WEBVTT
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- No, no, no!
- Previously on Ride or Die...
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- [screaming]
- [Ana] I saw her with Whiptail.
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I saw Whiptail at your house.
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[David] They've been friends
for, like, 20 years.
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- Liar.
- They're best friends.
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[Sam] Hey.
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I fell through a glass door.
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[Sam] He keeps the agent records
in a safe.
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My mum. She was an assassin.
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[Sam] Got her, got her.
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It says she died five years ago
on a mission with Whiptail.
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- Oh, my God. We have to tell Whiptail.
- Okay, okay.
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[Director over phone] Who is this
Debbie Claybourne to you?
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She's my friend.
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Make a choice, her or me.
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Complete the job, or you're out.
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[Pedro] We have accounted
for all passengers...
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[screams]
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[Pedro] ...except for two women.
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We have no records of them getting off.
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[conversing in French] The Albanian mob
were at the train station this morning.
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Fuck... what do they want?
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[Ergon] They stole my 24 million.
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Go find them.
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Mrs. Claybourne? Ah!
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You don't need to do this, you know.
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Yes, I do.
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[Billy] No, you have a choice.
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[Debbie] The Albanians are here.
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You can't leave me here, they'll kill me.
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They're gonna come for you.
You owe these guys 24 million quid.
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- I know how we can get it back.
- How?
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- [tires squealing]
- [dramatic music playing]
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[water lapping]
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[suspenseful, dramatic music playing]
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[man speaking Turkish]
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[men conversing in Turkish]
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- [coughs]
- [man gasps]
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[men conversing in Turkish]
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[yells]
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Welcome back.
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- You've been out for a while.
- [chains rattle]
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Who sent you?
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- [chains rattle]
- [soft chuckling]
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[grunts]
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- Who do you work for?
- [whimpering]
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They're coming for me.
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No one is coming for you.
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[lock clicks]
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[♪ Gin Wigmore sings "Kill of the Night"]
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♪ The street's a liar ♪
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♪ I'm gonna lure you into the dark ♪
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♪ My cold desire ♪
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♪ to hear the boom, boom, boom
of your heart ♪
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♪ The danger is I'm dangerous ♪
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♪ And I might just tear you apart ♪
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♪ Oh, ah, oh ♪
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♪ I'm gonna catch ya ♪
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♪ I'm gonna get ya, get ya ♪
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♪ Oh, ah, oh ♪
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♪ I wanna taste the way
that you bleed, oh ♪
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♪ You're my kill of the ♪
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♪ night ♪
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- [knock on door]
- [Director] Come in.
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Ah, Sam, do come in.
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[suspenseful music playing]
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Drink.
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No, thank you.
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Come on, have a drink.
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What were you doing in my office?
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[Sam] I was trying to protect my agent.
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I think the hit on Billy Donovan
was a setup.
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By who?
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A former operative.
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Redback.
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Redback is dead.
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No, sir, she's not.
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I saw her myself.
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Her file said she died on a mission
with Whiptail five years ago in Turkey,
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but she's alive.
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- I've-I've been trying to tell Whiptail.
- No.
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But...
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- we have to tell her.
- Whiptail lied.
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She is no longer a member
of this organization.
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No, but, sir, this woman, Redback,
she's going to kill her.
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Yeah, that's what happens when you think
the rules don't apply to you.
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Get out.
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Oh, and, Sam?
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If you tell anyone what you've
just told me, I will kill you.
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[♪ Laurie Darmon sings
"Laisse-moi t'aimer"]
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[singing in French]
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[Judith] We're about 20 minutes away.
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Absolutely flew by.
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Was that a joke?
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Yes, it's a fucking joke.
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- [quirky music playing]
- [thunder rumbling]
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You're not even gonna give me one fry?
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You need to do less on the clutch.
I can smell it already.
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- Less on the clutch.
- Back off, both of you! I can drive.
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I can drive.
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Oh, we can feed him something.
It's not like he's our prisoner.
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He is literally our prisoner.
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- No, no, just keep going...
- It's right!
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- ...till you reach the ocean!
- [overlapping arguing]
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- It's a one-way street!
- It's left!
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[both] Stop it!
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So, uh,
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did he know anything?
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You know, about the Black Mark?
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Nothing.
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I quit my job.
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Why?
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I couldn't do it anymore
and look you in the eye.
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How do you feel about that?
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I don't know.
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I've never done anything else.
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The Director-- the, you know,
the one who recruited me,
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he's been there my whole life.
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For the first time, I'm...
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...on my own.
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You're not on your own.
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I had sex with Bodhi.
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- What?
- [Billy] What the what?
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- Ah.
- Who's Bodhi?
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[laughter]
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Private moment.
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[♪ LU KALA sings "Pretty Girl Era"]
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[singing in French]
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[bird squawks]
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[Debbie] So who's this guy
we're going to meet?
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[Billy] Well, he set up David's account.
He's a money mule.
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- [Debbie] A what?
- [Judith] Someone who moves illegal money.
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[Billy] Yeah, he moves it and hides it.
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People pay him to set up companies
in his name.
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[Debbie] Why?
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[Judith] Well, the company's
registered in Monaco,
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which means zero corporation tax,
and that is tax evasion.
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Her cover is forensic accountant.
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It's not just a cover. I'm a legally
qualified forensic accountant.
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- I take financial crime very seriously.
- Who are you?
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- [suspenseful music playing]
- All right, it's just down here.
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[knock on door]
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Yeah, we're here to see Elijah.
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- Password.
- I don't--
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I don't know.
Just tell him Billy's here, all right?
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Oh, f...
