WEBVTT

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Walker told me about
an opportunity in Texas.

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Cheaper than rebuilding here,
that's for sure.

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* dramatic music *

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[Jeanie]
I don't want this ranch

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to become something
I can't recognize.

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My husband and I will honor it.

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Two, three days tops, I'm back.

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Not this time.
It was her decision.

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-[auctioneer bid calling]
-This is our boy, here.

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[auctioneer] Got ten.
Uh, give me, give me...

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-Again.
-[auctioneer] Give me ten-five.

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Sold to him over there
at $10,000. Man in black.

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[lock buzzes]

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You know how to cowboy?

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I am a cowboy.

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Get in the fucking truck.

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[truck engine starts]

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You need to find out
what they know

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before it gets more complicated.

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Claudio, my friend, Beth.

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Everett tells me that you cut
the finest T-bone in the state.

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I do.

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[Beth]
I'm gonna need the best cuts

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to hook the best buyers.

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When do you think
I could see you again?

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I have a boyfriend.

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* suspenseful, dramatic music *

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[loud thud]

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* gentle, peaceful music *

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[birds singing]

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[lowing softly]

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***

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[objects clatter]

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[liquid pouring]

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Morning.

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Morning. Want coffee?

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I woke up in the night.

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You weren't there.

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Yeah, well...

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I got up that early.

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-Thanks.
-Mm.

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Everything okay?

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Yeah, I just got shit
on my mind.

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Okay.

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* dramatic music *

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I got to go to Dallas. I got
that meeting at the Swexan.

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Mm-hmm.

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Well, you got time for a ride?

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Always.

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-I'll saddle some horses.
-I'll get dressed.

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All right.

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[sighs]

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[exhales]

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-[Beth] Hut!
-[Rip clicking tongue]

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[cattle lowing]

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-[Beth] Come on. Hup, hup.
-[Rip clicking tongue]

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[Beth]
Hup, hup.

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[Rip]
Hup, hup. [clicking tongue]

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[Beth]
Hut!

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[clicking tongue]

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* gentle music *

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[Beth]
Hut!

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[clicking tongue] Hup!

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Come on.

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[Beth]
Hut, hut, hut!

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[Rip]
Hup!

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-Nice job.
-Thanks, honey.

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[sighs]

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See our girl?

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Where is she? Oh, yeah, yeah.

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[Beth]
Looks right at home.

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Tell you what,
I'll get 'em watered,

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and you get us a deal,
sweetheart.

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I'll get us a deal.

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All I need is one.

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Shit, I almost feel bad
for the poor bastard.

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Oh, you should.

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Love ya.

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[Beth]
Love you, too, baby.

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* slow, dramatic music *

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***

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***

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* gentle music *

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[birds singing]

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[horse snorts softly]

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You ready to get back
at it, mi compa?

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Can't wait.

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-Gracias.
-De nada.

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Hey, honey.

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You look nice.

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Shouldn't you be dressed
for school?

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I am dressed for school.

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I know you don't want
to be there,

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but if you just keep
your head down, work hard,

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try to learn something.

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Where you going?

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Dallas.

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What for?

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Gonna sling some beef.

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Sounds like fun.

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Might be.

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Change your shirt.

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[door closes]

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[organ music playing]

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[Beulah]
It's hard to put into words

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what Ellis Logan meant
to this community.

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It's harder to tell you
what he meant to me.

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If he was here
right now, he'd say,

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"Come on, B, get on with it.

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Daylight's a-wasting."

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-[soft laughter]
-[Beulah] Rio Paloma's a town of

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outlaws and cattle rustlers.

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To be a sheriff
in a community like ours

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is to be the most citizen
of all citizens.

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For nearly 20 years,

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Ellis didn't just
make that uniform look good,

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he was an incorruptible force
for good.

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But that doesn't mean
he was always law-abiding.

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Like the time
he snuck me and Becky Jo

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into the Starlite Drive-In,

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hidden in the trunk
of his big, old, green Caprice.

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[laughter]

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Oh.

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Rio Paloma's gonna miss you,
Ellis Logan.

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I sure am, too.

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[organist playing
"Amazing Grace"]

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[Beulah]
So sorry for your loss.

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[man]
Thank you, ma'am.

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Wonderful to see you.
Take care of yourself now.

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So sorry.
So sorry for your loss.

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Thank you for having me.

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He was a good man.

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Well...

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You almost made me like Ellis.

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[both laugh]

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I almost made myself
like him, too.

