WEBVTT

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Action!

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Cut it.

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Cut, cut.

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Rajamouli sir said,
"We're going on set tomorrow."

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My first challenge was performing
with Ramya Krishnan ma'am.

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-She's such an amazing--
-Oh, that was your first day of shooting?

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My shoot.

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She's such an amazing artist.

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-And I was so scared.
-It was a challenge.

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But the moment I stepped onto the set,
my mind went completely blank.

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-That leg you see behind the throne…
-Yeah.

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-It was huge.
-It was huge.

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And until that morning, Ramya Krishnan
ma'am had been my biggest fear.

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I kept wondering
how I was going to match her performance

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-and all that.
-Yeah.

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But the moment I saw the set,

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-I had a completely different problem.
-Yeah.

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-I was just stunned. I mean, what to do?
-Yeah.

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The set was only partially built
when we filmed those scenes.

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But when I saw it in the theater,
I was blown away by the scale of it.

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It was an experience
I can't really put into words.

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The set we shot on

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and what ended up on screen
felt like two completely different worlds.

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If you look at this stone,

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it's actually made of fiber
that's designed to look real.

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I'm trying to make it feel
as authentic as possible.

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So, those things were very unique.

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I've done a lot of films,
but I'd never seen a set like this before,

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where we cared about how something
actually felt, not just how it looked.

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Sabu sir made sure there was
work done wherever we set foot.

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He would place some kind of
foam where we had to walk and land.

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One! Go!

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Nice!

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The usual set has lights,
cranes, tracks, and trolleys.

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But this set had bulldozers
and big cranes moving boulders.

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The atmosphere looked
like we were building a dam.

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The costumes took up almost
quarter of a kilometer.

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The Kalakeya troop's costumes
would go on for miles.

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We had 20-30 people
dedicated to dressing them up.

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The Kalakeya costumes were
painted black, so were they.

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Around 100 people were
working on the costumes.

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Baahubali was like the biggest
factory in every department.

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Having seen filmmakers who
make a big deal out of nothing,

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it's shocking to see the Baahubali
team being humble as ever,

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even after making the
biggest film in India.

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The way Shobu sir was spending money,
Prabhas and I used to joke,

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"Look at him, sir…

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sitting there relaxed,

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without a bit of tension like
it's someone else's shoot."

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The scale of the production was so much…

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That time we--

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I still remember there
was this AD from Bombay.

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He was there for a month or two,
and he was not able to handle it.

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So we had to bring
in a typical co-director.

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The scheduling was becoming
too complex for anyone to deal with.

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Why is this looking like a mess?

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It is so confusing, sir.

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Then we did a script breakdown
and tried a scheduling software.

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Even that was too new and people
were not comfortable working with it.

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So finally, I became
the first AD for Rajamouli.

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August second half is
assigned for the introduction

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of Baahubali's and
Bhallaladeva's introductions.

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We would need all the
artists for the same for 2 days.

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For the first time, a Producer
wasn't just putting in the money…

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or barely checking on us,
having a coffee or tea on the set.

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He equally shed his blood
and sweat for this film.

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Valli and Karthikeya and the production
team would take over from there.

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It was their job to execute the plan.

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Every day was a battle on the sets
of Baahubali. A battle against time.

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So much was being spent per day
with such a big crew and junior artists.

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Each second was very valuable.

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Starting at 5:30 AM, everyone
was always on the run.

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Let's go, let's go!

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It was like a mini battle
that was going on every day.

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Action!

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Action!

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Come on!

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-Keep going!
-Don't stop there.

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One of the important
sequences which was…

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very challenging to shoot
was the waterfall sequence.

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We shot it in multiple locations.

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We shot at a real
waterfall in Atharapalli,

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and also had small sets
erected in Ramoji Film City.

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That was the most difficult scene for me.

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Valli and Rama would play out the
scene beforehand to make sure it was safe.

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It was a dicey situation, despite
taking all safety measures.

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They would let me do the scene
only after they've assessed the risk.

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I haven't seen such
concern on any other set.

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Three, two, one!

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Charge!

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I think the most unique song in
my career would always be Dheevara.

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In fact, the introduction shot
in which the butterflies fly away…

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took us almost 2 days
to nail it to perfection.

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One, two, three!

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Cut!

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Cut it!