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It's some Lord of the Rings
bollocks, innit?
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All right, um...
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"Nordor."
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It's Mordor, dickhead.
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And that is not the password.
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Brian? Is that you?
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Whiptail? Hi. [chuckles]
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- I haven't seen you since Singapore.
- How's your mum?
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Yeah, good. Thanks. Yeah. Doing time.
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- Yeah, I heard.
- Hmm.
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- Will you send her my best?
- Mm-hmm.
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Listen, um, you can just let us in,
can't you?
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- We're in a bit of a hurry.
- Yeah.
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[Brian] Wish I could, ma'am,
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but it's password or nothing.
And it ain't fucking "Nordor."
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- Dickhead.
- Did you read Lord of the Rings?
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No, but I get it. It's like a... an elf
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and-and-and, uh...
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- and a goblin.
- [Brian] He's a dwarf.
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- No, no, no, an orc's got a ring.
- [Brian] He's a hobbit!
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- So, there's an elf, a dwarf and a hobbit.
- [Billy] Mm-hmm.
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And at one point, they, uh, get to a big
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locked door, and behind that door is...
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- Bilbo?
- [Brian groans] It's the Mines of Moria.
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- Psst.
- [Billy] Right.
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- There's a-a-a big door.
- Mm-hmm.
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And then, above the door it says,
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"Speak friend and enter."
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I'm-I'm speaking.
I'm saying, I'm saying let me in.
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"Speak friend and enter."
"Friend."
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"Friend" is the password.
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Friend.
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It's in Elvish.
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[all] Oh, come on, Brian!
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[Judith] Fuck's sake.
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Fucking Elvish.
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Right, it's "mellon," all right?
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Mellon. Mellon with two Ls.
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What the fuck?
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[Debbie and Judith gasp]
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It's "Meh-lon."
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You've got to do the voice.
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Sounds like fucking melon, didn't it?
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[triumphant music playing]
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- Good beard.
- Thank you. For the ladies.
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Really?
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Rules are rules.
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Oh, it's a...
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sex thing.
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It is not a sex thing.
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It's good to see you, Whiptail.
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Oh, it's just Judith now. I'm out.
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- "Whiptail," eh?
- Yeah.
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It's a deadly Mexican desert lizard.
The female eats the male.
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Did sound cooler when I chose it.
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- Yeah, I bet it did. [laughs]
- Oh, shut up.
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Ah. Billy Donovan.
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And friends.
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How can I help you?
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I need you to access the account
I had you set up for David Claybourne.
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Oh, yeah, the weaselly guy,
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politician, got involved
with the Albanians.
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His wife didn't know anything about it.
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No. The wife didn't know
anything about it.
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That's what you do, is it?
You hide up here and you hide
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people's money from their wives?
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Yeah, and the police
and the mob and the taxman.
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And, uh, for what it's worth,
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you're the first wife
ever to have found me.
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Well, now we need to give it back
to the Albanians.
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24 million pounds.
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Okay. No problem.
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Let's... [clicks tongue] move it back.
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Oh, I need, uh, ten percent of the total.
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Oh, for God's sake, Brian,
what do I pay you for?
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Look, you do realize, if you kill me,
the money stays where it is.
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I'm not going to kill you.
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[sighs] Fine, five percent.
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Okay, all right, all right.
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No percent.
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A fine compromise.
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In this very specific, non-citable
situation, I won't ask for a cut.
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Let's have a look.
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- Mr. David Claybourne.
- [computer chirps]
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Huh.
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[suspenseful music playing]
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It's gone.
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What do you mean it's gone?
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Well, he's emptied the account.
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He's cashed out. Took all of it.
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What?
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[Elijah] Sorry, ma'am,
happens all the time.
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He's probably on a beach
in Costa Rica as we speak.
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[grunting]
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[tense music playing]
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Ow. [groaning]
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I already told you about the money!
What more do you want from me?!
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Somebody help me!
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[entry bells jingle]
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[Director] Hello, Diane.
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[suspenseful music playing]
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There's something I need to see.
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[Judith over video] He was able
to take the shot.
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I couldn't get to her in time.
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- [interviewer] And the body?
- I dealt with it myself.
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Followed Agency protocol.
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Left no trace.
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Redback is dead.
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[interviewer] And can you explain your...
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There's a place in the mountains
above Ankara.
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They're operating an unsanctioned prison.
Six months ago, there was a riot.
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She escaped, killing half the guard
on her way out.
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The Black Mark, it's her.
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Does Whiptail know?
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No.
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You've known that girl
since she was 15 years old.
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If you do nothing,
you're gonna watch her die.
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I've known Ana since she was 15,
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and because of Whiptail's lies,
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I left her to rot.
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And Whiptail left. Nobody leaves.
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I did.
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Yes, well...
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...you were always
an exception to the rule.
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[suspenseful music playing]
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♪ ♪
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- Hey.
- [Sam] Hey.
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I've had a new idea about how
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- we can contact Whiptail.
- No.
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I know what you're gonna say, okay?
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Only she can contact you
15:45.467 --> 15:46.759
- and you can't contact her.
- No.
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- And I know that--
- No as in no, Queenie. No more.
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- What do you mean "no more"?
- He knows.
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He knows we broke into his office.
He knows what we did.
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So?
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What do you mean "so"?
15:58.313 --> 16:01.815
So, he threatened you.
Right, like, who cares?
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- This is actually important.
- I care.
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If I go against him, I lose my job,
I lose everything--
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Yeah, including your agent,
if you don't warn her what's coming.
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Where's your loyalty, Sam?
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My loyalty's to the Agency.