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-[sighs]
-[Beulah laughs]

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There comes a time when
there are far more funerals

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than baptisms or birthdays.

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Burials are all you go to.

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Until you show up at your own.

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We got a ways to go yet.

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Oh, Everett.

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This place will be the death
of us, sooner or later.

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Well, we'll just greet it
with a smile.

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Well, I've missed you.

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[Everett sighs]

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* wistful music *

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Yeah.

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[sniffles]

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Take care.

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[Beulah sighs]

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Buddy, I could do this all day.

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You got a real problem, kid.

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[entry bell jingles]

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-Just what you asked for.
-Wow.

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[Claudio]
The very best.

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You're a talent. Thank you.

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Got your cooler?

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Oh, shit.

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You can use one of mine.

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-[grunts]
-Thanks. Business still good?

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[Claudio]
Still hard.

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Last year,
we serviced nine ranches.

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Three gave up,

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three were sold off by the acre,

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and three were bought
by Big Beef.

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I'm sorry.

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Well, you take care
of my business,

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I'll take care of yours.

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* gentle music *

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-I like your sticker.
-It's Felipe's.

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Do not remove.

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Wouldn't dream of it.

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[entry bell jingles]

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***

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Catch you later, buddy.

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[truck door opens, closes]

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Beulah, a moment?

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Seeing you here, I feel like
it's coming up a cloud.

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Nah, there's no rain
in the forecast, darling.

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Just the matter of
Wes Ayers going missing.

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His wife's mama is raising
all kind of hell,

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and telling
anybody who'll listen,

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"10-Petal had a hand in it."

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Hmm. Did you listen?

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It's my job to listen, Beulah.

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You think I don't know your job?

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I know not to tell you yours,

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but you need to get a handle
on your bunkhouse.

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Well, it's handled.

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But since we're offering advice,

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why didn't you call me
about Oreana at the rodeo?

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Well, it seemed like
a small thing, mostly.

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Oh. The election contribution
I gave you was not.

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Ellis-- God rest his soul--
he understood that.

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Maybe that's why
he was so grateful.

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Guess I'm still learning
how to be grateful.

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Learn faster, Sheriff Wade.

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* ominous music *

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Ma'am.

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[vehicle door closes]

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* All the gold *

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* This valley's ever sold *

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* Charlene, I've been *

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* Waiting on you... *

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[sighs] What happened?

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Fucking Hoyt.

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Thanks for ditching.

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'Course. I like seeing you.

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* Charlene, come and see... *

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That's a good look.

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[sighs]

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Anyway,

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we got into another fight 'cause

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he can't keep
his dick in his pants.

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I called him out on it,
and he fucking dropped me here.

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But I got his lying ass
this time.

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I dropped an AirTag
on that piece of shit's truck.

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He's at Nicole's.

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* Charlene... *

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Why date someone
you hate so much?

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* Come and see
your good friend... *

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Why don't you save me?

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-* Charlene... *
-[sighs]

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Hmm?

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[vehicle approaching]

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Boss, you're gonna
want to see this.

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* dramatic music *

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***

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[lowing]

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[Rip]
Easy. Easy.

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Easy.

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Easy. Easy.

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Any ideas?

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[Rip]
Easy.

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Shit.

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Goddamn it.

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* tense music *

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[gunshot]

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* upbeat music *

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[indistinct chatter]

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[woman] Oh, wait,
let's get these guys.

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[woman 2] Hey, can you guys
come take a picture with us?

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-[woman 1] Please?
-[woman 3] Him, too. Come on.

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-[woman 2] Take our picture.
-[woman 1 gasps] Yes. Yes, yes.

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Thanks, thanks,
thanks, thanks. Okay.

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-Yes, yes, yes.
-You got to come, too.

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Come on.

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-No, horizontal.
-Just get over here.

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[woman 1]
Okay, everybody ready?

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-One. Two. Three.
-Say, "Girls trip."

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-[cheering]
-Okay, wait, go higher.

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-Go higher with the camera.
-Yeah, vertical next.

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-[woman 1] Okay, ready?
-[cheering]

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-[woman 1] Girls weekend!
-[horn honks]

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-Oh, my God.
-Rude.

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-[scoffs]
-You and your dusty truck.

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Okay... [scoffs]

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* dramatic music *

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* exciting music *

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[elevator bell dings]

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[elevator doors slide open]

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[Moore] We've got 65 covers in
the first seating this evening,

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so I need everyone
on their game.