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Senthil, Sabu Cyril, and Keeravani
didn't want to give their personal best.

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They wanted to give what the film wants.

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Baahubali is a war.

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It's not just a film about war.

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The film itself was a war.

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Let's establish the
war prep along with this.

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-Got it.
-It's going to take so much time.

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It was a war. The shoot was a war.

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Designing was a war.

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Detailing was a war.

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Building the chariot was a war.

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It was war time for the people on
sets, not just the audience to watch.

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The war was so tiring,

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It was shot in April or May.

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We couldn't stop the shoot
as the stakes were high.

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The entire army was dressed
heavily and painted black.

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Just getting onto the war field
and running amidst all the dust.

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Just the scale of shooting
was so overwhelming.

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And, action!

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Cut!

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I feel that what they achieved as a team,

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what Rajamouli visualized
as a director was magnificent.

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The action part, the war, was best.

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He'd tell me that he wants to do it
better than what anyone has done so far.

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By 7:30 a.m.,

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we used to have 500-600 people
completely dressed up,

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having breakfast, and ready to shoot.

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-There's no point…
-Wow!

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So once we finish a shot on
one side and shift to the other,

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all the 2,000 extras have to
be shifted to the other side.

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Everyone was properly
organized and trained.

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Take!

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We had to bring them on time
and take all the necessary shots.

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Get unready and prepare
all that stuff for the next day.

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It isn't just about handling
a huge number of people.

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It's also about how cleverly you can
make it look like more people.

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And that obviously needs a lot of support
from the director, which we always had.

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The way he designed it was incredible.

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I think only Rajamouli can do that.
Because there were so many characters.

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He couldn't miss the drama
or the grand visuals.

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And he still had to manage everyone
and shoot.

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I never would have gained the experience
of running a production on that scale

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if I hadn't worked
on a film like Baahubali.

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We spent two and a half months
filming just the war sequence.

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After a hundred days,
you really get tired.

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We were shooting from seven
in the morning until six in the evening.

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At least we had fans
and air conditioning.

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But there were 300 people on set.

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They didn't have the luxury
of finding a shady spot to rest.

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They would just lie down in the sun.

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We felt bad waking them up.

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The line producer, Valli ma'am,

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would ask me to show up in my armor

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so they'd feel motivated
and get back on their feet.

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They would just wake up
out of respect for me.

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When I met Valli, she seemed
very timid, a typical housewife.

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You can't imagine her
handling thousands of people.

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On set, she almost became a commander.

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She would hold a stick and say,

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"Hey, stand in line."

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"Yes, madam."

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So, 200-300 people
were saying, "Okay, madam."

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"Madam, that guy is not standing in line."

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That's the scene.

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When I saw it, it was the most
comical scene you can ever seen.

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Baahubali couldn't have
been such a great epic…

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without the women behind it.
Valli, Rama, and Prashanthi.

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They were the strong women
force behind the screen.

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We had brought in many
bodybuilders for the war sequence.

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We would train them

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and make them fight
intensely in the scene.

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There's a shot where a
100X100 feet cloth falls on people.

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We composed the fireball scene in part 1.

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I don't know if it was
God's grace or luck.

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We got the shot in the first take.

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I was so happy.

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The cloth was tied with many ropes.

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It knocked all of them down very quickly.

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Many people got injured.

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I remember a man
breaking his arm.

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He broke his hand.

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Don't touch his leg.

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He walked up to the
Line Producer and said,

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"I'll quickly go and get it plastered.

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He will take my place for the meantime."

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He got up on his feet and told us
how to execute the shot without him.

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He immediately rushed to the hospital.

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That level of commitment
from a bodybuilder…

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who is not even seen
in the film, was shocking.

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The way they worked to appear at

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least in a single shot
was commendable.

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Hats off to all of them,
especially those who weren't seen.

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-Out, out, out!
-Rolling!

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Stop, stop! Don't go!

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Music!

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We were able to make Baahubali,

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only because so many of them
committed to the vision.

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That is why I never believed

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the film belonged just to me.

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I constantly remember that a
lot of people contributed to this.

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I think… Yeah.

00:14:20.208 --> 00:14:24.458 align:center
On a personal note, Baahubali
made me humbler.

00:14:35.291 --> 00:14:39.833 align:center
If we had known beforehand that

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both the parts would
need 400 crores,

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Baahubali would've never been made.

