WEBVTT

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[Debbie] <i>My name is Debbie Claybourne.</i>

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<i>I thought my marriage was strong.</i>

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Think we should get a divorce.

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[upbeat, dramatic music playing]

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- [gasps]
- Judith!

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<i>I thought I knew my best friend.</i>

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[grunting]

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- Are you an assassin?
- Yep.

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[Judith] <i>My name is Whiptail.</i>

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<i>I am an international assassin.</i>

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[screaming]

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<i>Is that my next assignment?</i>

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<i>Billy Donovan?</i>

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[Sam] You were the gold standard,
and now everything you touch

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turns into chaos.

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- [gunshots]
- [screaming]

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[Debbie] Why are they shooting at us?

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Why do you have a gun?

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[Judith] <i>And now, both our lives have
been completely turned upside down.</i>

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It's the Black Mark.

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Pirate code.
It means someone wants you dead.

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♪ ♪

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I know how to find them.

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I've been shot at.

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<i>I've been chased.</i>

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<i>I drove a vehicle I'm not even insured on.</i>

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And my husband...

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There's something

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<i>that I think you should know about David.</i>

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- He's dead.
- He left me.

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- What?
- What?

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- [♪ Meredith Brooks singing "Bitch"]
- <i>♪ I hate the world today ♪</i>

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<i>♪ You're so good to me,
I know, but I can't change ♪</i>

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<i>♪ Tried to tell you ♪</i>

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<i>♪ I don't envy you ♪</i>

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<i>♪ I'm a little bit of everything
all rolled into one ♪</i>

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<i>♪ I'm a bitch, I'm a lover ♪</i>

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<i>♪ I'm a child, I'm a mother,
I'm a sinner...</i>

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[dispatcher] <i>All units,
armed response team.</i>

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<i>Northwood Hills.
Report of gunfire on B34.</i>

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<i>Witnesses suggest single driver.</i>

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<i>Possibly female.</i>

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Shit.

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[mysterious music playing]

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Jackpot.

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You okay?

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I don't know what's wrong with it.

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[Debbie] <i>Oh, my God, your car is so tidy.</i>

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Mine is filled to the brim.
I just throw everything in the front seat.

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- [sighs]
- Plus, I have to have my seat

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all the way back because I'm pregnant.

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Arms completely straight.
[chuckles] Oh, God.

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Is that a seat warmer?

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I love a good seat warner. Just...

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What? Why are you smiling?

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You... talk quite a lot.

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I do. I'm sorry.

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- I'm sorry. [laughs]
- Oh, no, no, no, no.

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No, no, no, it's... actually really nice.

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I have a bit of a serious, boring job.

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I don't really get to chat much.

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Oh, what do you do?

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I'm a forensic accountant.

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[sighs]

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Fascinating.

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Tell me everything.

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[lighthearted music playing]

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[Judith] <i>Yeah, but did you read
the second book? Because I thought--</i>

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- Not as good.
- Not as good.

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He rested on his laurels.

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A hundred percent.

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- It felt rushed.
- That's exactly right.

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It felt rushed.

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[Debbie laughs]

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[both singing along] <i>♪ I'm a bitch,
I'm a lover ♪</i>

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<i>♪ I'm a child, I'm a mother ♪</i>

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<i>♪ I'm a sinner, I'm a saint ♪</i>

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<i>♪ I do not feel ashamed, I'm your...</i>

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Oh! Sorry, sorry.

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- Oh, no.
- That's me.

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Oh. Oh.

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<i>♪ You know you wouldn't
want it any other...</i>

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- [song shuts off]
- [engine idling]

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[sighs]

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[chuckles] Well...

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it was lovely to meet you.

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You, too.

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[chuckles]

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[rolls down window]

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- Hi.
- Hi.

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- Hey.
- Hey.

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Would you like to come in?

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- Yeah.
- [chuckles]

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Yeah, I'd like that.

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[quiet, pulsing music playing]

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[garage door opening]

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Where is this? Where are we going?

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Uh, my house.

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- [pulls hand brake]
- What are you talking about?

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This isn't your house.
I've been to your house.

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That's not my real house.

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You have a fake house?

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No, it's a real house.

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- I just don't--
- Who has a fake house?

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You know what? You know what?
[laughs] I cannot deal with this!

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I don't want to hear about
your fake house,

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or your fake life, or your fake friends.

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My husband is dead.

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And I need

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to call my children
and tell them their dad

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is some kind of criminal.

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So I want to go to my normal,

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real house.

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Well, you can't. It's too dangerous.

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Take me home, Judith.

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No. Get in the house.

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- No!
- Fine!

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Then stay in the van.

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[Debbie] Fine,

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I will!

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[scoffs]

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All right, I'm coming.

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[♪ Gin Wigmore sings "Kill of the Night"]

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<i>♪ The street's a liar ♪</i>

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<i>♪ I'm gonna lure you into the dark ♪</i>

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<i>♪ My cold desire ♪</i>

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<i>♪ to hear the boom, boom, boom
of your heart ♪</i>

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<i>♪ The danger is I'm dangerous ♪</i>

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<i>♪ And I might just tear you apart ♪</i>

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<i>♪ Oh, ah, oh ♪</i>

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<i>♪ I'm gonna catch ya ♪</i>

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<i>♪ I'm gonna get ya, get ya ♪</i>

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<i>♪ Oh, ah, oh ♪</i>

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<i>♪ I wanna taste the way
that you bleed, oh ♪</i>

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<i>♪ You're my kill of the ♪</i>

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<i>♪ night ♪</i>

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Me again, Whiptail. Just checking in.

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Keen to hear where we're
at vis-à-vis us being in shit

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up to and including our eyeballs.
Where are you?

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[woman clears throat]

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Amanda.

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Uh, I was just looking for you.

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- Where is she?
- She is

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collecting, uh, data
and regrouping for a second pass.

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You don't know where she is.

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You've lost control of your agent,

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and she's failed
to complete her assignment.

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I absolutely do know.

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The Director made himself very clear.

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Last night was her final chance.

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I will let The Director know.

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No, please.

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Just-just hang on.
She's got this. I promise.

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- [phone buzzing]
- Ah! You see?

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Just hold those horses.

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Yes?

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[Barry] <i>Sorry, boss,
looked everywhere. She's vanished.</i>

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Okay, okay, just, um...
[chuckles] Just come back in.

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[quiet, tense music playing]

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So, your work bought this for you?

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No.

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The Agency don't know anything
about this place.

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Nobody does.

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You designed all this on your own?

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Mm-hmm.

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Absolutely lovely.

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[mysterious, dramatic music playing]

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[sighs]

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Where's all your stuff?

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Where's your antiques?

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Do you know
you have guns in the cooker?

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Yes.

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Who are you?

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I'm the same person I've always been,
Deb, I'm your friend.

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I'm exactly who you think I am.

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- I just--
- Look at where we are.

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What kind of person lives like this?

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The person I was friends with isn't real.

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You lied to me. David lied to me.

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He divorced me, now he's dead,

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and the one person I want to call
and tell has guns in the cooker.

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[stammers]

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Wait, where are you going?

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I need

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to go into work and find out
who left me this, okay?

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Now, will you please just take a shower?
There's plenty of food in,

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and I will get back to you
as soon as I can.

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I am not staying here.