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Also, Sam Kauffman's
coming in tonight,

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so let's make sure
we send a bottle

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of Screaming Eagle Cab,
on the house.

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Finally, let's not have a repeat

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of last night's circus, Paula.

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[scoffs] Please.
The kitchen knows exactly

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how many covers
we did last night. 218.

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The tip-out was easily $750
short. It's basic fucking math.

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It's not the time or place.
Let's get to work.

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Tip-outs are tomorrow's issue.
Thanks, everyone.

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-[woman] Yes, sir.
-[man] Yes, sir.

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-[quiet chatter]
-[man clears throat]

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[quietly]
Prick.

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Well, fuck that, and fuck him.

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* dramatic music *

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[quiet chatter]

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[chef] Can you toss
the bread in the oven?

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[chef 2] Still breaking down
those chickens.

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[chef 3]
We got five minutes on family.

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[Beth] That's pretty shitty
about the tip-outs.

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I'll double
last night's shortfall

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if you add one perfectly-grilled
rib eye to the family meal.

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$1,500.

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Medium rare.

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The only way.

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-Julio.
-Yes, Chef?

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-Crank up that grill.
-Yes, Chef.

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Attagirl.

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* tense, dramatic music *

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I'm afraid you're right, Rip.

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Foot-and-mouth.

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It'll burn through
your whole damn herd

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if you don't act quick.

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There hasn't been a case
of FMD in decades.

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Well, not that you'd hear,
but we got anti-vaxxers

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running wild, hmm?

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Animals shipping all over.

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Mexico's 70 miles south,

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and that screwworm infestation

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shut down live cattle imports
for months,

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hurt a lot
of pocketbooks. [sighs]

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Borders don't...

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they don't give a shit
about critters

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or desperate ranchers.

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All it takes is one.

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Or a new fucking bull.

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[quiet chatter]

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Hundred and forty years.

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[Moore]
Excuse me?

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One hundred and forty years.

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That's how long my family's
been raising cattle.

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And you are...?

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Beth Dutton.

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Dutton?

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Yes, sir.

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Uh, the Yellowstone

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was a cow-calf operation.

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It was.

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My husband and I,
we moved to Texas,

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and we're raising beef now
out of Rio Paloma.

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Ms. Dutton, I have an exhausting
excess of eager ranchers

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all singing the same
ranch-to-table song.

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Oh, sure you do.

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That's not my tune.

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You see,

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I have the crown
fucking jewel, Giles.

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Impeccable genetics,
certified Black Angus,

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refined over decades
in the Winter Garden.

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Rio Paloma.

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You bought Bill Edwards' ranch?

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Sure did. His and Jeanie's.

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[scoffs]

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[sighs]

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I'm bringing my next one to Nick
and Sam's in about a minute.

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* tense, dramatic music *

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The myth of that cattle's
floated around Texas for years.

21:33.798 --> 21:35.066
How'd you get your hands on it?

21:35.199 --> 21:39.003
Fifty seconds.
It's getting cold.

21:55.520 --> 21:57.021
[sighs]

21:59.356 --> 22:02.226
[sighs] I'll do what I can
to mitigate this,

22:02.326 --> 22:04.629
keep it a secret
for you and Beth.

22:04.729 --> 22:07.264
No need to go
causing a panic yet, but

22:07.364 --> 22:09.601
if this thing breaks bad...

22:09.701 --> 22:11.803
I understand. I got it.

22:11.903 --> 22:13.938
Is that Zach Moss over there?

22:14.071 --> 22:15.439
[Rip]
It is.

22:15.540 --> 22:16.608
[Everett]
You trust him?

22:16.708 --> 22:18.810
I'm trusting you, ain't I?

22:18.943 --> 22:22.213
Azul, Zachariah,
we're gonna quarantine the herd

22:22.279 --> 22:23.548
and put a pasture in between.

22:23.615 --> 22:24.982
I want you to go get
all the fucking

22:25.116 --> 22:26.484
camping supplies
and bring it down here.

22:26.618 --> 22:27.752
We're gonna be here
for a few days.

22:27.852 --> 22:29.386
-Yes, sir.
-Yes, sir.

22:30.588 --> 22:33.290
I'll help you guys load up.

22:33.390 --> 22:34.926
How worried should we be?

22:35.026 --> 22:39.731
Really fucking worried, but
you and the horses will be fine.

22:42.299 --> 22:44.235
[Everett]
It was good to see you, Zach.

22:44.301 --> 22:45.436
[Zach]
Hello, Mr. Everett.