00:14:45.583 --> 00:14:47.875 align:center
No doubt about it.

00:14:48.041 --> 00:14:51.875 align:center
For most films, we have a budget
and work towards that budget.

00:14:52.458 --> 00:14:56.166 align:center
In this case, we did not
have a budget in mind.

00:14:56.250 --> 00:14:59.208 align:center
We would think of what would
be the best possible cost…

00:14:59.291 --> 00:15:02.208 align:center
without compromising
on the director's vision.

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And whatever it took,
we were putting in.

00:15:04.458 --> 00:15:07.666 align:center
I remember when we just
finished the conclusion part,

00:15:07.750 --> 00:15:10.875 align:center
we had the climax pre-vis ready with us.

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We were discussing about the climax,
when Shobu had thrown a date at us.

00:15:15.166 --> 00:15:17.208 align:center
He said, "Kamal, we're going to
release our film on this date."

00:15:17.291 --> 00:15:18.875 align:center
So I started shouting,

00:15:18.958 --> 00:15:20.458 align:center
"How is it possible?
The pre-vis has just come."

00:15:20.541 --> 00:15:22.416 align:center
"We haven't started
shooting the climax yet."

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"And you're speaking
about the release date."

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Shobu being Shobu, was very persistent.

00:15:27.958 --> 00:15:31.375 align:center
He said, "You can tell me anything, but I
want to release the film on this date".

00:15:31.458 --> 00:15:32.708 align:center
Then I asked him,

00:15:32.875 --> 00:15:36.625 align:center
"You give me this figure for this
particular scene, I will finish it."

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Everybody was shocked about
the figure, the money I asked.

00:15:41.291 --> 00:15:46.208 align:center
He thought for five seconds
and said, "Okay, sanctioned!"

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Having a good producer who is on
the same wavelength as the director…

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and all the other creatives

00:15:55.916 --> 00:16:00.625 align:center
within the entire crew
is a beautiful thing.

00:16:00.791 --> 00:16:04.791 align:center
Raising funds for this
magnum opus was crazy.

00:16:04.875 --> 00:16:06.583 align:center
The amount was unheard of.

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I think the most expensive film in
Telugu cinema till then was Magadheera,

00:16:11.916 --> 00:16:17.000 align:center
Now we were talking about raising almost
five times of the budget of that film.

00:16:17.083 --> 00:16:19.208 align:center
It was very stressful and…

00:16:19.291 --> 00:16:21.166 align:center
during the war sequence, especially…

00:16:21.250 --> 00:16:27.333 align:center
We had junior artists, bodybuilders
and fighters in thousands.

00:16:27.416 --> 00:16:28.375 align:center
It was massive.

00:16:28.458 --> 00:16:34.166 align:center
After a few days, the per day
cost came up to 25 lakhs (or more).

00:16:34.250 --> 00:16:37.750 align:center
Our four days of war
sequence could fund a small film,

00:16:38.041 --> 00:16:41.375 align:center
about 12 years back.

00:16:41.458 --> 00:16:43.958 align:center
We were rolling out one
crore every four days.

00:16:44.250 --> 00:16:45.625 align:center
It was a massive number.

00:16:46.041 --> 00:16:50.250 align:center
Whenever I asked Shobu
sir if this budget was doable,

00:16:50.375 --> 00:16:51.541 align:center
he would laugh it off.

00:16:51.875 --> 00:16:54.875 align:center
I don't know how he could laugh at this.

00:16:55.125 --> 00:16:57.375 align:center
It was a nightmare trying to raise money.

00:16:57.750 --> 00:16:58.916 align:center
Literally, I remember…

00:16:59.000 --> 00:17:02.250 align:center
Sometimes the shoot would be in two days,

00:17:02.416 --> 00:17:04.666 align:center
and we still wouldn't have money ready.

00:17:04.833 --> 00:17:07.958 align:center
We were always running
around trying to raise money.

00:17:08.416 --> 00:17:11.375 align:center
We have our typical financiers,

00:17:11.625 --> 00:17:14.916 align:center
Mr. Satrange and Mr. Prasad,
whose son had supported us.

00:17:15.291 --> 00:17:16.708 align:center
We started off with them.

00:17:17.041 --> 00:17:21.583 align:center
We realized midway that there's
not enough money in the market…

00:17:21.791 --> 00:17:22.750 align:center
to support this project.