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Well, you can't come with me

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and I can't leave you anywhere else.

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I have to keep you safe.

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But I promise you, when all this is over,

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I will explain everything.

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Now, please just trust me.

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[scoffs] Trust you?

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Honey, when this is over,
I don't ever want to see you again.

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Keep it together.

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You got to call the kids.
And tell them what?

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"Hi, kids, it's Mom.

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It's Mom and your dad is..."

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Don't panic, Debbie.
Don't panic. Don't panic!

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You have to tell them.

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You have to tell them.

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Or else they're going
to find out from the news.

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The news.

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Oh, my God, the news.

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[tense, rhythmic music playing]

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David Clybourne garden party?

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David... Claybourne... dead.

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"David Claybourne dead certain

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cost of living will go down."

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What?

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[telephone ringing]

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Hello, the Hotel Mont Claire.

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<i>Yes, my name is Debbie Claybourne.</i>

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Hello, Mrs. Claybourne.

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Uh, I-I'm trying to locate my husband,
David Claybourne.

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Absolutely. Is he a guest with us?

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No, he... was...

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...involved with the incident last night.

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Which incident was that?

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At the party?

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The-the terrible thing?

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<i>The people... in-in-in</i>

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in Billy Donovan's hotel room?

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<i>Ah, yes, madame, the terrible thing.</i>

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We were notified that
Mr. Donovan's room had a mold infestation,

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<i>and a rapid remediation team
were brought in to clean the area.</i>

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Uh, I can assure you,
the incident has been entirely resolved

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and the rest of the hotel

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<i>- is absolutely safe.</i>
- But--

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<i>Was your husband
involved in that situation?</i>

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<i>Did he...
did he touch the mold in any way?</i>

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[call beeps off]

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[cell phone buzzing]

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[groans] Hello.

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[Debbie] <i>Where is my husband's body?</i>

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The Agency have got it-- him,

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uh, and he's com-completely safe...

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No, no, no, no, no.
A mold company has him.

00:10:43.665 --> 00:10:44.832 align:center
How do you know that?

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I called the hotel.

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- Why would you do that?
<i>- Why wouldn't I?</i>

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He wasn't on the news.

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Well, of course he's not on the news.

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I told you, the Agency

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<i>have taken care of everything.</i>

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Who are these people?

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[sighs]

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You don't want to know.

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[tense, dramatic music playing]

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[cell phone buzzing]

00:11:11.109 --> 00:11:13.402 align:center
- Thank God. Is it done?
- Is what done?

00:11:13.403 --> 00:11:14.945 align:center
Billy Donovan. Is he dead?

00:11:14.946 --> 00:11:16.822 align:center
Not yet.

00:11:16.823 --> 00:11:18.199 align:center
Listen,

00:11:18.200 --> 00:11:20.451 align:center
there was a body from last night.

00:11:20.452 --> 00:11:21.952 align:center
<i>Look, last night's under control.</i>

00:11:21.953 --> 00:11:24.288 align:center
- Footage is deleted, scene is clear.
<i>- No, no, no.</i>

00:11:24.289 --> 00:11:26.707 align:center
I need you to hold onto a body for me.

00:11:26.708 --> 00:11:28.459 align:center
Just... keep it safe.

00:11:28.460 --> 00:11:29.460 align:center
What? Whose body?

00:11:29.461 --> 00:11:32.546 align:center
[sighs] Uh, a guy called David Claybourne.

00:11:32.547 --> 00:11:33.923 align:center
He's an MP.

00:11:33.924 --> 00:11:35.633 align:center
An MP?

00:11:35.634 --> 00:11:37.176 align:center
You shot an MP?

00:11:37.177 --> 00:11:39.261 align:center
I didn't shoot him. He was already dead.

00:11:39.262 --> 00:11:40.346 align:center
<i>No, no, of course,</i>

00:11:40.347 --> 00:11:42.056 align:center
because nothing's ever your fault. Yes,

00:11:42.057 --> 00:11:43.307 align:center
<i>I will go down and get your body back.</i>

00:11:43.308 --> 00:11:45.643 align:center
Now, will you please,
please go and do your job?

00:11:45.644 --> 00:11:47.353 align:center
I'm coming in.

00:11:47.354 --> 00:11:49.188 align:center
[tires screech]

00:11:49.189 --> 00:11:51.106 align:center
- Hello?
- [telephone rings]

00:11:51.107 --> 00:11:52.274 align:center
What?

00:11:52.275 --> 00:11:54.360 align:center
Sir, we found her.

00:11:54.361 --> 00:11:56.488 align:center
♪ ♪

00:12:02.202 --> 00:12:04.704 align:center
[alarm blaring]

00:12:11.086 --> 00:12:12.836 align:center
What is your agent doing in our building?

00:12:12.837 --> 00:12:14.548 align:center
Just... so lovely to see you, Amanda.

00:12:15.549 --> 00:12:17.258 align:center
[Sam] Please. Please, don't do this.

00:12:17.259 --> 00:12:18.968 align:center
Agents cannot be seen in here!

00:12:18.969 --> 00:12:21.929 align:center
There's protocol, you know that!
This is off-limits!

00:12:21.930 --> 00:12:24.057 align:center
♪ ♪

00:12:25.642 --> 00:12:26.893 align:center
[Sam] No.

00:12:33.900 --> 00:12:35.860 align:center
[telephone ringing]

00:12:52.085 --> 00:12:53.587 align:center
He says, "Let her up."

00:12:55.046 --> 00:12:56.922 align:center
<i>- [pounding on door]</i>
- [Debbie] <i>Judith!</i>

00:12:56.923 --> 00:12:59.217 align:center
Judith! Judith!

00:13:00.594 --> 00:13:01.927 align:center
[straining]

00:13:01.928 --> 00:13:04.014 align:center
[quiet, suspenseful music playing]

00:13:05.640 --> 00:13:07.225 align:center
[panting]

00:13:15.108 --> 00:13:16.775 align:center
[quietly] Okay.

00:13:16.776 --> 00:13:18.944 align:center
Okay, here we go.

00:13:18.945 --> 00:13:21.530 align:center
There are four numbers.

00:13:21.531 --> 00:13:23.824 align:center
Which means...

00:13:23.825 --> 00:13:27.704 align:center
like, 10,000 possible combinations. Oh...

00:13:29.998 --> 00:13:31.790 align:center
Unless...

00:13:31.791 --> 00:13:33.584 align:center
I know the four numbers.

00:13:33.585 --> 00:13:35.669 align:center
♪ ♪

00:13:35.670 --> 00:13:36.755 align:center
Oh...

00:13:44.304 --> 00:13:46.973 align:center
[beeping rapidly]

00:13:53.188 --> 00:13:54.397 align:center
Really, Judith?

00:13:57.150 --> 00:13:58.401 align:center
- [beeping stops]
- [exhales]

00:13:59.194 --> 00:14:01.071 align:center
[scoffs]

00:14:07.160 --> 00:14:09.162 align:center
[quiet, dramatic music playing]

00:14:16.252 --> 00:14:18.879 align:center
Yes, quite, smash them down, why not?

00:14:18.880 --> 00:14:21.465 align:center
What's 200 years of Moroccan craftsmanship

00:14:21.466 --> 00:14:22.633 align:center
when you're in a hurry?

00:14:22.634 --> 00:14:24.260 align:center
What the fuck is this?