22:45.537 --> 22:46.971
[truck engine starts]

22:47.071 --> 22:48.706
[kissing sounds]

22:51.375 --> 22:53.410
[Oreana]
Fucking bitch.

22:53.477 --> 22:57.014
[sighs] I knew
he'd fucking be here.

22:58.315 --> 22:59.183
Why so many stickers?

22:59.316 --> 23:01.653
More stickers, smaller the dick.

23:01.753 --> 23:03.855
Huh. [chuckles]

23:06.257 --> 23:08.192
-Where you going?
-Be right back.

23:08.960 --> 23:10.061
The fuck?

23:11.428 --> 23:12.830
[grunts]

23:23.708 --> 23:25.409
[Carter laughs]

23:25.543 --> 23:26.844
[chuckles]

23:28.045 --> 23:31.348
Hell, Oreana,
he might be a keeper.

23:34.151 --> 23:35.720
[opens glove box]

23:35.820 --> 23:38.122
-[exhales]
-[closes glove box]

23:52.637 --> 23:53.871
Hey!

23:53.971 --> 23:56.440
-Oh, fucking run.
-Shit. Fuck you!

23:56.540 --> 23:58.710
Yeah, run! Get out of here!

23:58.810 --> 24:00.411
* suspenseful music *

24:00.511 --> 24:02.647
-Get the fuck out of here!
-[engine starts]

24:05.516 --> 24:06.751
You better run!

24:08.519 --> 24:10.487
This ain't over!

24:11.422 --> 24:13.991
I'm-a kill you, boy!

24:16.227 --> 24:18.462
[indistinct P.A. announcement]

24:25.937 --> 24:28.505
Breaks a heart to see this.

24:32.209 --> 24:34.245
[sighs]

24:35.647 --> 24:39.250
A few things to make you
comfortable, huh?

24:39.316 --> 24:41.285
Thank you, ma'am.

24:42.553 --> 24:44.856
Uh, I've spoken with Chet.

24:46.390 --> 24:49.060
He'll apologize,
and you'll accept.

24:49.126 --> 24:50.962
I'd sooner kill him.

24:51.062 --> 24:52.496
Well, I'm not sure
how that helps.

24:52.630 --> 24:54.966
I guess I ain't feeling
so helpful.

24:55.066 --> 24:58.135
Well, all your bills
will be paid, of course.

24:59.136 --> 25:01.673
[sighs] But if there's
anything more that I--

25:01.806 --> 25:04.676
I'd take another beating
before I take your money.

25:05.476 --> 25:06.978
I might've thought less of you

25:07.111 --> 25:10.014
if you'd been inclined
otherwise.

25:10.982 --> 25:12.149
Mm.

25:14.185 --> 25:15.619
Oh.

25:16.620 --> 25:20.357
I just want to do my job,
the way it was before.

25:20.491 --> 25:21.592
That ain't so hard.

25:21.659 --> 25:25.797
Hmm.
Not always so easy, either.

25:25.897 --> 25:29.701
Truth be told, I can make this
a lot harder for all y'all.

25:34.538 --> 25:36.473
Let's wait till
you're back on your feet,

25:36.573 --> 25:37.675
and get you home, huh?

25:37.775 --> 25:39.210
* tense, dramatic music *

25:39.343 --> 25:40.945
Yes, ma'am.

25:41.012 --> 25:44.381
There you go.
That's a good cowboy.

25:47.451 --> 25:49.620
***

26:03.634 --> 26:06.570
[ringing]

26:08.139 --> 26:09.974
[sighs]

26:16.447 --> 26:17.915
Yes?

26:18.049 --> 26:20.384
[Mariano over phone] I've heard
you got a new foreman.

26:20.484 --> 26:21.753
I do.

26:22.686 --> 26:25.222
We have a lot of cattle
moving this month.

26:25.322 --> 26:28.192
Mm-hmm. I'm aware.

26:28.292 --> 26:30.461
I expect no surprises.

26:31.729 --> 26:35.199
And I expect you to let me
run my ranch as I see fit.

26:35.299 --> 26:37.568
No surprises, Beulah.

26:37.668 --> 26:40.071
-[call beeps off]
-* suspenseful, dramatic music *

26:41.873 --> 26:43.674
[sighs]

26:46.310 --> 26:49.146
[line ringing]

26:49.246 --> 26:50.848
[Joaquin over phone]
Yes, Mother?

26:50.915 --> 26:54.418
Joaquin, I want you to give me
Whitney Ayers' address.