00:17:22.833 --> 00:17:24.541 align:center
Even the banks weren't lending money.

00:17:24.625 --> 00:17:29.875 align:center
The budget kept piling
up as the shoot went on.

00:17:29.958 --> 00:17:33.250 align:center
At one point, I had asked Shobu,

00:17:34.333 --> 00:17:36.583 align:center
"Don't you think things
are going out of hand?"

00:17:36.666 --> 00:17:38.250 align:center
Shobu only told me one thing…

00:17:38.333 --> 00:17:40.291 align:center
"Brother, they are doing their best.

00:17:40.375 --> 00:17:42.291 align:center
There is no wastage of money,

00:17:42.375 --> 00:17:44.750 align:center
and whatever we're spending
on is going to show on screen.

00:17:44.833 --> 00:17:48.541 align:center
There's no point in going and
saying, 'What else can we do?'

00:17:48.958 --> 00:17:52.791 align:center
It will only spoil the
rhythm of the film set.

00:17:53.125 --> 00:17:56.208 align:center
Let's go through with this
and see what happens."

00:17:56.458 --> 00:18:00.708 align:center
That was enough for me as a partner.

00:18:00.791 --> 00:18:02.375 align:center
I didn't ask for that meeting again.

00:18:02.500 --> 00:18:03.583 align:center
And I'm glad I didn't.

00:18:03.666 --> 00:18:07.583 align:center
I didn't want to be the person who
would question this bunch of people…

00:18:07.666 --> 00:18:09.916 align:center
who were working so hard every day.

00:18:10.000 --> 00:18:11.583 align:center
So I just took a step
back and told Shobu…

00:18:11.666 --> 00:18:16.833 align:center
"Let's just do it. I will support you."

00:18:16.916 --> 00:18:19.208 align:center
One of the key components…

00:18:19.750 --> 00:18:22.833 align:center
in making the world of Baahubali
believable was Ramoji Film City.

00:18:22.916 --> 00:18:27.791 align:center
There's a hill called
Telangana Konda,

00:18:27.916 --> 00:18:30.291 align:center
from where you can
see RFC in its entirety.

00:18:30.750 --> 00:18:35.791 align:center
From there, we could see
our set spread across ten acres,

00:18:35.875 --> 00:18:39.750 align:center
along with the 15-acre war field set

00:18:39.916 --> 00:18:42.625 align:center
and another 25 acres
for a different war set.

00:18:42.708 --> 00:18:46.833 align:center
The art department sheds
covered another ten acres.

00:18:46.916 --> 00:18:53.000 align:center
In total, we occupied
100 acres of Ramoji Film City.

00:18:53.083 --> 00:18:57.041 align:center
I would like to thank Mr. Ramoji Rao
of Ramoji Film City

00:18:57.125 --> 00:18:59.833 align:center
and Mr. Bapineedu from ETV.

00:19:00.250 --> 00:19:05.083 align:center
They stood by us like pillars of support.
Since we were shooting extensively

00:19:05.458 --> 00:19:07.541 align:center
at Ramoji Film City,
they extended us a great deal of credit.

00:19:07.833 --> 00:19:12.250 align:center
They also lent us money
at a good interest rate.

00:19:12.541 --> 00:19:14.333 align:center
Without these people…

00:19:14.416 --> 00:19:17.000 align:center
I don't think we could have
made this film anywhere else.

00:19:17.208 --> 00:19:19.041 align:center
Once the shoot was over,

00:19:19.125 --> 00:19:21.041 align:center
the thought of tearing down
the entire set…

00:19:22.458 --> 00:19:25.250 align:center
felt like a knife through my heart.

00:19:25.583 --> 00:19:27.500 align:center
We had spent years shooting there.

00:19:27.583 --> 00:19:29.625 align:center
There were so many memories
attached to it.

00:19:30.083 --> 00:19:34.291 align:center
But eventually,
we spoke with the RFC team

00:19:34.666 --> 00:19:38.166 align:center
and decided to turn it
into a visitor attraction.

00:19:38.541 --> 00:19:40.708 align:center
Universal Studios has several old sets

00:19:40.833 --> 00:19:42.875 align:center
that visitors can walk through
and experience.

00:19:43.250 --> 00:19:46.791 align:center
We wanted the public here
to have a similar experience.