00:14:26.346 --> 00:14:28.138 align:center
The Black Mark.

00:14:28.139 --> 00:14:29.973 align:center
How thrilling. About time

00:14:29.974 --> 00:14:31.225 align:center
somebody brought that back.

00:14:31.226 --> 00:14:33.310 align:center
And from the "Book of Judith."

00:14:33.311 --> 00:14:34.978 align:center
Someone has done their homework.

00:14:34.979 --> 00:14:36.772 align:center
[Judith] Someone knew I was coming,

00:14:36.773 --> 00:14:38.982 align:center
so your system has been compromised.

00:14:38.983 --> 00:14:40.484 align:center
Impossible.

00:14:40.485 --> 00:14:42.319 align:center
Well, then, who ordered the hit?

00:14:42.320 --> 00:14:43.529 align:center
The only people that knew I was there:

00:14:43.530 --> 00:14:46.115 align:center
Me, you, Sam and whoever paid for the job.

00:14:46.116 --> 00:14:48.659 align:center
I need not remind you
of our security protocols.

00:14:48.660 --> 00:14:50.994 align:center
We are untraceable, unbreakable,

00:14:50.995 --> 00:14:55.290 align:center
because even if I wanted
to give you that information, I cannot.

00:14:55.291 --> 00:14:57.751 align:center
So, in answer to your quandary,

00:14:57.752 --> 00:15:01.631 align:center
why don't you find
this Billy Donovan and ask him?

00:15:02.757 --> 00:15:05.467 align:center
Before you kill him, obviously.

00:15:05.468 --> 00:15:07.886 align:center
And you ask me what these are.

00:15:07.887 --> 00:15:11.306 align:center
And the answer is
they are merely pieces of paper

00:15:11.307 --> 00:15:13.685 align:center
to which we have attributed meaning.

00:15:15.812 --> 00:15:17.980 align:center
What they symbolize to you

00:15:17.981 --> 00:15:21.025 align:center
is that someone is coming.

00:15:22.110 --> 00:15:23.987 align:center
What they symbolize to me...

00:15:25.447 --> 00:15:29.159 align:center
...is that you can no longer do your job.

00:15:30.285 --> 00:15:32.286 align:center
The girl I trained

00:15:32.287 --> 00:15:35.080 align:center
would never have allowed this to happen.

00:15:35.081 --> 00:15:37.458 align:center
You grow weak,

00:15:37.459 --> 00:15:40.043 align:center
your work is sloppy.

00:15:40.044 --> 00:15:44.131 align:center
Austria, Brussels, Beirut,
rule breaking, ignoring the plan--

00:15:44.132 --> 00:15:45.467 align:center
- No, that was different.
- No!

00:15:46.634 --> 00:15:48.762 align:center
It is not.

00:15:49.846 --> 00:15:51.221 align:center
You disobeyed

00:15:51.222 --> 00:15:55.142 align:center
and allowed yourself
to be compromised, and now,

00:15:55.143 --> 00:15:56.602 align:center
someone has found you.

00:15:56.603 --> 00:16:00.147 align:center
You are not what you once were.

00:16:00.148 --> 00:16:01.482 align:center
You were my best.

00:16:01.483 --> 00:16:02.733 align:center
No, I still am.

00:16:02.734 --> 00:16:04.151 align:center
Prove it.

00:16:04.152 --> 00:16:07.989 align:center
You're no agent of mine until you complete
the job you were hired to do.

00:16:12.702 --> 00:16:14.537 align:center
Oh, and Whiptail?

00:16:16.790 --> 00:16:19.292 align:center
Don't ever fucking come in here again.

00:16:20.001 --> 00:16:22.003 align:center
♪ ♪

00:16:29.886 --> 00:16:31.971 align:center
[birds singing]

00:16:38.812 --> 00:16:40.814 align:center
[creaking]

00:16:46.778 --> 00:16:47.779 align:center
Hmm.

00:17:06.130 --> 00:17:07.423 align:center
[sighs]

00:17:24.107 --> 00:17:25.775 align:center
What have you done?

00:17:26.943 --> 00:17:29.195 align:center
[tense, dramatic music playing]

00:17:30.822 --> 00:17:32.115 align:center
[exhales]

00:17:52.760 --> 00:17:53.761 align:center
[object clatters]

00:18:11.946 --> 00:18:13.072 align:center
- [sighs]
- [turns phone on]

00:18:16.117 --> 00:18:17.785 align:center
♪ ♪

00:18:28.838 --> 00:18:30.423 align:center
[glass shatters]

00:18:33.051 --> 00:18:34.843 align:center
[latch rattles]

00:18:34.844 --> 00:18:35.928 align:center
[door opens]

00:18:35.929 --> 00:18:37.931 align:center
[glass crunching]

00:18:41.726 --> 00:18:43.728 align:center
[suspenseful music playing]

00:18:55.990 --> 00:18:57.240 align:center
[line ringing]

00:18:57.241 --> 00:18:58.909 align:center
[operator] <i>999. What's your emergency?</i>

00:18:58.910 --> 00:19:00.577 align:center
Yes, there are people
breaking into my house.

00:19:00.578 --> 00:19:02.663 align:center
I'm at 17 Rosemoor Lane.

00:19:02.664 --> 00:19:04.748 align:center
<i>- Speak up, please.</i>
- No, I can't speak up because

00:19:04.749 --> 00:19:06.249 align:center
there are men breaking in.

00:19:06.250 --> 00:19:08.126 align:center
<i>Okay, can you describe these men for me?</i>

00:19:08.127 --> 00:19:11.046 align:center
No, no, no, no, because
they are downstairs and I'm upstairs.

00:19:11.047 --> 00:19:12.965 align:center
And I think it's the same people
who murdered my husband

00:19:12.966 --> 00:19:14.174 align:center
and now they are gonna murder me.

00:19:14.175 --> 00:19:15.634 align:center
Check the bedroom.

00:19:15.635 --> 00:19:16.843 align:center
- Fuck.
<i>- They murdered your husband</i>

00:19:16.844 --> 00:19:18.136 align:center
<i>in your house?</i>

00:19:18.137 --> 00:19:19.805 align:center
<i>- Is that right?</i>
- No. No, no, no, no, no.

00:19:19.806 --> 00:19:22.808 align:center
They murdered him last night
at the Water Relief gala.

00:19:22.809 --> 00:19:25.185 align:center
<i>I don't have any reports of
a murder at a Water Relief gala.</i>

00:19:25.186 --> 00:19:27.479 align:center
That's because a mold company took him.

00:19:27.480 --> 00:19:29.189 align:center
<i>A mold company murdered your husband?</i>

00:19:29.190 --> 00:19:31.693 align:center
No. No, they didn't murder him,
they just took him.

00:19:32.735 --> 00:19:34.569 align:center
They're a front
for an assassination agency.

00:19:34.570 --> 00:19:36.406 align:center
What part of this is difficult?

00:19:38.074 --> 00:19:40.367 align:center
Oh, God. Oh, God.