26:55.552 --> 26:57.421
I'm paying her a visit, too.

27:00.591 --> 27:02.827
* dramatic music *

27:05.729 --> 27:07.531
[lowing]

27:14.038 --> 27:16.107
[tires screech]

27:17.108 --> 27:19.710
What the fuck is going on
around here?

27:20.444 --> 27:23.047
Fucking...
[clicking tongue]

27:23.114 --> 27:25.416
* exciting music *

27:46.303 --> 27:47.438
[Anna]
Zachariah.

27:47.538 --> 27:49.974
-[panting]
-[car alarm chiming]

27:50.074 --> 27:52.476
[Everett]
Whoa, whoa, whoa.

27:52.576 --> 27:54.045
Anna...

27:54.946 --> 27:56.247
Put that gun down.

27:56.313 --> 27:57.648
I'm ready.

27:57.748 --> 27:59.683
Anna. Please.

28:00.551 --> 28:02.286
No. [panting]

28:02.386 --> 28:03.454
[Everett]
Put it down.

28:03.554 --> 28:05.656
[Rip]
Azul. Azul.

28:05.756 --> 28:07.558
Drop that rifle.

28:09.026 --> 28:11.495
Rip, this is Anna Dupree.

28:12.563 --> 28:14.531
[Rip]
Anna, this is my ranch,

28:14.631 --> 28:17.668
and I would appreciate
if you dropped that gun.

28:17.768 --> 28:19.203
He's got to pay.

28:19.303 --> 28:22.339
Well, I'm not saying
he doesn't...

28:22.473 --> 28:23.975
but it'd help to know
what he did.

28:24.041 --> 28:26.210
-It's my retribution.
-Shut your mouth.

28:26.343 --> 28:28.645
-[alarm continues chiming]
-You shut the fuck up.

28:28.745 --> 28:32.516
Goddamn it, Azul,
close that fucking door.

28:35.152 --> 28:36.287
-[car door closes, alarm stops]
-[Rip] Anna.

28:36.353 --> 28:38.890
Hey, I'm here. What did he do?

28:40.457 --> 28:43.928
[crying] He killed my baby.

28:46.797 --> 28:49.200
-You take someone I love...
-[Anna sobs]

28:49.300 --> 28:51.835
...and I would feel
the same as you.

28:51.903 --> 28:54.638
-You understand?
-I do understand.

28:54.705 --> 28:58.242
Anna, what was
your daughter's name?

28:59.176 --> 29:01.278
-Theresa.
-[Rip] Whoa, Anna.

29:01.378 --> 29:03.881
Hey, stay with me, now.
Stay here.

29:03.981 --> 29:05.849
* somber music *

29:05.917 --> 29:07.618
[Anna breathing shakily]

29:08.886 --> 29:11.755
Do you think Theresa would
find peace in this?

29:11.855 --> 29:15.626
'Cause I promise you, you won't.

29:16.460 --> 29:18.195
But he might.

29:20.331 --> 29:22.466
[sobbing]

29:25.036 --> 29:26.437
Now go on, just put it down.

29:27.404 --> 29:28.705
Now, go on and give me the gun.
It's okay.

29:28.805 --> 29:29.907
[whimpers]

29:30.007 --> 29:31.675
This is too damn heavy.
[sobbing]

29:31.742 --> 29:33.744
Just breathe. Everett, you mind?

29:33.844 --> 29:35.812
[Anna sobbing]

29:35.913 --> 29:37.781
-I've got her. I've got her.
-Yeah.

29:37.881 --> 29:40.884
Come on. Hey, hey, it's okay.

29:51.162 --> 29:55.132
Zachariah, your prayers
better not be for show.

29:55.232 --> 29:58.135
-[sighs]
-[Rip] Or I'll shoot you myself.

29:58.269 --> 29:59.870
Now get up.

30:00.704 --> 30:03.040
Azul, get him out of here.

30:03.107 --> 30:05.476
* dramatic music *

30:16.954 --> 30:19.156
[soft music playing]

30:20.958 --> 30:23.627
I'm glad you came to me, but...

30:23.727 --> 30:25.329
the competition is fierce,

30:25.462 --> 30:27.098
even with beef as good as yours.

30:27.198 --> 30:30.301
Most of these Texas outfits,
they have a significant lead.

30:30.434 --> 30:32.269
Well, I plan on catching up.

30:32.336 --> 30:34.972
You'll need to deal with
Frontier Hospitality Group.