00:19:47.541 --> 00:19:50.041 align:center
Now it's been ten years since the release.

00:19:50.708 --> 00:19:54.666 align:center
Today, the major attraction of
Ramoji Film City is the Baahubali set.

00:19:54.958 --> 00:19:56.250 align:center
Every day on average,

00:19:56.333 --> 00:19:58.500 align:center
3,000 people come to visit that set.

00:19:58.916 --> 00:20:00.958 align:center
Which means Baahubali lives on.

00:20:01.041 --> 00:20:04.916 align:center
It continues to live in
people's minds and hearts.

00:20:05.166 --> 00:20:06.791 align:center
The Maahishmathi set is one key example,

00:20:07.208 --> 00:20:12.708 align:center
which is still standing
in Ramoji Film City.

00:20:39.666 --> 00:20:41.708 align:center
While Baahubali as a
film shines on its own,

00:20:41.791 --> 00:20:45.125 align:center
to promote that, there is something

00:20:45.708 --> 00:20:49.541 align:center
astounding happening
in the south of India.

00:20:49.625 --> 00:20:53.041 align:center
Something that one wouldn't
want to miss in this lifetime.

00:20:53.125 --> 00:20:56.791 align:center
Creating that interest
was a whole different game.

00:20:57.041 --> 00:20:59.333 align:center
Then came the idea of "Behind the Scenes".

00:20:59.833 --> 00:21:02.958 align:center
Even the BTS footage of
Baahubali is huge in scale.

00:21:03.041 --> 00:21:04.000 align:center
Action!

00:21:17.708 --> 00:21:19.500 align:center
Trained under the masterful Kattappa,

00:21:20.041 --> 00:21:22.041 align:center
aided by a formidable army.

00:21:22.791 --> 00:21:25.125 align:center
The Maharaja summons with grace!

00:21:25.208 --> 00:21:26.250 align:center
Cut!

00:21:28.541 --> 00:21:30.541 align:center
One, two, three, four.

00:21:36.791 --> 00:21:39.333 align:center
We started with birthday wishes…

00:21:39.416 --> 00:21:43.208 align:center
and went on to show everyone's efforts

00:21:43.291 --> 00:21:47.416 align:center
through behind the scenes.

00:21:47.583 --> 00:21:48.750 align:center
A first of its kind.

00:21:49.250 --> 00:21:52.083 align:center
It piqued massive interest in the public.

00:21:52.375 --> 00:21:54.916 align:center
It was some magic in the making, for sure!

00:21:55.375 --> 00:21:56.291 align:center
Action!

00:22:04.166 --> 00:22:08.041 align:center
Rajamouli sir used to
enact each shot for us.

00:22:08.125 --> 00:22:12.083 align:center
Rajamouli sir picked up the
sword and flipped it in the air.

00:22:14.708 --> 00:22:16.458 align:center
This is the worst part for actors.

00:22:16.916 --> 00:22:19.125 align:center
When the director enacts it
in front of thousand people,

00:22:19.208 --> 00:22:20.291 align:center
how will you live up to it?

00:22:20.458 --> 00:22:23.583 align:center
It's very embarrassing
when the director does it,

00:22:23.666 --> 00:22:25.500 align:center
and the actor is still
struggling to do it.

00:22:25.583 --> 00:22:30.375 align:center
Thankfully, people didn't watch
the initial making of Baahubali.

00:22:30.458 --> 00:22:32.333 align:center
It's a big comedy goof-up.

00:22:32.416 --> 00:22:35.500 align:center
Like a ridiculous comedy film.

00:22:35.583 --> 00:22:38.000 align:center
We would be up to some
nonsense in every shot.

00:22:38.333 --> 00:22:41.000 align:center
Hi, this is Anushka,
playing the role of Devasena.

00:22:41.083 --> 00:22:42.625 align:center
Welcome to the making of Baahubali.

00:22:59.041 --> 00:23:03.375 align:center
He sits in an AC room and
writes, "Baahubali jumps off a hill."

00:23:03.625 --> 00:23:05.375 align:center
And I'm supposed to jump.

00:23:05.875 --> 00:23:08.333 align:center
He looks damn bored.

00:23:10.625 --> 00:23:13.250 align:center
You did look bored, man.
You were sitting somewhere far away.