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To the Agency?
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You're a coward.
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[Debbie] Okay, okay, so-so
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we contact the Albanians.
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Tell them David is still alive,
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he ran off with the money, make him
pay the money back, and leave us alone.
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You know it doesn't work like that, right?
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The mob live and die by their reputation.
If you crossed them,
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you've got to pay them back, or they'll
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hunt you down and kill you
and your family.
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What the fuck?
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It's the truth.
16:46.611 --> 16:49.196
Yeah, it's the truth,
so stop trying to protect me from it.
16:49.197 --> 16:52.449
- Well, then I'm gonna have to kill him.
- No.
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- It's the only way.
- Right, it's a shit idea.
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You kill Kreshnik, his brother takes over.
16:57.163 --> 16:59.206
You kill the brother, the cousin
takes over. Kill the cousin,
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the fucking great grandma takes over,
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and on and on it goes.
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They'll hunt you down
for the rest of your life.
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No more killing.
That's not who you are anymore.
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[Judith] Well, right, okay,
17:09.008 --> 17:10.343
- what about this then?
- Clara?
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- Clara?
- Oh, my God.
17:14.597 --> 17:16.139
[tense music playing]
17:16.140 --> 17:17.724
[conversing in Italian]
I can't believe it...
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Arnando.
17:19.727 --> 17:21.103
Beautiful!
- How are you?
17:21.104 --> 17:22.897
Good. Good.
- Give me a kiss.
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She just...
17:27.443 --> 17:29.736
switched into a completely
different person.
17:29.737 --> 17:31.822
Obviously, she's undercover.
17:31.823 --> 17:33.115
So, be cool.
17:33.116 --> 17:34.867
[conversing in Italian]
It's been a while.
17:34.868 --> 17:36.119
Ever since...
17:36.536 --> 17:38.663
the death of Jean-Paul.
17:38.913 --> 17:40.373
What a tragedy, no?
17:44.544 --> 17:46.296
Oh, my God, I know who that is.
17:48.715 --> 17:50.800
He's a fucking arms dealer.
17:51.968 --> 17:53.343
[conversing in Italian]
Hello, how are you? Everything okay?
17:53.344 --> 17:55.637
No... He is English. She is American.
17:55.638 --> 17:58.473
Um, I'm having a little party tonight
at my house,
17:58.474 --> 18:01.143
and it would be my honor
for you to join me.
18:01.144 --> 18:03.478
- Oh. Yes.
- [Arnand] Sì?
18:03.479 --> 18:05.063
[laughs]
18:05.064 --> 18:07.734
I would love to show you my etchings.
18:08.943 --> 18:10.028
Hmm?
18:12.196 --> 18:15.282
- Ciao.
- Ciao. Ciao, bello.
18:15.283 --> 18:16.783
- Get up.
- [Billy] Hmm?
18:16.784 --> 18:18.952
[Judith] We're leaving now.
We need to get out of Monaco.
18:18.953 --> 18:19.912
We haven't paid.
18:19.913 --> 18:21.747
- I need a box for this.
- [Judith] Shut up.
18:21.748 --> 18:23.124
Get up.
18:25.126 --> 18:27.669
- Who was that guy?
- [sighs] Friend of an old target.
18:27.670 --> 18:31.590
- And by target, you mean...
- Yes, I killed his friend.
18:31.591 --> 18:33.927
But he was the head
of a human trafficking ring.
18:35.136 --> 18:36.970
Well, he certainly seemed
very taken with you.
18:36.971 --> 18:38.180
Oh, shut up.
18:38.181 --> 18:40.182
He just invited you
to have a look at his etchings.
18:40.183 --> 18:42.601
Yeah, he means his real etchings.
18:42.602 --> 18:46.189
Okay? He collects stolen art,
uses it as collateral.
18:47.231 --> 18:48.565
What kind of art?
18:48.566 --> 18:52.736
Oh, I don't know, like, you know,
antiquities, priceless shit.
18:52.737 --> 18:55.113
- Where does he keep it?
- [Judith] In his house.
18:55.114 --> 18:56.949
The house that he just invited us to?
18:56.950 --> 18:58.742
[Judith] Oh, yes, a horrible place.
18:58.743 --> 19:01.119
[percussive music playing]
19:01.120 --> 19:02.789
Why'd you stop?
19:03.539 --> 19:04.998
That's it.
19:04.999 --> 19:07.084
That's how we pay the Albanians.
19:07.085 --> 19:08.460
What?
19:08.461 --> 19:10.296
We're gonna rob him.
19:13.216 --> 19:14.926
[Colette speaking French]
No. Out of the question.
19:15.927 --> 19:17.552
Please! Give me more time.
19:17.553 --> 19:21.139
No. I'm triggering the Red Notice.
This is a manhunt now.
19:21.140 --> 19:22.891
"Womanhunt".
Anyway, we have to find them.
19:22.892 --> 19:26.186
If you do that, we lose all chance
of getting to Ergon Kreshnik.
19:26.187 --> 19:27.938
The Albanians are after her.
19:27.939 --> 19:30.273
If you just give me time,
I'll convince her to cooperate.
19:30.274 --> 19:33.444
You don't know that!
You don't know anything about her.
19:33.903 --> 19:35.697
I just don't think she's a killer.
19:36.406 --> 19:38.740
Listen... Just give me a chance.
19:38.741 --> 19:42.954
And if I can't get her,
you can trigger your Red Notice.
19:44.163 --> 19:45.123
Sir?
19:45.623 --> 19:49.543
The Vespa from the hostel was found at
the home of this man: William F. Donovan.