30:35.072 --> 30:37.308
They supply nearly every
high-end hotel and restaurant

30:37.408 --> 30:38.475
in Texas, including mine.

30:38.609 --> 30:41.578
I know.
That's why I came to you.

30:41.645 --> 30:43.880
I'll place the call.

30:45.216 --> 30:48.585
But Zane Nash can be...

30:48.652 --> 30:50.021
difficult.

30:50.154 --> 30:52.089
I handle difficult.

30:53.890 --> 30:55.692
I'm sure you do, Beth.

30:55.826 --> 30:59.363
Whatever Miss Dutton wants
for dinner, it's on the house.

31:08.072 --> 31:10.341
[laughs] Yeah!

31:10.441 --> 31:12.576
[siren wailing]

31:13.210 --> 31:14.545
[Oreana gasps]

31:18.382 --> 31:20.117
Don't stop.

31:21.285 --> 31:23.354
Come on.

31:30.394 --> 31:33.130
[sighs] Great.

31:34.465 --> 31:36.200
[sighs]

31:36.300 --> 31:38.469
[indistinct radio chatter]

31:48.545 --> 31:51.882
Young lady, I know some people
find your antics exciting,

31:51.982 --> 31:53.016
charming, even...

31:53.117 --> 31:54.918
-Hmm.
-[Wade] ...but I don't.

31:55.018 --> 31:57.020
I've got you
for disturbing the peace,

31:57.088 --> 31:58.222
-vandalism--
-[Oreana] What about that gun

31:58.322 --> 32:00.091
that Hoyt was waving around?

32:00.191 --> 32:03.427
There's only so much
you Jacksons can push me,

32:03.527 --> 32:04.528
get under my skin.

32:04.628 --> 32:05.896
Before what?

32:06.029 --> 32:08.265
Before the weight of this badge
buries you.

32:15.772 --> 32:19.243
Son, I think I've extended you
about all the courtesy I can.

32:20.844 --> 32:23.247
I want to like you, I do,

32:23.347 --> 32:25.249
but do not give me
one more fucking reason

32:25.349 --> 32:26.883
not to. Do you understand?

32:28.018 --> 32:29.920
Go home, Oreana.

32:30.020 --> 32:32.055
Go fuck yourself.

32:32.589 --> 32:34.024
-[chuckles]
-[Wade] Take her home.

32:34.091 --> 32:35.992
Kicking and screaming
if necessary.

32:36.093 --> 32:39.196
I see either one of you again,
I'm putting you in cuffs.

32:41.998 --> 32:44.067
Have a nice day.

32:44.168 --> 32:45.902
Piece of shit.

32:46.703 --> 32:49.673
* tense, dramatic music *

32:52.243 --> 32:54.478
[insects trilling]

33:20.337 --> 33:22.339
[Beulah]
Only a moment.

33:40.123 --> 33:41.758
Mrs. Ayers?

33:43.827 --> 33:45.696
Whitney?

33:51.368 --> 33:52.869
Hello?

34:06.049 --> 34:08.252
* suspenseful music *

34:10.119 --> 34:12.423
[exhales]

34:34.811 --> 34:37.013
***

34:47.858 --> 34:50.060
[insects trilling]

35:03.173 --> 35:04.941
Whitney's gone.

35:07.344 --> 35:09.646
And this is a fucking problem.

35:21.525 --> 35:23.827
[owl hooting in distance]

35:38.609 --> 35:41.878
-[Zach grunts]
-How you doing, Zach?

35:43.614 --> 35:46.983
Still praying for salvation
through the Lord's judgment.

35:48.118 --> 35:51.021
Yeah, He works
in mysterious ways.

35:54.625 --> 35:57.861
Why don't you tell me
about Theresa, Zachariah?

36:03.567 --> 36:05.902
She was Terry Jane to me.

36:09.205 --> 36:11.141
We were in love.

36:14.778 --> 36:18.081
A secret we kept
from her family, from Anna.

36:19.550 --> 36:21.852
For reasons
that don't matter anymore.

36:23.019 --> 36:25.021
We got in an argument.

36:25.155 --> 36:27.157
I was drunk.

36:27.891 --> 36:30.226
I was blinded by hurt.

36:31.995 --> 36:34.164
I tried to run away.

36:36.166 --> 36:38.669
Threw my truck in reverse.

36:39.470 --> 36:41.705
* somber music *

36:48.812 --> 36:51.382
It was an accident.

36:52.549 --> 36:54.685
It was an accident that...

