROBERT LENZEN

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THE POLICE IS ASKING FOR YOUR HELP

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<i>Sophie stared at the bright ceiling light</i>
<i>in the cramped police van.</i>

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<i>"Like a ray of divine light," she thought.</i>

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<i>Abruptly,</i>
<i>Sophie was jolted out of her memories.</i>

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<i>The policewoman</i>
<i>wouldn't stop asking questions.</i>

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Why were you at your sister's so late?

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We were supposed to meet earlier.

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I was late.

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If I had been on time, then…

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She even had a surprise for me.

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What surprise?

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No idea.

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Probably something to cheer me up.

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Cheer you up?

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Yes, my boyfriend and I, we're…
We're going through a rough patch.

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Why?

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What do my relationship problems
have to do with my sister's murder?

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I thought you'd ask me about the man!

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What time did you get to your sister's?

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I already told you all this.

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I have to go to my parents now.

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Thank you.

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- Can we drive you?
- No.

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What was that?

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She just lost her sister. That's what.

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Oh sh… No…

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Sorry.

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Sorry.

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Sorry.

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Sorry.

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<i>I'm sorry.</i>

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I'm sorry.

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I'm sorry!

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<i>I'm sorry!</i>

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I'm sorry!

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Yeah…

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Are you crazy? Stop drooling on me!

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You, stay here.

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Hello.

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Rudow just called.
He's offered the interview to <i>Reflekt</i>.

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- Finally.
- Hi.

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- Close the door.
- Right.

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Why didn't Norbert call me himself?

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We had stuff to sort out anyway.
God, these shoes.

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Like what?

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Minor contractual details.

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- The flowers are for you.
- Thank you.

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- And I want a bigger share in the sales.
- I don't need more money.

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You haven't seen the new offices.

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- And?
- Oh boy…

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Darling, I've told you so many times.
It's not about money.

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Money is just the currency
of appreciation and respect.

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Is that so?

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We have a new request for film rights too.

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Thanks for the flowers.

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They're lovely.

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The latest <i>Galant</i>
has another article on you.

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I'll read it to you. Wait.

29:19.458 --> 29:21.958
That you… Hold on.

29:22.583 --> 29:24.000
I've almost got it.

29:25.416 --> 29:26.583
Right, here it is.

29:26.666 --> 29:29.750
"…that because of an allergy to daylight,

29:29.833 --> 29:33.250
the author is forced to spend her days
behind closed curtains,

29:33.333 --> 29:39.875
while at night she requires an oxygen tent
to get her much-needed sleep."

29:41.250 --> 29:43.541
One could think someone's…

29:43.625 --> 29:45.333
Anyway, it's all…

29:46.125 --> 29:48.291
There's also a photo of the villa.

29:51.333 --> 29:52.875
LISA KONRAD
THE QUEEN OF DARKNESS?

29:52.958 --> 29:58.041
But it only says
"guest villa near Munich" underneath.

29:58.625 --> 30:01.625
It's an old picture.
The roof still has the old tiles.

30:01.708 --> 30:03.166
Where did they get the photo?

30:04.000 --> 30:05.916
From some archive.

30:06.000 --> 30:09.833
It says, "Guest villa,
copyright Rudow Publishing 2012."

30:09.916 --> 30:12.208
There are no photos of you,
so they used this.

30:12.291 --> 30:15.500
- Probably just a coincidence.
- What if someone finds out my address?

30:16.750 --> 30:18.583
No one's going to show up here.

30:18.666 --> 30:22.625
That's why it says "guest villa"
and not "Lisa Konrad lives here."

30:36.791 --> 30:37.833
Bassem?

30:48.916 --> 30:50.791
Salaam, Bassem. How's it going?

30:51.833 --> 30:53.250
Close the door.

31:01.333 --> 31:05.083
I uploaded everything on Al-Manar
and the Darabi clan to the server.

31:05.166 --> 31:06.375
Yeah, thanks.

31:10.333 --> 31:11.916
Lisa Konrad.

31:17.166 --> 31:18.666
Does the name ring any bells?