00:19:40.368 --> 00:19:42.745 align:center
♪ ♪

00:20:02.473 --> 00:20:04.391 align:center
[Debbie grunting]

00:20:04.392 --> 00:20:06.477 align:center
[dramatic music playing]

00:20:21.200 --> 00:20:23.327 align:center
[tense dramatic music playing]

00:20:41.596 --> 00:20:42.972 align:center
[cell phone buzzes, chimes]

00:20:45.099 --> 00:20:47.101 align:center
♪ ♪

00:21:08.998 --> 00:21:11.000 align:center
♪ ♪

00:21:20.760 --> 00:21:22.470 align:center
[cell phone buzzes, chimes]

00:21:31.938 --> 00:21:33.940 align:center
♪ ♪

00:21:36.609 --> 00:21:38.986 align:center
[cell phone buzzes, chimes]

00:22:06.264 --> 00:22:08.266 align:center
♪ ♪

00:22:26.826 --> 00:22:28.828 align:center
[car alarms blaring]

00:22:29.954 --> 00:22:31.998 align:center
[Judith whimpers]

00:22:37.795 --> 00:22:39.504 align:center
[coughing]

00:22:39.505 --> 00:22:41.464 align:center
♪ ♪

00:22:41.465 --> 00:22:44.051 align:center
[indistinct chatter]

00:22:50.933 --> 00:22:52.018 align:center
Ooh.

00:22:53.060 --> 00:22:55.188 align:center
- Who did that?
- Uh...

00:22:56.272 --> 00:22:58.023 align:center
...guy in, uh, Lebanon.

00:22:58.024 --> 00:23:00.859 align:center
Hmm. [chuckles] Does good work.

00:23:00.860 --> 00:23:03.445 align:center
- [Judith winces]
- Yeah. Tight stitches.

00:23:03.446 --> 00:23:05.655 align:center
Not as good as me, but

00:23:05.656 --> 00:23:07.408 align:center
it's good.

00:23:09.493 --> 00:23:11.037 align:center
You gonna tell me what happened?

00:23:12.455 --> 00:23:14.749 align:center
Someone try to kill ya?

00:23:15.958 --> 00:23:17.919 align:center
Far worse. Someone's playing me.

00:23:20.171 --> 00:23:23.131 align:center
They could've killed me so many times,
and they're not...

00:23:23.132 --> 00:23:24.342 align:center
they're not doing it.

00:23:25.343 --> 00:23:26.677 align:center
Who?

00:23:27.887 --> 00:23:29.972 align:center
- I don't know. I-I...
- Sorry.

00:23:31.349 --> 00:23:33.099 align:center
They're so far ahead of me,

00:23:33.100 --> 00:23:35.810 align:center
they know every move I'm making. I'm...

00:23:35.811 --> 00:23:37.395 align:center
I was tailing the mark,

00:23:37.396 --> 00:23:39.982 align:center
but he was, he was leading me there.

00:23:41.067 --> 00:23:43.277 align:center
I walked straight into it.

00:23:44.320 --> 00:23:46.780 align:center
Not permanently, but

00:23:46.781 --> 00:23:48.073 align:center
just for a little while,

00:23:48.074 --> 00:23:50.700 align:center
- why don't you take a step back?
- [sighs]

00:23:50.701 --> 00:23:53.787 align:center
Get your head in the right place.

00:23:53.788 --> 00:23:55.664 align:center
I can't step back.

00:23:55.665 --> 00:23:57.832 align:center
[quiet, dramatic music playing]

00:23:57.833 --> 00:23:59.709 align:center
He'll never let me back in.

00:23:59.710 --> 00:24:01.796 align:center
Is that the worst thing?

00:24:02.880 --> 00:24:04.548 align:center
I can't think of anything worse.

00:24:06.384 --> 00:24:08.010 align:center
This is all I have.

00:24:10.263 --> 00:24:11.555 align:center
It's all I am.

00:24:13.641 --> 00:24:16.394 align:center
[quiet music playing]

00:24:18.604 --> 00:24:20.730 align:center
[news anchor] <i>We are now going
live to Milgate Cemetery</i>

00:24:20.731 --> 00:24:23.441 align:center
<i>with a report that some viewers
may find distressing.</i>

00:24:23.442 --> 00:24:26.695 align:center
[reporter] <i>Residents of this
quiet suburb in North London</i>

00:24:26.696 --> 00:24:28.071 align:center
<i>have been left reeling...</i>

00:24:28.072 --> 00:24:29.489 align:center
- My God.
<i>- ...following the discovery</i>

00:24:29.490 --> 00:24:31.741 align:center
<i>of local resident, Martin Shaw,</i>

00:24:31.742 --> 00:24:34.619 align:center
<i>a Milgate Cemetery groundskeeper
who was found</i>

00:24:34.620 --> 00:24:35.787 align:center
<i>murdered last night</i>

00:24:35.788 --> 00:24:38.456 align:center
<i>in what the police have revealed
to be a single gunshot wound...</i>

00:24:38.457 --> 00:24:40.459 align:center
[suspenseful music playing]

00:24:50.720 --> 00:24:52.721 align:center
[indistinct chatter]

00:24:52.722 --> 00:24:54.848 align:center
[cell phone ringing]

00:24:54.849 --> 00:24:56.309 align:center
[groans]

00:24:58.394 --> 00:25:00.812 align:center
[Judith] <i>Hi, I was just checking in
to see how you're doing.</i>

00:25:00.813 --> 00:25:01.813 align:center
<i>Where are you?</i>

00:25:01.814 --> 00:25:03.898 align:center
I'm at home, where you left me.

00:25:03.899 --> 00:25:07.153 align:center
Look, here's your stupid water tap.

00:25:08.195 --> 00:25:11.031 align:center
<i>Oh. Good, good. Listen,
I need you to do something for me.</i>

00:25:11.032 --> 00:25:13.074 align:center
- What is it?
<i>- Right, there's a cupboard</i>

00:25:13.075 --> 00:25:15.160 align:center
<i>next to the fridge
that has a secret panel.</i>

00:25:15.161 --> 00:25:17.162 align:center
- Mm-hmm.
<i>- Can you open that for me?</i>

00:25:17.163 --> 00:25:19.497 align:center
<i>- There's some papers inside.</i>
- Yep. Got 'em.

00:25:19.498 --> 00:25:22.251 align:center
<i>Could you read me the third line
of the second page?</i>

00:25:23.711 --> 00:25:27.630 align:center
[sighs] I-It's blurry.
I don't have my glasses.

00:25:27.631 --> 00:25:29.007 align:center
For fuck's sake!
I know you're not in my apartment

00:25:29.008 --> 00:25:30.300 align:center
because I'm in my apartment!

00:25:30.301 --> 00:25:31.926 align:center
Okay, fine. I left.

00:25:31.927 --> 00:25:33.511 align:center
How did you even get out?

00:25:33.512 --> 00:25:36.348 align:center
Your door combination is the same
as the passcode to your phone.

00:25:36.349 --> 00:25:38.058 align:center
<i>You know what?</i>

00:25:38.059 --> 00:25:40.477 align:center
I don't even want to talk to you.

00:25:40.478 --> 00:25:42.562 align:center
You killed that poor man in the cemetery

00:25:42.563 --> 00:25:44.230 align:center
<i>- last night.</i>
- No, I didn't.

00:25:44.231 --> 00:25:45.440 align:center
<i>Well, he's dead,</i>

00:25:45.441 --> 00:25:46.983 align:center
and he's on the news,

00:25:46.984 --> 00:25:49.235 align:center
so I can only assume that you are lying

00:25:49.236 --> 00:25:52.280 align:center
since you've lied about everything for
every second that I've ever known you.