36:54.818 --> 36:57.220
don't really feel
like an accident.

36:57.354 --> 36:58.889
Makes you...

36:59.022 --> 37:02.092
wonder if some things
are unforgivable.

37:06.229 --> 37:08.231
Everybody thought
I was the devil.

37:09.065 --> 37:10.501
I did, too.

37:10.601 --> 37:12.936
Till I found the Lord.

37:13.704 --> 37:17.641
Rio Paloma's got a long memory

37:17.708 --> 37:19.710
and bigger feelings.

37:21.044 --> 37:24.581
Everybody took
Terry Jane's death hard.

37:25.416 --> 37:27.283
Zach took the brunt of it.

37:29.152 --> 37:30.721
Big time.

37:30.854 --> 37:33.857
I ain't saying
that's fair or right, but...

37:35.659 --> 37:37.928
...that was the way of it.

37:38.028 --> 37:40.697
I deserved every bit of it.

37:40.764 --> 37:42.399
That's not true.

37:44.334 --> 37:48.004
My old man used to say
you can't ask for forgiveness.

37:49.272 --> 37:51.875
All you can do is give it.

37:53.243 --> 37:55.412
Even to yourself.

38:15.031 --> 38:17.267
[soft jazz music playing]

38:18.835 --> 38:20.471
-I want that one.
-Two of those.

38:20.571 --> 38:21.805
[woman 1]
No, no, make it...

38:21.938 --> 38:23.807
[overlapping chatter]

38:31.482 --> 38:33.484
I hear it was impressive,

38:33.584 --> 38:35.919
what you did with Giles earlier.

38:38.989 --> 38:40.624
Let me guess.

38:41.424 --> 38:42.926
One for the wife,

38:42.993 --> 38:44.260
one for the girlfriend,

38:44.360 --> 38:46.563
one for the boyfriend?

38:46.630 --> 38:48.364
[laughs]

38:49.199 --> 38:50.801
This one's for business.

38:52.603 --> 38:54.771
This one, too.
And so is that one.

38:54.838 --> 38:56.673
That's a lot of business.

38:56.773 --> 39:00.410
I represent the 10-Petal Ranch
in Rio Paloma.

39:02.546 --> 39:04.681
You follow me here?
That your fucking business?

39:04.781 --> 39:07.784
I'm just friendly competition.

39:07.884 --> 39:10.386
There's no such thing.

39:11.421 --> 39:13.790
My name is Joaquin Reyes.

39:14.625 --> 39:16.793
Oh, you're not a cattleman.

39:16.860 --> 39:19.730
More of a problem solver.

39:19.830 --> 39:21.498
Oh, yeah, one of those, huh?

39:21.598 --> 39:24.000
The Jacksons,
they raised me like family.

39:24.100 --> 39:25.368
Beulah?

39:25.468 --> 39:26.837
Lucky you.

39:26.937 --> 39:29.172
My parents, they, uh,
they never had the means

39:29.272 --> 39:31.141
or the chance to raise me.

39:31.241 --> 39:32.843
Some say family
and business don't mix,

39:32.943 --> 39:34.477
but sometimes,
that's all we have.

39:34.578 --> 39:36.980
Oh, you remind me
of my father's attorney.

39:37.080 --> 39:38.515
Is that a good thing?

39:38.615 --> 39:40.216
It's not ideal.

39:41.852 --> 39:45.822
Well, despite your views
on competition, Miss Dutton,

39:45.889 --> 39:48.559
if there is anything
I can do to help your ranch,

39:48.659 --> 39:50.460
you'll let me know?

39:51.327 --> 39:52.596
[smacks lips] Sure.

39:52.696 --> 39:56.332
Beulah might've mentioned you
once or twice.

39:56.399 --> 39:57.433
You made an impression.

39:57.534 --> 39:59.002
Oh, yeah?

39:59.102 --> 40:00.704
That's good to know.

40:01.705 --> 40:03.473
Adios, Joaquin.

40:09.479 --> 40:11.715
* gentle music *

40:16.787 --> 40:17.988
Hmm.

40:19.623 --> 40:21.091
[door closes]

40:31.334 --> 40:33.203
Is this where you were before?

40:33.303 --> 40:35.606
Sort of, yeah.

40:35.739 --> 40:37.741
You want to go back?

40:37.874 --> 40:39.876
I do...

40:39.976 --> 40:41.177
but I can't.

40:41.244 --> 40:43.446
You can do whatever you want.