00:23:13.333 --> 00:23:17.375 align:center
I would look at you
guys and feel left out.

00:23:18.000 --> 00:23:18.875 align:center
So, yeah.

00:23:20.333 --> 00:23:22.083 align:center
You wanted to sit on the
throne, right? Have fun!

00:23:26.250 --> 00:23:28.916 align:center
He can't stand us laughing for a
second. He pulled the sword away.

00:23:29.958 --> 00:23:31.541 align:center
Did you see that?

00:23:31.625 --> 00:23:33.875 align:center
I've never seen a man like him in my life.

00:23:34.416 --> 00:23:35.333 align:center
I don't think I ever will.

00:23:35.583 --> 00:23:38.291 align:center
He's not human. He's a strange species.

00:23:42.833 --> 00:23:44.250 align:center
Is that you trying to hold your laugh?

00:23:44.333 --> 00:23:46.041 align:center
Yeah, my laugh gets
uncontrollable sometimes.

00:23:46.125 --> 00:23:48.875 align:center
-Trust me, he knows.
-I try to control my laugh.

00:23:49.250 --> 00:23:53.791 align:center
Producer's worried about budget
only when Sweetie starts laughing.

00:23:53.875 --> 00:23:56.500 align:center
Because once she starts laughing,

00:23:56.583 --> 00:23:58.083 align:center
it takes easily about 40 minutes
to calm down.

00:23:59.875 --> 00:24:03.833 align:center
Producer's heart must be
thumping as you start laughing.

00:24:04.208 --> 00:24:05.666 align:center
-These were the initial days of shoot.
-First day…

00:24:05.750 --> 00:24:06.916 align:center
-First video.
-At that time…

00:24:07.000 --> 00:24:11.416 align:center
You were worried about wasting
the Producer's money, weren't you?

00:24:15.500 --> 00:24:17.041 align:center
You were doing it with rhythm.

00:24:18.458 --> 00:24:22.125 align:center
I guess I was scared that
he'd go for one more take.

00:24:22.250 --> 00:24:23.625 align:center
This is very cute.

00:24:23.708 --> 00:24:25.250 align:center
What all this table has heard.

00:24:25.333 --> 00:24:28.000 align:center
If this table had ears and a mouth,

00:24:29.083 --> 00:24:31.416 align:center
-we were chatting…
-I kept talking, nonstop.

00:24:31.958 --> 00:24:33.375 align:center
throughout the film shoot.

00:24:34.000 --> 00:24:35.958 align:center
Devasena, I summon thee.

00:24:36.583 --> 00:24:38.041 align:center
Alright, time to go!

00:24:38.875 --> 00:24:41.416 align:center
-I'm ready.
-Then move it. Let him sit.

00:24:41.500 --> 00:24:43.750 align:center
-Oh, he has to take the throne now?
-Yes, no problem.

00:24:44.416 --> 00:24:47.208 align:center
Ramya ma'am has got a
very strange laugh.

00:25:04.250 --> 00:25:06.916 align:center
So, we had fun. That actually helped us.

00:25:07.125 --> 00:25:11.916 align:center
We all made fun to keep
ourselves very relaxed.

00:25:12.041 --> 00:25:13.041 align:center
That's what I see.

00:25:13.125 --> 00:25:16.125 align:center
When my statue is
raised for the first time,

00:25:16.250 --> 00:25:17.875 align:center
everyone shouts Baahubali, Baahubali!

00:25:17.958 --> 00:25:21.125 align:center
You lift the statue up
and the public joins you.

00:25:21.458 --> 00:25:25.125 align:center
He narrated that scene
to me for 10 minutes.

00:25:25.458 --> 00:25:28.250 align:center
I'd say, "Oh, Baahubali is
lifting my statue!" and walk away.

00:25:28.333 --> 00:25:32.708 align:center
What happened in the film and
what I believe are two different stories.

00:25:32.791 --> 00:25:36.041 align:center
That happens to me even now. I have a
completely different version of the story.

00:25:36.458 --> 00:25:38.208 align:center
If you ask me, I'd narrate it differently.

00:25:38.541 --> 00:25:39.458 align:center
Only Rana

00:25:39.541 --> 00:25:41.375 align:center
-would see it from his point of view.
-Only!