19:49.544 --> 19:53.130
His car was gone but the license plate
was detected by a radar camera.
19:53.131 --> 19:54.424
Speeding?
19:54.549 --> 19:56.133
Actually, going too slowly.
19:56.134 --> 19:58.176
- This is a safe speed.
- Can you just-- No, it's not.
19:58.177 --> 19:59.386
- It is a safe speed.
- [horn blaring]
19:59.387 --> 20:01.055
- You're driving like my grandma.
- It's like a car park behind you.
20:01.639 --> 20:02.931
[conversing in French]
Where did it happen?
20:02.932 --> 20:04.851
Just outside of Monte Carlo.
20:07.353 --> 20:08.730
You have 24 hours.
20:09.313 --> 20:11.190
You find her, you make her talk.
20:11.607 --> 20:13.609
After that, I order the Red Notice.
20:16.863 --> 20:18.030
[♪ Erwin Flores sings "El Salvavidas"]
20:18.031 --> 20:20.116
[singing in Spanish]
20:37.508 --> 20:38.634
[sighs]
20:40.928 --> 20:43.764
Interpol are on to them.
I know where they are.
20:43.765 --> 20:45.182
Where?
20:45.183 --> 20:49.937
I'm, uh, risking my job here.
I would like to discuss my pay.
20:51.105 --> 20:53.065
Businessman, huh?
20:53.066 --> 20:55.151
I like it. How much?
20:56.319 --> 20:57.944
I-I don't want to offend you.
20:57.945 --> 21:00.197
I mean, if Interpol...
21:00.198 --> 21:02.407
- Besnik. [whistles]
- [slaps car door]
21:02.408 --> 21:04.327
Bring me all the money.
21:06.162 --> 21:08.497
[whistling a tune]
21:08.498 --> 21:09.581
[car door opens]
21:09.582 --> 21:11.292
[car door closes]
21:16.714 --> 21:17.882
- Hmm? [chuckles]
- Yeah.
21:19.592 --> 21:22.720
- They're in Monte Carlo.
- Monte Carlo. [laughs]
21:25.890 --> 21:26.890
[gasps]
21:26.891 --> 21:28.226
- [straining]
- Uh-huh.
21:30.770 --> 21:32.688
Pleasure doing business with you.
21:34.565 --> 21:36.567
♪ ♪
21:38.820 --> 21:40.822
[singing continues in Spanish]
21:43.991 --> 21:46.661
[Spiro] You guys are going
to love Monte Carlo.
21:50.915 --> 21:52.792
[Judith] All right, just get your things,
we're going.
21:53.543 --> 21:54.709
We've got to get out of town.
21:54.710 --> 21:56.461
No.
21:56.462 --> 21:58.380
It's not a subject for discussion.
21:58.381 --> 21:59.548
- We are leaving.
- [safe keypad beeps]
21:59.549 --> 22:02.342
Yes, it is. This is a good plan.
22:02.343 --> 22:04.052
It actually is.
22:04.053 --> 22:05.762
Oh, shut up.
22:05.763 --> 22:09.099
Look, I know you're nervous, but if
something goes wrong, Billy will be there.
22:09.100 --> 22:12.727
Oh, well, as long as Billy's
going to be there.
22:12.728 --> 22:15.939
He's in the same boat as us.
The Albanians are after him, too.
22:15.940 --> 22:18.358
Right, which means he's gonna run off
the first chance he gets.
22:18.359 --> 22:20.527
- I'm right here, you know.
- This isn't about him, is it?
22:20.528 --> 22:22.237
You don't think I can do it.
22:22.238 --> 22:24.698
No, I don't want you to do it.
22:24.699 --> 22:27.033
I don't want you to do any of this.
I don't...
22:27.034 --> 22:28.618
I don't want you to go down this road.
22:28.619 --> 22:30.412
I'm already there.
22:30.413 --> 22:32.664
This is the only way out
of our situation, okay?
22:32.665 --> 22:35.917
I am doing this plan tonight.
22:35.918 --> 22:39.212
I am doing it. I am... I am...
22:39.213 --> 22:43.216
fu...
22:43.217 --> 22:44.342
You can't even say "fucking."
22:44.343 --> 22:48.763
Yes, I f...
22:48.764 --> 22:50.056
Stop breathing into the "fu."
22:50.057 --> 22:53.394
- Fuck. We're fucking doing it. Fuck!
- Brilliant.
22:54.645 --> 22:56.771
- [door opens, slams shut]
- Looks like we're fucking doing it.
22:56.772 --> 22:58.649
You can shut your fucking cake hole, too.
23:00.902 --> 23:04.529
I'm looking for two women
who may have checked in recently.
23:04.530 --> 23:06.199
May I speak to your manager?
23:08.367 --> 23:10.160
[Debbie] Fuck.
23:10.161 --> 23:11.995
Fuck.
23:11.996 --> 23:14.372
[sighs] Excuse me, hi.
23:14.373 --> 23:18.376
I am going to a black tie event tonight,
and I need a fucking dress, so...
23:18.377 --> 23:21.046
- Okay. [chuckles]
- I'm sorry. I-I...
23:21.047 --> 23:23.924
That wasn't directed at you.
23:23.925 --> 23:26.927
I-I-I recently learned to curse and...
23:26.928 --> 23:30.056
[clerk] Good for you.
I will go get the concierge.
23:33.100 --> 23:35.185
- [clears throat]
- [sighs]
23:35.186 --> 23:36.479
Big event this evening?
23:38.606 --> 23:40.774
Very. Uh, sorry...
23:40.775 --> 23:42.568
- if you heard me curse.
- No.