40:43.546 --> 40:45.048
Will you go with me?

40:57.227 --> 40:59.462
* tense music *

41:23.987 --> 41:26.389
Much better.

41:36.066 --> 41:38.601
[Oreana laughs]

41:55.719 --> 41:56.887
Don't be scared.

41:57.921 --> 41:59.255
Uh...

42:00.123 --> 42:01.624
I'm not.

42:08.331 --> 42:09.900
You are.

42:26.516 --> 42:27.718
[chuckles]

42:28.618 --> 42:29.786
[Carter chuckles]

42:30.887 --> 42:32.188
[Oreana sighs]

42:32.288 --> 42:34.524
* gentle music *

42:53.143 --> 42:55.011
[cattle lowing]

42:55.078 --> 42:57.280
[Everett]
You're doing all you can, Rip.

42:58.081 --> 42:59.883
That's all a man can do.

42:59.983 --> 43:02.886
It's an act of God business,
huh?

43:02.986 --> 43:06.422
Everett, you ought to go home,
get some rest.

43:06.556 --> 43:08.191
It's gonna be
a long fucking night.

43:08.291 --> 43:11.427
Yeah, all right.
I'll talk to you tomorrow.

43:12.829 --> 43:15.031
[cattle lowing]

43:15.999 --> 43:17.567
I'm glad you took Zach on.

43:17.667 --> 43:20.737
He's a good man, he's just done
some terrible things.

43:22.572 --> 43:24.841
I reckon that describes
most of us.

43:24.908 --> 43:26.609
[chuckles]

43:31.414 --> 43:34.150
[phone ringing]

43:35.685 --> 43:37.353
[sighs]

43:39.990 --> 43:41.057
Hey.

43:41.157 --> 43:42.759
Hey.

43:42.859 --> 43:44.094
I got it.

43:44.194 --> 43:45.929
Hey, listen, you're gonna
want to come home.

43:46.029 --> 43:49.065
Well, I'm already
on the road. Why?

43:49.132 --> 43:51.567
Just be safe and get home
as quick as you can.

43:51.667 --> 43:53.503
Are you okay?

43:54.270 --> 43:55.571
Is Carter?

43:55.671 --> 43:57.407
Yeah, we're both fine.

43:57.507 --> 43:59.542
Please don't lie to me.

43:59.609 --> 44:01.912
I never have, honey,
and I never will.

44:02.012 --> 44:04.214
Be back as soon as I can.

44:04.280 --> 44:06.649
* intense, dramatic music *

44:14.457 --> 44:16.827
* "Til the Goin' Gets Gone"
by Lindi Ortega playing *

44:19.062 --> 44:20.663
[Beulah sighs]

44:27.637 --> 44:31.441
* Oh, the wheels,
they keep on spinning *

44:31.541 --> 44:34.310
* I ain't getting anywhere *

44:34.410 --> 44:36.646
* It's been driving me *

44:36.746 --> 44:38.114
-* Into the ground *
-[sighs]

44:38.181 --> 44:41.117
* Gonna bury my bones there *

44:41.184 --> 44:44.787
* And I hope someday
they find me *

44:44.888 --> 44:47.523
* See that I was on my way *

44:47.657 --> 44:51.661
* When I lay down
by the side of the road *

44:51.761 --> 44:54.630
* Where I made my grave *

44:54.697 --> 44:57.000
* Oh, I got to keep going *

44:57.100 --> 45:00.336
* Got to keep going on *

45:01.337 --> 45:03.306
* From the dead of night *

45:03.406 --> 45:07.377
* To the break
of the early dawn *

45:08.178 --> 45:10.180
* Yeah, I got to keep going *

45:10.313 --> 45:13.850
* Got to keep going on *

45:13.950 --> 45:16.987
* Keep on going,
little darling *

45:17.087 --> 45:21.491
* Till the going gets gone *

45:23.459 --> 45:25.528
[cattle lowing]

45:25.628 --> 45:28.131
* Yeah, I got to keep going *

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* Got to keep going on *

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* Keep on going,
little darling *

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* Till the going gets gone *

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* Oh, I got to keep going *

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* Got to keep going on *

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* From the dead of night *

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* To the break
of the early dawn *

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* Yeah, I got to keep going *

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* Got to keep going on *

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* Keep on going,
little darling *

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* Till the going
gets gone, gone, gone *

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* Keep on going,
little darling *

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* Till the going gets gone *

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[gate creaks open]

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* tense, dramatic music *

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***

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* slow, dramatic music *