00:25:52.281 --> 00:25:55.825 align:center
No, no. I-I-I'm not lying.
I just didn't tell you.

00:25:55.826 --> 00:25:57.369 align:center
- Well, it's the same thing.
<i>- No, Debbie,</i>

00:25:57.370 --> 00:26:01.039 align:center
you're not hearing me.
I am trying to keep you safe.

00:26:01.040 --> 00:26:03.666 align:center
It is not your job to keep me safe.

00:26:03.667 --> 00:26:04.667 align:center
<i>You, David,</i>

00:26:04.668 --> 00:26:07.670 align:center
<i>nobody gets to tell me
what's best for me. Not anymore.</i>

00:26:07.671 --> 00:26:09.172 align:center
I'll handle this on my own.

00:26:09.173 --> 00:26:10.507 align:center
[call beeps off]

00:26:10.508 --> 00:26:11.467 align:center
[cell phone buzzes]

00:26:12.802 --> 00:26:14.469 align:center
[Sam] <i>Whiptail, just so you know,</i>

00:26:14.470 --> 00:26:16.012 align:center
I know Billy Donovan is not dead

00:26:16.013 --> 00:26:18.264 align:center
because I'm currently watching
a live feed of him looking...

00:26:18.265 --> 00:26:20.058 align:center
- Oh, damn.
<i>- ...extremely alive and well.</i>

00:26:20.059 --> 00:26:22.060 align:center
I've got the location
of his meeting this afternoon,

00:26:22.061 --> 00:26:24.021 align:center
<i>and I'm texting it to you now.</i>

00:26:25.398 --> 00:26:27.400 align:center
- [suspenseful, dramatic music playing]
- [sighs]

00:26:35.032 --> 00:26:37.034 align:center
[busy chatter]

00:26:38.452 --> 00:26:39.786 align:center
[Billy] Hey.

00:26:39.787 --> 00:26:41.579 align:center
Gentlemen.

00:26:41.580 --> 00:26:43.082 align:center
How are we?

00:26:45.584 --> 00:26:46.960 align:center
Right.

00:26:46.961 --> 00:26:49.337 align:center
Where's your friend?

00:26:49.338 --> 00:26:51.214 align:center
I'm, uh, famished, fellas.

00:26:51.215 --> 00:26:53.341 align:center
What're we having? Anyone want to, uh,

00:26:53.342 --> 00:26:54.759 align:center
go halves on a seafood platter?

00:26:54.760 --> 00:26:56.886 align:center
Where is he?

00:26:56.887 --> 00:26:58.596 align:center
- Hmm?
- Your friend.

00:26:58.597 --> 00:27:00.265 align:center
David Claybourne.

00:27:00.266 --> 00:27:02.642 align:center
He's just, he-he's a little bit delayed.

00:27:02.643 --> 00:27:05.104 align:center
On account of, uh, being...

00:27:06.230 --> 00:27:07.230 align:center
...dead.

00:27:07.231 --> 00:27:08.898 align:center
- What the-- What'd you say?
- [Albon speaking Albanian]

00:27:08.899 --> 00:27:11.067 align:center
Hey, relax.

00:27:11.068 --> 00:27:12.735 align:center
♪ ♪

00:27:12.736 --> 00:27:16.030 align:center
Look, I know this isn't what
we would call...

00:27:16.031 --> 00:27:17.158 align:center
ideal.

00:27:18.242 --> 00:27:19.577 align:center
But I've got a plan.

00:27:21.162 --> 00:27:22.579 align:center
There's his wife.

00:27:22.580 --> 00:27:24.873 align:center
She knows everything about the operation,

00:27:24.874 --> 00:27:26.082 align:center
she's the brains of it.

00:27:26.083 --> 00:27:27.333 align:center
She's gone missing.

00:27:27.334 --> 00:27:29.752 align:center
We find her...

00:27:29.753 --> 00:27:31.963 align:center
we find the money.

00:27:31.964 --> 00:27:34.841 align:center
And how do you intend to find her?

00:27:34.842 --> 00:27:37.552 align:center
[Debbie] Good afternoon, gentlemen.

00:27:37.553 --> 00:27:40.972 align:center
I do, uh, apologize
for interrupting your meeting.

00:27:40.973 --> 00:27:42.558 align:center
Now...

00:27:44.768 --> 00:27:47.020 align:center
Mister... Donovan?

00:27:47.021 --> 00:27:48.146 align:center
I would like to know

00:27:48.147 --> 00:27:51.609 align:center
the exact nature of your business
with my husband.

00:27:53.068 --> 00:27:54.694 align:center
[scoffs]

00:27:54.695 --> 00:27:56.404 align:center
Who the fuck are you?

00:27:56.405 --> 00:27:58.865 align:center
How rude of me.

00:27:58.866 --> 00:28:01.618 align:center
I'm sorry. My name is Debbie Claybourne.

00:28:01.619 --> 00:28:05.039 align:center
I won't be long,
I just have some questions for Billy.

00:28:06.832 --> 00:28:08.291 align:center
This is the wife?

00:28:08.292 --> 00:28:11.544 align:center
Yes, this is the wife. And who are you?

00:28:11.545 --> 00:28:12.837 align:center
[Spiro] My father

00:28:12.838 --> 00:28:14.798 align:center
is Ergon Kreshnik.

00:28:16.300 --> 00:28:17.800 align:center
He's with the Albanian mob.

00:28:17.801 --> 00:28:18.760 align:center
[Spiro] No, he's not

00:28:18.761 --> 00:28:21.347 align:center
with Albanian mob,
he is the Albanian mob.

00:28:24.767 --> 00:28:27.227 align:center
What business do you have
with my husband?

00:28:27.228 --> 00:28:29.104 align:center
You said she was running the operation.

00:28:30.189 --> 00:28:31.481 align:center
Yet she knows nothing.

00:28:31.482 --> 00:28:32.566 align:center
I know enough.

00:28:33.776 --> 00:28:36.152 align:center
Were you involved with my husband's death?

00:28:36.153 --> 00:28:38.030 align:center
[ominous, tense music playing]

00:28:45.287 --> 00:28:48.248 align:center
Mrs. Claybourne,
we haven't had the-the honor

00:28:48.249 --> 00:28:49.958 align:center
of being properly introduced yet,

00:28:49.959 --> 00:28:53.753 align:center
but I can assure you these are men
you should not be accusing of anything.

00:28:53.754 --> 00:28:55.964 align:center
And every single one of us
at this table very much

00:28:55.965 --> 00:28:58.091 align:center
needed your husband alive.

00:28:58.092 --> 00:29:00.427 align:center
Well, then, why did you break
into my house?

00:29:02.263 --> 00:29:04.430 align:center
Yeah, that was me.

00:29:04.431 --> 00:29:06.141 align:center
♪ ♪

00:29:08.352 --> 00:29:10.061 align:center
What did you want?

00:29:10.062 --> 00:29:11.896 align:center
Your husband had their money.

00:29:11.897 --> 00:29:13.022 align:center
Why does he have your money?

00:29:13.023 --> 00:29:15.567 align:center
Business transactions.

00:29:15.568 --> 00:29:17.402 align:center
And then...