23:43.152 --> 23:46.447
And, um, are you, are you
attending alone, or...?
23:47.657 --> 23:48.949
No, thank you.
23:48.950 --> 23:50.158
Excuse me?
23:50.159 --> 23:53.328
I mean, you seem very nice, but I've got
a lot going on right now. [laughs]
23:53.329 --> 23:56.915
I'm sorry if you misunderstood.
I-I wasn't hitting on you.
23:56.916 --> 23:58.251
Yes, you were.
23:59.460 --> 24:00.628
[chuckles]
24:02.380 --> 24:06.133
Okay, what if I was hitting on you?
24:07.134 --> 24:09.011
Could I buy you a drink?
24:10.096 --> 24:15.101
What are you, six, seven months divorced,
and you only just took your ring off?
24:15.977 --> 24:19.437
You keep touching that place where it was
because you forget it's not there.
24:19.438 --> 24:22.399
You found one good suit ten years ago
and you wear it constantly
24:22.400 --> 24:27.612
because it shows the rest of the world
you take yourself too seriously to care.
24:27.613 --> 24:31.908
And... you take your work
with you everywhere.
24:31.909 --> 24:33.702
So, you see, it's like I said,
24:33.703 --> 24:35.745
you seem very nice,
but you got a lot going on,
24:35.746 --> 24:37.080
and I'm not taking it on.
24:37.081 --> 24:38.415
- [concierge] Madame.
- Thank you.
24:38.416 --> 24:40.542
A list of recommended boutiques.
24:40.543 --> 24:42.377
Our in-house tailor
can handle any alterations,
24:42.378 --> 24:44.754
so if you write down your name
and room number,
24:44.755 --> 24:46.631
- I'll pass it along.
- Oh, thank you.
24:46.632 --> 24:48.718
[suspenseful music playing]
24:52.638 --> 24:54.140
[laughs]
24:58.227 --> 24:59.603
[sighs]
25:03.441 --> 25:04.942
[concierge] Thank you, Miss Gillingsby.
25:22.168 --> 25:24.170
♪ ♪
25:49.028 --> 25:51.321
- Hello, Ana.
- [gun clicks]
25:51.322 --> 25:54.407
[Ana] Why didn't you look for me?
25:54.408 --> 25:56.494
[tense music playing]
25:58.537 --> 26:01.247
Until last night,
I didn't know you were alive.
26:01.248 --> 26:04.251
Liar. You know everything.
26:05.086 --> 26:08.338
No. Whiptail lied to me.
26:08.339 --> 26:10.256
She told me you were dead.
26:10.257 --> 26:11.675
And you believed her?
26:12.385 --> 26:14.219
What do you want, Ana?
26:14.220 --> 26:16.012
What do I want?
26:16.013 --> 26:18.306
I want the last five years
of my life back.
26:18.307 --> 26:21.518
I want back every year
I spent working for you.
26:21.519 --> 26:23.395
What will I settle for?
26:23.396 --> 26:26.981
Look me in the eye and ask me.
26:26.982 --> 26:29.026
Ask me to kill her.
26:30.778 --> 26:32.321
No.
26:35.199 --> 26:36.950
She has a friend.
26:36.951 --> 26:39.912
- Not a cover, an actual friend.
- I know.
26:41.956 --> 26:43.164
You know?
26:43.165 --> 26:46.835
I found out the day before
I found out you were alive.
26:46.836 --> 26:48.545
But she broke your rules.
26:48.546 --> 26:50.922
You said we weren't allowed
emotional attachments.
26:50.923 --> 26:53.508
They make us weak.
They make us vulnerable.
26:53.509 --> 26:55.344
So they don't apply to her?
26:56.595 --> 26:58.222
She betrayed you.
27:00.307 --> 27:05.229
I did everything you ever asked of me,
and you didn't even look for me.
27:08.107 --> 27:10.984
- You're not going to kill me, Ana.
- Oh, I am.
27:10.985 --> 27:14.446
I have a plan, but first,
27:14.447 --> 27:18.159
I'm going to kill your favorite girl.
27:22.371 --> 27:23.372
[sighs]
27:26.375 --> 27:27.625
- [entry bells jingle]
- Where have you been?
27:27.626 --> 27:28.626
Out.
27:28.627 --> 27:30.503
Don't you dare walk away from me.
27:30.504 --> 27:32.755
I know where you've been.
27:32.756 --> 27:35.758
You broke into his office.
27:35.759 --> 27:38.303
D-Do you have any idea
how dangerous that is?
27:38.304 --> 27:39.804
I-I don't know, Mum.
27:39.805 --> 27:41.347
How dangerous is it?
27:41.348 --> 27:44.268
Is it more or less dangerous
than being an assassin?
27:45.352 --> 27:47.270
Yeah, found your file.
27:47.271 --> 27:50.648
And I found my birth certificate,
which is, guess what, a fake.
27:50.649 --> 27:53.443
And to be honest, Mum,
it's not your best work.
27:53.444 --> 27:55.445
Why do I have a fake birth certificate?
27:55.446 --> 27:57.447
I was trying to protect you.
27:57.448 --> 27:59.199
[laughs] You were trying to protect me?
27:59.200 --> 28:02.952
We sell illegal passports for a living.
28:02.953 --> 28:04.996
Well, I couldn't do it.
28:04.997 --> 28:07.081
I couldn't get all the way out.
28:07.082 --> 28:08.666
I missed it.
28:08.667 --> 28:11.253
I'm sorry I took that away from you.
28:12.463 --> 28:14.088
Who's my dad?
28:14.089 --> 28:17.383
He's nobody, I told you.