31:20.833 --> 31:23.916
Is she connected to arms dealer Konrad?
Near Passau?

31:24.000 --> 31:25.875
Nope, very cold.

31:25.958 --> 31:28.416
Writer Konrad, near Munich. The author.

31:29.000 --> 31:31.250
Leave me out of your lady troubles.

31:31.333 --> 31:33.166
That's your problem. Yours.

31:33.250 --> 31:35.458
Hey, I'm supposed to interview her.

31:36.791 --> 31:37.750
Why?

31:38.833 --> 31:39.875
No idea.

31:41.708 --> 31:44.166
That's why I need you to check her out.

31:44.250 --> 31:47.333
Childhood, education,
friends, relationships,

31:47.416 --> 31:50.791
employees, medical records, everything.

31:52.958 --> 31:56.541
Oh, and "Lisa Konrad" is just a pseudonym.

31:59.166 --> 32:00.625
A pseudonym?

32:01.416 --> 32:03.375
Yeah, first I need her real name.

32:04.041 --> 32:07.625
Send it all through privately, okay?
Don't use the server.

32:08.291 --> 32:12.375
There's a colleague on the culture desk
who can't be entirely trusted.

32:12.875 --> 32:15.250
And the address for this place.

32:15.791 --> 32:17.916
Wow. Quite impressive.

32:20.083 --> 32:22.125
I want that photo out of circulation.

32:22.208 --> 32:25.125
The article is online.
You can't stop it anymore.

32:25.208 --> 32:29.625
- Your interview will soon anyway reveal…
- I want to stay in control.

32:30.125 --> 32:31.291
Darling…

32:32.291 --> 32:35.208
Do you really think
this interview is a good idea?

32:38.583 --> 32:40.625
Pia, stop beating around the bush.

32:43.583 --> 32:44.666
All right.

32:45.333 --> 32:46.916
Then I'll be straight with you.

32:47.791 --> 32:49.791
Rudow advises against the interview.

32:50.958 --> 32:52.875
He only just arranged it for me.

32:52.958 --> 32:56.541
But he's worried about you.
That's why he wanted to talk to me.

32:56.625 --> 32:59.375
Tell Norbert to call me
if he wants something.

32:59.458 --> 33:01.458
He'd like to read the novel before--

33:01.541 --> 33:04.958
Like I said. If Norbert wants something,
he can call me.

33:08.458 --> 33:11.125
Fine. I tried.

33:19.458 --> 33:20.708
And other than that?

33:21.708 --> 33:23.041
Are you doing okay?

33:29.916 --> 33:31.250
<i>That one's pretty.</i>

33:31.958 --> 33:35.833
- That one too.
- It's mean to rip the heads off flowers.

33:35.916 --> 33:38.333
I'm only picking them to give them to Mom.

33:38.416 --> 33:40.333
But then they're dead.

33:41.750 --> 33:43.833
They'll die one day anyway.

33:43.916 --> 33:45.625
All flowers wither.

33:48.875 --> 33:49.750
But…

33:50.458 --> 33:52.041
If you pick them…

33:53.625 --> 33:55.708
they die too soon.

34:03.958 --> 34:09.291
Anna, I'll never pick flowers
for Mom again. Promise.

34:14.375 --> 34:16.291
How is your writing going?

34:17.166 --> 34:18.875
Are you working all night again?

34:18.958 --> 34:21.583
It's still eight weeks
until the interview.

34:21.666 --> 34:22.833
I'll manage.

34:24.375 --> 34:26.166
I need to get back to my desk.

34:29.041 --> 34:31.000
Can I use the sunbed?

34:57.541 --> 34:59.458
<i>- Rudow.</i>
- Are you behind the photo?

34:59.541 --> 35:01.041
<i>Lisa, nice of you to call.</i>

35:01.125 --> 35:04.250
- Did Pia talk to you?
<i>- Are you behind the photo?</i>

35:04.333 --> 35:08.750
- Are you crazy? What do you think? Hi.
<i>- I don't know what to think.</i>

35:09.750 --> 35:14.250
<i>I didn't keep the world off your back</i>
<i>for ten years to then tip off some rag.</i>

35:14.333 --> 35:18.083
Are you sure it's a good idea
to put your personal story out there?