00:29:17.403 --> 00:29:18.862 align:center
he stole it.

00:29:19.863 --> 00:29:20.863 align:center
I beg your pardon?

00:29:20.864 --> 00:29:24.243 align:center
He stole our fucking money,
and now he's dead.

00:29:26.453 --> 00:29:28.037 align:center
[Judith] The Albanians.

00:29:28.038 --> 00:29:30.790 align:center
Billy Donovan,
what the fuck are you doing?

00:29:30.791 --> 00:29:33.167 align:center
Listen, I'm so sorry about your loss,

00:29:33.168 --> 00:29:35.420 align:center
but we need the money back.

00:29:35.421 --> 00:29:37.005 align:center
And he stole it?

00:29:37.006 --> 00:29:38.841 align:center
♪ ♪

00:29:45.347 --> 00:29:47.975 align:center
No. No.

00:29:49.268 --> 00:29:51.979 align:center
[chuckles] So, how much is it?

00:29:55.482 --> 00:29:57.651 align:center
£24 million.

00:30:00.904 --> 00:30:02.280 align:center
Right.

00:30:02.281 --> 00:30:04.657 align:center
Well, thank you for your time, gentlemen.

00:30:04.658 --> 00:30:06.659 align:center
I, um... want to say

00:30:06.660 --> 00:30:08.328 align:center
it's been, uh...

00:30:08.329 --> 00:30:10.122 align:center
♪ ♪

00:30:11.123 --> 00:30:12.832 align:center
[horns honking]

00:30:12.833 --> 00:30:16.294 align:center
Oh, wait, wait.
Too tight, too tight. [groaning]

00:30:16.295 --> 00:30:17.796 align:center
That's gonna bruise.

00:30:19.006 --> 00:30:20.131 align:center
Don't go far.

00:30:20.132 --> 00:30:22.216 align:center
[Debbie] Uh, you're hurting me.
Where are you taking me?

00:30:22.217 --> 00:30:23.259 align:center
Ooh! Oh...

00:30:23.260 --> 00:30:24.844 align:center
[grunting]

00:30:24.845 --> 00:30:26.347 align:center
Fuckin' hell.

00:30:29.642 --> 00:30:31.602 align:center
Aah! Aah!

00:30:32.811 --> 00:30:34.187 align:center
Aah!

00:30:34.188 --> 00:30:35.731 align:center
[continues groaning]

00:30:36.857 --> 00:30:38.524 align:center
[Debbie exclaims]

00:30:38.525 --> 00:30:40.194 align:center
Uh, I'm with...
Where are you taking me?

00:30:42.404 --> 00:30:43.780 align:center
Think I lied when I said I knew stuff.

00:30:43.781 --> 00:30:46.324 align:center
I don't know anything.
I don't know anything.

00:30:46.325 --> 00:30:49.160 align:center
[groans] You're so rough!

00:30:49.161 --> 00:30:50.871 align:center
- [engine revs]
- No. No.

00:31:00.339 --> 00:31:02.216 align:center
Hey! Yo!

00:31:04.718 --> 00:31:06.929 align:center
Where are you taking me?
I told you I don't know anything.

00:31:21.402 --> 00:31:22.736 align:center
[speaking Albanian]

00:31:26.198 --> 00:31:27.032 align:center
[speaking Albanian]

00:31:30.160 --> 00:31:32.204 align:center
[cars honking]

00:31:34.081 --> 00:31:36.208 align:center
[driver shouting in Albanian]

00:31:43.298 --> 00:31:45.300 align:center
[exciting music playing]

00:32:00.232 --> 00:32:01.941 align:center
[shouting]

00:32:01.942 --> 00:32:03.402 align:center
[men screaming]

00:32:12.786 --> 00:32:14.162 align:center
[shouts]

00:32:14.163 --> 00:32:15.748 align:center
♪ ♪

00:32:25.215 --> 00:32:26.800 align:center
[tense music playing]

00:32:32.765 --> 00:32:34.224 align:center
[grunting]

00:32:37.269 --> 00:32:38.979 align:center
Oh...

00:32:42.649 --> 00:32:43.650 align:center
[gasps]

00:32:50.741 --> 00:32:52.492 align:center
[exclaims]

00:32:52.493 --> 00:32:54.452 align:center
I got a gun to her head!

00:32:54.453 --> 00:32:55.536 align:center
I'm not messing about!

00:32:55.537 --> 00:32:56.955 align:center
- I will kill the--
- [muffled shot]

00:33:03.504 --> 00:33:04.879 align:center
[Judith] Debbie!

00:33:04.880 --> 00:33:06.589 align:center
[gentle music playing]

00:33:06.590 --> 00:33:07.883 align:center
Come on.

00:33:08.884 --> 00:33:10.886 align:center
Come on!

00:33:12.221 --> 00:33:13.805 align:center
We've got to get out of here.

00:33:13.806 --> 00:33:16.057 align:center
[sirens wailing in distance]

00:33:16.058 --> 00:33:17.683 align:center
Are you coming?

00:33:17.684 --> 00:33:19.686 align:center
Come, come on, come on.

00:33:21.188 --> 00:33:24.315 align:center
I've got you. I've got you.

00:33:24.316 --> 00:33:29.695 align:center
I've got you.
[softly] I've got you.

00:33:29.696 --> 00:33:31.531 align:center
Oh, shit.

00:33:31.532 --> 00:33:32.949 align:center
- All right. Okay.
- Get it...

00:33:32.950 --> 00:33:35.494 align:center
[both panting]

00:33:38.413 --> 00:33:41.040 align:center
[sirens wail]

00:33:41.041 --> 00:33:43.126 align:center
♪ ♪

00:33:45.379 --> 00:33:46.839 align:center
[Judith] You okay?

00:33:48.173 --> 00:33:49.216 align:center
[Debbie] No.

00:33:50.634 --> 00:33:52.760 align:center
Do you want to talk about it?

00:33:52.761 --> 00:33:54.555 align:center
No.

00:33:59.017 --> 00:34:00.601 align:center
When does he get here?

00:34:00.602 --> 00:34:01.936 align:center
Couple minutes.

00:34:01.937 --> 00:34:04.897 align:center
And what happens after that?

00:34:04.898 --> 00:34:06.023 align:center
He's gonna take you

00:34:06.024 --> 00:34:07.568 align:center
to a s-safe house.

00:34:09.570 --> 00:34:11.321 align:center
And you'll be completely safe
till I get back.

00:34:13.282 --> 00:34:14.575 align:center
And what about you?

00:34:15.576 --> 00:34:17.160 align:center
I need to find Billy Donovan.

00:34:18.245 --> 00:34:21.415 align:center
He's the only one
who saw what happened last night.

00:34:22.708 --> 00:34:24.333 align:center
And saw who set me up.

00:34:24.334 --> 00:34:26.420 align:center
He'll be on the run now.

00:34:31.717 --> 00:34:33.509 align:center
He's here.

00:34:33.510 --> 00:34:36.054 align:center
[suspenseful music playing]

00:34:38.682 --> 00:34:40.558 align:center
I'm coming with you.

00:34:40.559 --> 00:34:41.851 align:center
What?

00:34:41.852 --> 00:34:43.853 align:center
No. No.

00:34:43.854 --> 00:34:45.397 align:center
No.

00:34:46.732 --> 00:34:48.190 align:center
These aren't small-time thugs.