00:25:41.458 --> 00:25:42.333 align:center
Only I had…

00:25:42.416 --> 00:25:47.250 align:center
Even when it's a shot on Devasena,
he'd say he's caused it.

00:25:48.041 --> 00:25:51.500 align:center
According to him, Baahubali
is desperate for his throne.

00:25:51.916 --> 00:25:55.125 align:center
Rajamouli is planning the
whole thing for Bhallaladeva.

00:25:55.500 --> 00:25:58.916 align:center
And Shivagami is fighting
to fulfill his wishes.

00:25:59.291 --> 00:26:01.208 align:center
How can everyone be existing for you?

00:26:01.666 --> 00:26:06.916 align:center
I later realized that I am the
reason for the whole story.

00:26:07.458 --> 00:26:08.625 align:center
I am Baahubali.

00:26:09.166 --> 00:26:10.458 align:center
I am Baahubali.

00:26:10.583 --> 00:26:15.083 align:center
If this character didn't exist,
Baahubali wouldn't have existed.

00:26:15.500 --> 00:26:20.208 align:center
Because I had one crippled hand,

00:26:20.500 --> 00:26:22.625 align:center
because I was not
given the throne,

00:26:22.708 --> 00:26:27.000 align:center
because of that the core drama
of Baahubali ensues.

00:26:27.083 --> 00:26:29.875 align:center
It is with that energy
that I shot the entire film.

00:26:30.541 --> 00:26:32.541 align:center
Baahubali grew on us.

00:26:32.625 --> 00:26:35.541 align:center
We set out every day, towards a door…

00:26:35.625 --> 00:26:38.125 align:center
that would open up to
the world of Baahubali.

00:26:38.208 --> 00:26:40.333 align:center
Once we opened that
door, a bigger one appeared.

00:26:40.416 --> 00:26:42.666 align:center
We soon realized that we
had to open ten more doors…

00:26:42.750 --> 00:26:45.791 align:center
to achieve this feat called Baahubali.

00:26:45.875 --> 00:26:52.833 align:center
We couldn't depend on Telugu States
alone to get our returns on this film.

00:26:52.916 --> 00:26:57.666 align:center
We knew the audience from
other states would love it.

00:26:57.750 --> 00:27:00.291 align:center
But it wasn't a case
of wishful thinking.

00:27:00.375 --> 00:27:03.958 align:center
We were banking on it a 100%

00:27:04.041 --> 00:27:07.750 align:center
to make sure this movie is profitable.

00:27:07.833 --> 00:27:11.333 align:center
That was when we took a serious approach.

00:27:11.416 --> 00:27:16.666 align:center
We felt the need for a
strong partner in Hindi

00:27:16.833 --> 00:27:20.125 align:center
who could platform it and
present it like a brand ambassador.

00:27:20.208 --> 00:27:23.375 align:center
Who would take it personally
and with a certain passion.

00:27:23.458 --> 00:27:27.750 align:center
Not just someone who would
treat it like any other cinema.

00:27:27.833 --> 00:27:32.000 align:center
That's when Karan Johar's name
came up. Dharma Productions.

00:27:32.166 --> 00:27:36.416 align:center
We felt Karan would be out there
and be the perfect brand ambassador.

00:27:36.500 --> 00:27:42.083 align:center
If he likes it, he'll speak
about it and present it correctly.

00:27:42.291 --> 00:27:44.875 align:center
I spoke to him on a
phone call the first time.

00:27:44.958 --> 00:27:48.958 align:center
I wanted to meet, but he
was in London at the time.

00:27:49.041 --> 00:27:50.458 align:center
So I explained why I was calling.

00:27:50.541 --> 00:27:52.875 align:center
He said, "Rana, are you
telling me y'all are making a…

00:27:52.958 --> 00:27:54.541 align:center
200-crore war film in Telugu?"

00:27:54.625 --> 00:27:56.250 align:center
I said, "Yeah, that's what we're doing."

00:27:56.583 --> 00:27:58.208 align:center
He said, "Okay, I don't really
understand what you're saying."

00:27:58.291 --> 00:27:59.833 align:center
"Why don't you come
to Bombay and talk to me?"

00:27:59.916 --> 00:28:01.916 align:center
I said, "Okay."
We showed him some stills.

00:28:02.166 --> 00:28:03.916 align:center
I remember the first line he said.