35:18.166 --> 35:21.125
It's a crime story. A novel. Fiction.

35:21.208 --> 35:24.958
Why would anyone think
it's my personal story?

35:25.041 --> 35:28.416
Once someone's found the address,
there's the population register.

35:28.500 --> 35:31.833
Your real name is in there.
Lisa Sophie Wilking.

35:32.458 --> 35:33.625
What then?

35:33.708 --> 35:37.083
I've never registered at this address.
I have a P.O. box, as you know.

35:38.208 --> 35:39.458
<i>Lisa.</i>

35:40.541 --> 35:43.416
<i>I know what journalists are like.</i>
<i>Believe me.</i>

35:43.500 --> 35:47.833
Especially those political types.
They don't give up.

35:47.916 --> 35:50.416
<i>I've had enough of those rave reviews.</i>

35:50.500 --> 35:54.041
<i>I want someone from outside</i>
<i>the usual circles for my new book.</i>

35:54.125 --> 35:57.916
Someone who's usually doing
good and important work.

36:00.250 --> 36:01.625
Lisa, I…

36:04.208 --> 36:06.500
I need to read the manuscript in advance.

36:08.041 --> 36:12.041
I will send it to you and the journalist
at the same time. Promise.

36:29.833 --> 36:32.083
Pia? You have to leave now.

36:32.166 --> 36:33.375
What?

36:35.666 --> 36:37.250
You have to leave.

36:39.625 --> 36:41.291
You have to leave now, Pia.

36:41.375 --> 36:44.375
Hey… What's up with you?

36:44.458 --> 36:47.041
I have a training session.
And you're pretty enough.

36:47.625 --> 36:50.833
Interview, training,
all that new equipment around here…

36:50.916 --> 36:53.708
Are you having an early midlife crisis?

36:53.791 --> 36:56.833
- Or did they change your medication?
- Hello?

36:57.875 --> 36:59.041
Ms. Konrad?

37:07.416 --> 37:08.833
Where can I get changed?

37:10.416 --> 37:11.541
Over there.

37:18.750 --> 37:19.958
I'll go then.

37:25.875 --> 37:28.833
We'll start with some simple exercises.
Attack me.

37:30.458 --> 37:31.333
Me? Now?

37:39.250 --> 37:40.125
Harder.

37:42.041 --> 37:42.916
Okay.

37:43.625 --> 37:44.666
Harder!

37:48.791 --> 37:49.791
Five.

37:50.541 --> 37:51.541
Six.

37:52.041 --> 37:53.166
Six.

37:53.666 --> 37:54.541
Six.

38:01.000 --> 38:02.250
Learn how to fall.

38:07.791 --> 38:08.791
Thank you.

38:10.041 --> 38:13.958
And how to get up.
That's even more important.

38:14.041 --> 38:15.083
- Uppercut.
- Okay.

38:15.166 --> 38:16.791
Duck. Left, right.

38:22.458 --> 38:25.000
Do you also know
about surveillance technology?

38:25.083 --> 38:26.083
No.

38:26.833 --> 38:29.083
- But I know people who do.
- Yeah?

38:29.166 --> 38:30.166
Keep going.

38:31.833 --> 38:34.625
And they'll all be connected to my laptop?

38:34.708 --> 38:36.666
Yes, through Wi-Fi.

38:36.750 --> 38:40.541
The ground level includes the driveway.
Hold on.

38:46.416 --> 38:48.375
You really can't see it.

38:48.458 --> 38:49.791
Just like I said.

38:51.083 --> 38:54.958
- Where is the provider connection?
- It must be on the side of the house.

38:55.041 --> 38:58.375
When you come out the door, left.
Next to the cabin.

38:58.458 --> 39:00.458
UTA SECURITY SYSTEMS

43:20.166 --> 43:25.166
Subtitle translation by:
Susanne Creak, Diana Renker