He-he left us before you were born.
28:17.384 --> 28:18.927
Why would I believe you?
28:18.928 --> 28:21.137
Wait, is it your real name
on my birth certificate?
28:21.138 --> 28:24.015
Is it mine? Are you even my real mum?
28:24.016 --> 28:27.936
What? Of course I am.
How can you even say that?
28:27.937 --> 28:30.104
Right.
28:30.105 --> 28:32.148
And that's the face you make
when you're telling the truth,
28:32.149 --> 28:34.317
which is how I know
you are lying about the rest of it.
28:34.318 --> 28:36.528
Hey, this isn't over. Where are you going?
28:36.529 --> 28:38.988
I'm going to warn Whiptail
there's a psycho assassin after her,
28:38.989 --> 28:41.616
and I'm the only person
doing anything about it!
28:41.617 --> 28:44.536
You think you can read my face
when I'm telling you the truth?
28:44.537 --> 28:47.997
Listen to me right now.
Whatever you think you know about Ana,
28:47.998 --> 28:49.958
whatever you think you can do to help,
28:49.959 --> 28:52.168
you stay the fuck away from this.
28:52.169 --> 28:54.922
[dramatic music playing]
28:57.049 --> 28:58.133
[entry bells jingle]
29:00.761 --> 29:02.763
[tense music playing]
29:19.738 --> 29:20.739
[printer whirs]
29:26.870 --> 29:28.872
McDonald's in Orange.
29:29.999 --> 29:31.458
McDonald's in Marseille.
29:32.459 --> 29:34.295
McDonald's in Toulon.
29:34.878 --> 29:37.339
Where are you going, Billy Donovan?
29:41.594 --> 29:42.928
Monaco.
29:45.264 --> 29:47.266
[phone buzzing]
29:52.771 --> 29:54.356
I have a job for you.
29:56.358 --> 29:58.694
This is sort of our thing, innit?
29:59.987 --> 30:01.195
What is?
30:01.196 --> 30:03.114
Well, me in cuffs,
30:03.115 --> 30:05.950
you pacing around the room.
That's our thing.
30:05.951 --> 30:07.327
Shut up.
30:07.328 --> 30:09.245
Sorry, I'll, uh...
30:09.246 --> 30:10.873
let you focus.
30:11.999 --> 30:14.001
Practice your look for tonight.
30:14.918 --> 30:16.502
- What look?
- You know.
30:16.503 --> 30:21.007
Your look. The flirty little look you do.
30:21.008 --> 30:23.092
Did it to me at the Water Relief Gala, and
30:23.093 --> 30:25.553
certainly did it to that guy today.
30:25.554 --> 30:29.140
I have never once given you a look.
30:29.141 --> 30:31.059
When you gonna admit you like me?
30:31.060 --> 30:32.644
[scoffs]
30:32.645 --> 30:34.312
You quit your job for me and everything.
30:34.313 --> 30:38.400
No, I didn't quit my job for you.
You just happened to be there when I quit.
30:39.318 --> 30:40.611
Same thing.
30:42.696 --> 30:46.491
Listen, I can see you're nervous
about tonight.
30:46.492 --> 30:48.826
You're scared for your friend.
30:48.827 --> 30:52.497
I get it. It's nice what you guys have.
30:52.498 --> 30:55.833
The way you guys
look out for each other is...
30:55.834 --> 30:57.586
It's not nothing, you know?
30:59.088 --> 31:01.590
Some people wait a lifetime
to have something like that, to be...
31:02.925 --> 31:05.009
...loved unconditionally.
31:05.010 --> 31:07.095
[scoffs]
31:07.096 --> 31:08.888
Wish I had something like that.
31:08.889 --> 31:10.224
Oh, please.
31:11.600 --> 31:12.643
What?
31:14.269 --> 31:16.396
I'm being vulnerable.
31:16.397 --> 31:18.856
Oh, does that ever work?
31:18.857 --> 31:21.109
The whole...
31:21.110 --> 31:23.736
"I wish I had something" business?
31:23.737 --> 31:25.780
[gentle music playing]
31:25.781 --> 31:27.032
Yeah.
31:28.701 --> 31:30.077
Yeah, it does, actually.
31:30.994 --> 31:31.995
Mm.
31:35.082 --> 31:36.791
Is that your fucking look?
31:36.792 --> 31:40.003
Oh. Oh, that's my fucking look.
31:41.255 --> 31:42.923
I got a killer look.
31:45.509 --> 31:48.762
- [both laughing]
- You're so full of shit.
31:51.849 --> 31:53.433
Listen, I'm serious, though.
31:53.434 --> 31:55.644
If we're gonna do this tonight, then...
31:56.812 --> 31:58.939
...there's something I'm gonna need.
32:01.191 --> 32:03.193
[sensual music playing]
32:05.404 --> 32:07.406
[handcuffs clicking]
32:24.673 --> 32:26.299
[yells]
32:26.300 --> 32:27.634
Come on.
32:30.429 --> 32:33.556
You're not even gonna help me
take my clothes off?
32:33.557 --> 32:35.516
They can get wet.
32:35.517 --> 32:37.059
[sighs]
32:37.060 --> 32:39.146
[mischievous music playing]
33:02.878 --> 33:04.337
[door opens]
33:04.338 --> 33:06.756
- Hey.
- Oh.
33:06.757 --> 33:10.135
- I sized you up.
- Ooh.
33:14.598 --> 33:16.475
There we go. Ready?
33:18.101 --> 33:21.980
- Oh, my God.
- [laughing] Right?