00:34:48.191 --> 00:34:50.192 align:center
It's the Albanian mob.

00:34:50.193 --> 00:34:51.777 align:center
I need to understand

00:34:51.778 --> 00:34:54.781 align:center
how my husband stole £24 million.

00:34:55.991 --> 00:34:59.160 align:center
If these men are coming for me,
the only way I can protect myself

00:34:59.161 --> 00:35:02.122 align:center
is to find out
everything Billy Donovan knows.

00:35:03.373 --> 00:35:06.542 align:center
So I'm not asking you, I am telling you.

00:35:06.543 --> 00:35:07.794 align:center
I'm coming with you.

00:35:11.590 --> 00:35:13.634 align:center
[footfalls approach]

00:35:17.554 --> 00:35:19.221 align:center
Good evening.

00:35:19.222 --> 00:35:21.974 align:center
I understand you've been
caught up in events beyond your control.

00:35:21.975 --> 00:35:23.684 align:center
I'm here to protect you.

00:35:23.685 --> 00:35:25.102 align:center
Your safety is guaranteed--

00:35:25.103 --> 00:35:26.730 align:center
Change of plan.

00:35:27.731 --> 00:35:29.107 align:center
She's coming with me.

00:35:32.778 --> 00:35:34.236 align:center
Could I borrow you for a second?

00:35:34.237 --> 00:35:35.572 align:center
Yeah.

00:35:37.824 --> 00:35:39.408 align:center
Are you insane?

00:35:39.409 --> 00:35:42.537 align:center
You want to take a civilian on assignment?
Who is she?

00:35:43.830 --> 00:35:46.207 align:center
She's the most important
thing in the world to me.

00:35:46.208 --> 00:35:49.710 align:center
Right, okay, what is she-- FBI, CIA?

00:35:49.711 --> 00:35:51.463 align:center
Government? Witness protection?

00:35:52.714 --> 00:35:54.049 align:center
She's my best friend.

00:35:55.926 --> 00:35:57.593 align:center
[Sam] She's... [laughs]

00:35:57.594 --> 00:35:58.678 align:center
Oh, my God, oh, my God.

00:35:58.679 --> 00:36:01.514 align:center
I'm gonna lose my job. Do you know
how many rules this is breaking?

00:36:01.515 --> 00:36:03.725 align:center
Yes, I do.

00:36:06.061 --> 00:36:09.605 align:center
This is the last thing
I will ever ask of you, Sam.

00:36:09.606 --> 00:36:11.650 align:center
But you need
to listen to me very carefully.

00:36:13.318 --> 00:36:16.238 align:center
If you tell anyone about her...

00:36:18.448 --> 00:36:19.950 align:center
...I will kill you.

00:36:22.995 --> 00:36:24.371 align:center
Yeah.

00:36:31.086 --> 00:36:32.628 align:center
Billy Donovan's passport
flagged this evening

00:36:32.629 --> 00:36:34.380 align:center
at a private airport outside the city.

00:36:34.381 --> 00:36:37.299 align:center
Flight path is headed toward
northern Spain, where he has a safe house.

00:36:37.300 --> 00:36:40.511 align:center
It'll take me a few hours
to get the exact location.

00:36:40.512 --> 00:36:42.139 align:center
Thank you.

00:36:54.693 --> 00:36:56.318 align:center
Thanks, Sam.

00:36:56.319 --> 00:36:58.237 align:center
No. No-- Oh, my-oh, my God,

00:36:58.238 --> 00:37:00.115 align:center
she knows my real name.

00:37:01.116 --> 00:37:03.118 align:center
[motorcycle engine starts]

00:37:20.218 --> 00:37:21.469 align:center
- [door opens]
- [entry bells jingle]

00:37:21.470 --> 00:37:23.304 align:center
[Debbie] Oh, thanks. Ooh.

00:37:23.305 --> 00:37:25.140 align:center
Oh.

00:37:33.190 --> 00:37:34.649 align:center
Excuse me.
Do you have these in a size six?

00:37:37.527 --> 00:37:39.028 align:center
Put your shoes back on.

00:37:39.029 --> 00:37:40.488 align:center
[Queenie] Mom.

00:37:40.489 --> 00:37:42.239 align:center
Think we're gonna need you.

00:37:42.240 --> 00:37:44.242 align:center
[intriguing music playing]

00:37:47.788 --> 00:37:50.082 align:center
This is, uh, Mrs. Williams.

00:37:51.625 --> 00:37:52.918 align:center
Hello.

00:37:54.252 --> 00:37:56.462 align:center
Shall we?

00:37:56.463 --> 00:37:58.548 align:center
Queenie, get her a change of clothes.

00:38:00.175 --> 00:38:01.760 align:center
I'll just be here.

00:38:02.803 --> 00:38:04.137 align:center
Thank you.

00:38:06.431 --> 00:38:07.432 align:center
[Queenie] So, what size are you?

00:38:10.727 --> 00:38:12.686 align:center
Don't say it. Don't say it.

00:38:12.687 --> 00:38:14.481 align:center
I haven't said a word.

00:38:30.247 --> 00:38:32.249 align:center
♪ ♪

00:38:45.262 --> 00:38:47.639 align:center
I don't know. I don't, I don't, uh...

00:38:48.807 --> 00:38:50.933 align:center
I don't really...

00:38:50.934 --> 00:38:52.685 align:center
wear this sort of thing.

00:38:52.686 --> 00:38:54.521 align:center
Do you want to take a look?

00:39:02.279 --> 00:39:03.487 align:center
[chuckles softly]

00:39:03.488 --> 00:39:05.657 align:center
[♪ Tess Henley singing "Better"]

00:39:09.536 --> 00:39:11.287 align:center
[Queenie] You can't smile
in a passport photo.

00:39:11.288 --> 00:39:13.455 align:center
Just-just a straight face is... Okay.

00:39:13.456 --> 00:39:15.708 align:center
Oh, wait. Uh, can I, uh...

00:39:15.709 --> 00:39:17.585 align:center
- Uh-huh.
- Can I go again?

00:39:17.586 --> 00:39:19.462 align:center
A-And this time, can you aim higher?

00:39:20.380 --> 00:39:21.589 align:center
- Yeah.
- Last time.

00:39:21.590 --> 00:39:22.631 align:center
- Promise.
- Last one.

00:39:22.632 --> 00:39:24.300 align:center
- I promise.
- Mm-hmm.

00:39:24.301 --> 00:39:26.760 align:center
Great. That's-that's...

00:39:26.761 --> 00:39:28.637 align:center
- Mm-hmm.
- I mean, I don't-I don't love it, but...

00:39:28.638 --> 00:39:30.848 align:center
Yes.

00:39:30.849 --> 00:39:33.225 align:center
And that's D-E-B

00:39:33.226 --> 00:39:35.395 align:center
O-R-A-H. "Deborah."

00:39:36.646 --> 00:39:37.730 align:center
What?

00:39:37.731 --> 00:39:40.817 align:center
Well, it's... it's just
not gonna be your name, is it?

00:39:44.446 --> 00:39:45.362 align:center
[Debbie] Veronica?

00:39:45.363 --> 00:39:48.073 align:center
Veronica Gillingsby? Who's that?

00:39:48.074 --> 00:39:50.284 align:center
It's you.