33:24.983 --> 33:28.821
[♪ Seibold w/ Ittibitti
sing "So Obsessed"]
33:31.615 --> 33:32.990
♪ Hey there, hi, hello ♪
33:32.991 --> 33:35.493
- ♪ I'm-a, I'm-a repeat ♪
- ♪ Yeah, yeah ♪
33:35.494 --> 33:38.871
♪ Think you've seen it all,
but you've never met me ♪
33:38.872 --> 33:43.000
♪ Future in my sights, I'm a visionary ♪
33:43.001 --> 33:46.838
♪ Light bulb moment,
that's my kind of energy ♪
33:46.839 --> 33:48.548
♪ Yeah, yeah ♪
33:48.549 --> 33:50.508
♪ It's my world that we're living in ♪
33:50.509 --> 33:53.886
♪ If you want, take it for a spin
to a place you ain't never been...
33:53.887 --> 33:55.055
[Judith] There he is.
33:56.139 --> 33:57.766
Do you have the signal blocker?
33:58.684 --> 34:02.603
It won't hold for very long,
so you get in and you get out.
34:02.604 --> 34:06.566
From the moment that door opens,
you'll have two minutes and 30 seconds.
34:06.567 --> 34:08.276
- Anything feels off--
- We know.
34:08.277 --> 34:10.236
We've been through this a hundred times.
34:10.237 --> 34:13.447
If anything feels off, anything at all,
34:13.448 --> 34:15.658
you get the hell out of there.
34:15.659 --> 34:17.702
And you...
34:17.703 --> 34:19.288
don't take your eyes off her.
34:21.206 --> 34:22.207
It's okay.
34:23.500 --> 34:24.750
I've got this.
34:24.751 --> 34:26.043
♪ Show you what it's about ♪
34:26.044 --> 34:27.128
Go get him.
34:27.129 --> 34:30.798
♪ I'm on my way up,
all you can do is count down ♪
34:30.799 --> 34:33.175
- ♪ Three, two, one, ready, go ♪
- ♪ Yeah ♪
34:33.176 --> 34:35.177
- ♪ Hands to the top of the dome ♪
- ♪ Hey ♪
34:35.178 --> 34:37.054
- ♪ Got 'em all feeling like whoa ♪
- ♪ Whoa ♪
34:37.055 --> 34:38.764
♪ Got the game wrapped with a bow ♪
34:38.765 --> 34:40.725
- ♪ Curtains up, time for the show ♪
- ♪ Yeah ♪
34:40.726 --> 34:42.476
♪ Can't nobody match my flow ♪
34:42.477 --> 34:44.061
♪ If you didn't know, now you know ♪
34:44.062 --> 34:45.605
[lighter clicking]
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♪ You're looking at the best one yet ♪
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- ♪ Yeah ♪
- ♪ 'Bout to have you so obsessed ♪
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♪ So obsessed...
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[lighter clicking repeatedly]
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Give me that.
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♪ 'Bout to have you so obsessed...
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All right.
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Stay with me.
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Watch my six.
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Watch your own six.
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It means watch my back.
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Why didn't you just say that?
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It takes just as long to say "six"
as it does to say "back."
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Okay. Watch my back.
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Look, we're flanking north
across the ballroom
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and then taking the northwest exit.
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We're going left, then right.
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Thank you.
What do I look like, a polar explorer?
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[Judith gasps softly]
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[conversing in Italian]
Beautiful fountain, huh?
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Very.
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Come.
- I'm coming.
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[ominous music playing]
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I'm sorry.
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[chuckles softly]
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[buttons beeping]
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How grand.
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Come. Welcome to my gallery.
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- [light, majestic music playing]
- [Judith sighs in awe]
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[Judith laughs]
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That ivory chess set came straight
out of a Viking tomb.
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Really?
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This wooden head belonged to Charles II.
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The original wig was made
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completely from the pubic hair
of all of his lovers.
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Very interesting, right?
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Very.
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Come here, I want to show you a painting.
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Of course.
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Here it is.
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"The Storm On The Sea of Galilee".
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How marvelous.
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Not as marvelous as you.
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Are there other rooms that I can see?
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Yes, there are other rooms.
That's a wonderful idea.
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Your bedroom, perhaps?
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Oh. Bedroom.
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Let's go.
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Let's go.
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So, Debbie...
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Sorry.
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- For what?
- It's just...
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Everything. All of this.
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It's my first time ever meeting the wife
of someone I do business with, and...
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- for what it's worth, I think--
- Billy, not the time.
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Focus. Your six.
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There she is.
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One, three, zero, six, nine, seven.
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Well, I-I thought this was eight, no?
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It's a six.
She spent a whole hour teaching it to us.
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[Billy] One, three, oh, six, nine, seven.
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- One, three, oh, six, nine, seven.
- Would you stop saying it out loud?
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- You're messing me up.
- I'm-I'm trying to remember.
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- One, three, oh, six, nine, seven.
- Stop saying it out loud.
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- One, three, oh, six, nine, seven.
- [intriguing music playing]
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One, three, oh, six, nine, seven.
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[both] Six, nine, seven.
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Right, that's it.
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- Oh, be careful.
- Oh.
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- Is there any more?
- Oh.
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- Right there.
- What the fuck is that?
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All right.
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- Okay.
- All right, here we go.
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[clicks]
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- [sighs]
- Did it work?
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- No, one more round.
- [clicks]
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Oh, come on.
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[security guard] Hey.
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[speaking French]
What are you doing down here?
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Please...
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I've gone on...
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holiday...
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...with my family.
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[Debbie] Uh, s-s-sorry. Sorry.
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The vol-au-vents.