00:39:50.285 --> 00:39:52.120 align:center
Nice to meet you, Veronica.

00:40:03.006 --> 00:40:04.590 align:center
- So real.
- [Queenie] Well,

00:40:04.591 --> 00:40:06.800 align:center
for all intents and purposes, it is real.

00:40:06.801 --> 00:40:09.970 align:center
I mean, it will take another,
what, like, 45 minutes

00:40:09.971 --> 00:40:11.138 align:center
before everything uploads.

00:40:11.139 --> 00:40:14.016 align:center
But by the time you lot
get to passport control,

00:40:14.017 --> 00:40:15.601 align:center
there'll be
a whole new person in the system.

00:40:15.602 --> 00:40:17.478 align:center
Oh, my God. It, uh, it-it's British.

00:40:17.479 --> 00:40:18.562 align:center
Yeah, you can't make

00:40:18.563 --> 00:40:20.732 align:center
American passports
with this kind of turnaround.

00:40:22.234 --> 00:40:24.236 align:center
Can you do a British accent?

00:40:26.655 --> 00:40:28.864 align:center
[bad British accent] 'Ello, guvnor,

00:40:28.865 --> 00:40:30.115 align:center
top of the morning

00:40:30.116 --> 00:40:33.702 align:center
to you. Would you like a spot of tea?

00:40:33.703 --> 00:40:35.079 align:center
- Yeah, maybe just
- Feel like--

00:40:35.080 --> 00:40:36.914 align:center
- don't speak, I reckon...
- Probably less is more.

00:40:36.915 --> 00:40:38.082 align:center
[Queenie] That's probably...

00:40:38.083 --> 00:40:40.168 align:center
[contemplative music]

00:40:43.255 --> 00:40:45.048 align:center
Um... no.

00:40:46.383 --> 00:40:47.884 align:center
Your bag.

00:40:51.680 --> 00:40:53.431 align:center
And your phone.

00:40:55.183 --> 00:40:56.476 align:center
And your watch.

00:40:57.477 --> 00:40:58.519 align:center
I-I got this...

00:40:58.520 --> 00:40:59.812 align:center
wedding anniversary, I--

00:40:59.813 --> 00:41:01.689 align:center
- You'll get it back.
- [Williams] Everything belonging

00:41:01.690 --> 00:41:04.693 align:center
to Debbie Claybourne stays here.

00:41:09.114 --> 00:41:10.991 align:center
I can't.

00:41:11.825 --> 00:41:13.117 align:center
- Well...
- Okay.

00:41:13.118 --> 00:41:14.536 align:center
good luck, Veronica.

00:41:16.538 --> 00:41:18.372 align:center
[Williams] Take care of her.

00:41:18.373 --> 00:41:19.456 align:center
I will.

00:41:19.457 --> 00:41:21.209 align:center
I wasn't talking to you.

00:41:23.169 --> 00:41:24.170 align:center
I will.

00:41:25.171 --> 00:41:26.172 align:center
[entry bells jingling]

00:41:31.344 --> 00:41:33.137 align:center
- [piano playing a gentle tune]
- [indistinct chatter]

00:41:33.138 --> 00:41:34.638 align:center
Hey.

00:41:34.639 --> 00:41:36.181 align:center
Uh, whiskey, please.

00:41:36.182 --> 00:41:37.599 align:center
Yeah, double.

00:41:37.600 --> 00:41:39.101 align:center
Uh, triple.

00:41:39.102 --> 00:41:41.103 align:center
Actually, could I get the whole bottle?

00:41:41.104 --> 00:41:42.480 align:center
- [glass clinks]
- Thanks.

00:42:08.465 --> 00:42:10.467 align:center
[♪ Yeah Yeah Yeahs playing "Burning"]

00:42:16.473 --> 00:42:17.891 align:center
<i>♪ Believer ♪</i>

00:42:19.476 --> 00:42:21.895 align:center
<i>♪ Took me over like a fever ♪</i>

00:42:23.646 --> 00:42:27.441 align:center
<i>♪ Caught you hiding
in the smoke, smoke, smoke ♪</i>

00:42:27.442 --> 00:42:31.529 align:center
<i>♪ Like a meteor, I glow, glow, glow ♪</i>

00:42:33.323 --> 00:42:37.659 align:center
<i>♪ Ooh ♪</i>

00:42:37.660 --> 00:42:42.206 align:center
<i>♪ Lay your red hand on me, baby ♪</i>

00:42:42.207 --> 00:42:45.834 align:center
<i>♪ Ooh, ooh ♪</i>

00:42:45.835 --> 00:42:46.919 align:center
<i>♪ As I go...</i>

00:42:46.920 --> 00:42:48.296 align:center
[woman] Tough day?

00:42:54.386 --> 00:42:55.929 align:center
Yeah.

00:42:56.930 --> 00:42:59.641 align:center
God, yeah. [chuckles softly]

00:43:01.559 --> 00:43:03.103 align:center
[phone vibrates]

00:43:07.774 --> 00:43:10.109 align:center
<i>♪ Into the sea, out of fire...</i>

00:43:10.110 --> 00:43:11.403 align:center
Hey.

00:43:12.112 --> 00:43:13.530 align:center
Hey.

00:43:19.619 --> 00:43:22.830 align:center
Listen, if we're gonna do this thing,

00:43:22.831 --> 00:43:24.957 align:center
we need to have some ground rules.

00:43:24.958 --> 00:43:26.793 align:center
No more lying.

00:43:28.670 --> 00:43:30.129 align:center
Yeah. Okay.

00:43:30.130 --> 00:43:31.798 align:center
And no more killing.

00:43:34.426 --> 00:43:35.634 align:center
- Okay?
- Mm.

00:43:35.635 --> 00:43:38.637 align:center
<i>♪ What you gonna do
when you get to the water?</i>

00:43:38.638 --> 00:43:39.930 align:center
<i>♪ What you gonna do...</i>

00:43:39.931 --> 00:43:41.014 align:center
[operator] <i>I don't have
any reports of a murder</i>

00:43:41.015 --> 00:43:42.224 align:center
<i>at a Water Relief gala.</i>

00:43:42.225 --> 00:43:44.685 align:center
[Debbie] <i>That's because
a mold company took him.</i>

00:43:44.686 --> 00:43:46.979 align:center
[operator] <i>A mold company
murdered your husband?</i>

00:43:46.980 --> 00:43:50.607 align:center
[Debbie] <i>No. No, they didn't murder him.
They just took him.</i>

00:43:50.608 --> 00:43:52.693 align:center
<i>They're a front
for an assassination agency.</i>

00:43:52.694 --> 00:43:55.028 align:center
<i>What part of this is difficult?</i>

00:43:55.029 --> 00:43:56.780 align:center
Eliminate the problem.

00:43:56.781 --> 00:44:00.076 align:center
<i>♪ All that burning ♪</i>

00:44:01.161 --> 00:44:04.497 align:center
<i>♪ Into the sea, out of fire ♪</i>

00:44:05.498 --> 00:44:08.626 align:center
<i>♪ All that burning ♪</i>

00:44:11.045 --> 00:44:13.047 align:center
[percussive music playing]

00:44:42.327 --> 00:44:44.329 align:center
♪ ♪

00:45:12.232 --> 00:45:14.234 align:center
♪ ♪