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Could-could you hold this
for a second, please?
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[grunts]
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Oh, shit!
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I broke the signal blocker.
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- What did you do that for?
- It was instinctive.
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My... my right hand's my best hand.
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What the fuck are we gonna do now?
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- Hey, that one come out just right.
- [scoffs]
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We're gonna have to do this
the old-fashioned way.
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[grunts]
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- One, three, zero, six, nine, seven.
- One, three, zero...
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six, nine, seven.
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- [Debbie] Six, nine, seven. Three.
- [Billy] One, three, zero...
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- Six, nine, seven.
- Nine...
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- [doors whooshing open]
- [Debbie gasps]
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Hell yeah.
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[intriguing music playing]
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[Debbie] A Rembrandt.
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A Vermeer.
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A Ducati.
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Holy shit.
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Get off that. Stay on mission.
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No, no, this is worth
a quarter of a mil at least.
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It's got to fit in the bag.
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High-value items
small enough to fit in the handbag.
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That's the mission.
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Twenty-four million pounds is the goal.
Come on.
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- Well, how about this?
- No, it's a reproduction.
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- What, how can you tell?
- No hallmarks.
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The jewels glued in
and brush strokes on the enamel.
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None of this, all of that.
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- Ooh.
- Wait, what? That shit bowl?
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The glazing, the crackling.
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This is original Song dynasty.
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Easily a million.
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[gasps]
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- [Billy] What the fuck?
- [Debbie gasps]
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A Breguet.
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Number 160, the Grande Complication.
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Made for Marie-Antoinette herself.
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Yeah, but how much is it worth?
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The last time it was up at auction,
18 million pounds.
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[Billy] Be careful, be careful.
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- Okay.
- All right, let's get the fuck
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out of here.
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[speaking Italian] I was very moved
when I saw you in the city today.
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My Clara.
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Once again in my life.
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Thank you.
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Then...
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I was contacted by an old friend.
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[speaking English] And he asks me
to help him with a little problem.
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[speaking Italian]
Why are you speaking in English?
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Because you are English, aren't you?
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I know because my friend sent
a picture of your passport.
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Your face, a different name.
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And I realized la mia Clara doesn't exist.
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There's no weapons in here.
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I made sure of it.
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Like I made sure not to eat
or drink in your presence,
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not even to kiss you,
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in case you poisoned me
like you poisoned Jean-Paul.
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Arnand...
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Wait a second...
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You don't understand a fucking thing.
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Oh, please, let it go.
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It's over.
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Mr. Spiro here is the son
of an old friend.
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A friend who was open
to discussing a trade.
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I collect treasures,
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and I can trade for weapons, for control,
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for total monopoly on Albanian territory.
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And you... [chuckles]
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you are my most invaluable treasure.
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- Get the bitch.
- [guns cocking]
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[singing in French]
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All right.
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We just need to make it
to the exit, all right?
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We're just two regular people at a party.
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All right, almost there.
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Debbie. Debbie Claybourne.
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Come on.
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Who are you?
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My name is Jacques Boucher.
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I am Interpol.
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Keep dancing.
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[singing continues in French]
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- [intense music playing]
- [heavy breathing, whimpering]
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[gasping]
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[grunts]
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Where's our money, hmm?
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Where is our fucking money?
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Huh?
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Hmm?
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[stammering softly]
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Come on, tell me, tell me. Come on.
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The mo-- the money--
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Yes, where? Come on, come on.
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Tell me, tell me, where is it? It's--
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[screaming]
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[grunts]
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Again!
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[yelling]
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What do you want?
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I want to help you.
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I don't need your help.
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Oh, you do if Ergon Kreshnik is after you.
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What do you know about that?
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I know the Albanian mob are chasing you.
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I know you've got a fake passport
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and two days ago
you jumped off a moving train.
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I know that in the 25 years
you've lived in London,
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you've never had so much
as a parking ticket.
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I know you're a married woman,
but you're not wearing your wedding ring.
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And I know you're scared
and you're tired of pretending you're not.
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I'm not scared.
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And you're a bad liar.
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[singing continues in French]
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Come with me.
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We can help each other.
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[Debbie] Billy?
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[Jacques] I'll protect you from Kreshnik,
and together we can end this.
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I know him.
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He's with the Albanians.
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Oh, God.
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- Judith...
- [Jacques] Stop. Interpol.
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[crowd gasping]
45:20.865 --> 45:22.075
[screams]
45:30.333 --> 45:32.626
- [suspenseful music playing]
- [muffled struggling]
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- [Spiro speaking indistinctly]
- [Judith gasping]
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[Spiro] Tell me, where is my money?
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[objects clattering]
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[yelling]
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[breathing heavily]
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[Spiro] Where is our money?
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[gasping]
46:16.504 --> 46:18.214
- Oh, fuck.
- [door opens]
46:21.926 --> 46:23.094
[Arnand exclaims in Italian]
46:25.597 --> 46:26.888
[grunting]
46:26.889 --> 46:28.933
[exciting music playing]
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[glass shatters]
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[shouting]
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[Voltan] Shoot her!
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- [grunting]
- [Judith yells]
46:53.583 --> 46:54.584
[yells]
46:55.627 --> 46:58.087
[yelling]
47:06.137 --> 47:07.138
[Debbie grunts]
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[pained gasping]
47:14.812 --> 47:16.813
[yells]
47:16.814 --> 47:18.107
[pained gasping]
47:19.942 --> 47:21.569
[groans]
47:22.695 --> 47:24.781
- [breathing heavily]
- [heart beating]
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[atmospheric music playing]
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♪ ♪
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♪ ♪