00:28:04.208 --> 00:28:05.583 align:center
He said, "Rana,
this is what we have to do."

00:28:05.666 --> 00:28:08.333 align:center
"Are you ready to watch
India's biggest motion picture?"

00:28:08.500 --> 00:28:11.375 align:center
"That should be on every poster
and every piece of marketing."

00:28:11.458 --> 00:28:14.916 align:center
Dharma Studio was presenting the film,

00:28:15.166 --> 00:28:18.666 align:center
but we still needed someone
to distribute it in Hindi.

00:28:18.750 --> 00:28:23.583 align:center
Anil Thadani heard that
we had approached Karan.

00:28:23.666 --> 00:28:25.958 align:center
He felt he had missed out
on releasing Eega,

00:28:26.125 --> 00:28:27.583 align:center
which was released in Hindi as Makkhi.

00:28:27.833 --> 00:28:29.875 align:center
He didn't want to make
the same mistake again,

00:28:30.166 --> 00:28:32.625 align:center
so he was very keen
to be part of the project.

00:28:32.708 --> 00:28:34.458 align:center
I met Anil a couple of times,

00:28:34.541 --> 00:28:40.875 align:center
and we immediately liked his approach.
We decided to work with him.

00:28:41.125 --> 00:28:42.333 align:center
That's how Anil came on board.

00:28:42.958 --> 00:28:44.875 align:center
What's the release date?

00:28:44.958 --> 00:28:49.958 align:center
He's been preparing me
for four days, and I still forgot.

00:28:50.458 --> 00:28:53.583 align:center
So after several postponements,
we finally settled on a release date.

00:28:53.666 --> 00:28:56.291 align:center
Exactly one week before
the release of Salman Khan's film.

00:28:56.375 --> 00:28:58.291 align:center
July 10th, exactly one week before Eid.

00:28:58.541 --> 00:29:02.833 align:center
And in Hindi cinema, the week before Eid
is usually considered a dead week.

00:29:03.041 --> 00:29:04.125 align:center
Nobody releases a film then.

00:29:04.333 --> 00:29:07.083 align:center
We were trying to convince

00:29:07.541 --> 00:29:11.958 align:center
ourselves that maybe it's a soft film.

00:29:12.208 --> 00:29:15.000 align:center
We considered the next week, and Rajamouli
said, "Rana, that's a good film."

00:29:15.291 --> 00:29:19.875 align:center
We asked how he was so confident, and
he told us his dad is the writer of it.

00:29:20.166 --> 00:29:23.875 align:center
It was a very tough spot
to actually be releasing…

00:29:24.041 --> 00:29:28.166 align:center
a film that had no actors from Hindi,

00:29:28.375 --> 00:29:32.791 align:center
or relatively unknown
actors in the Hindi belt.

00:29:32.875 --> 00:29:35.000 align:center
It was a tough call, but
Anil sir said we'll do it.

00:29:44.833 --> 00:29:51.208 align:center
We worked on Baahubali as if
we were possessed or in a trance.

00:29:51.291 --> 00:29:54.666 align:center
On top of that, we didn't take a break.

00:29:54.750 --> 00:30:00.125 align:center
We worked so hard,
we didn't even stop

00:30:00.791 --> 00:30:04.458 align:center
to think if we'd make
all this money back.

00:30:05.500 --> 00:30:12.458 align:center
When we got hold of the first copy
a couple of days before the release,

00:30:13.000 --> 00:30:16.791 align:center
that's when it hit us how
much the budget was.

00:30:17.250 --> 00:30:20.083 align:center
The last three days were pure terror.

00:30:21.708 --> 00:30:25.166 align:center
Even though we believed
in the film, it was unheard of.

00:30:25.875 --> 00:30:30.291 align:center
If we were to surpass
the biggest hit till then,

00:30:30.916 --> 00:30:35.750 align:center
we were going to end up
with a loss of a 100 crores.

00:30:36.041 --> 00:30:41.916 align:center
Today, 200 crores feel doable
but back then,

00:30:42.000 --> 00:30:44.125 align:center
it was too much.

00:30:44.708 --> 00:30:48.000 align:center
I think we spent around 220 crores.

00:30:48.791 --> 00:30:53.458 align:center
When the budget had
crossed 150-160 crores,

00:30:53.875 --> 00:30:59.583 align:center
the Producers definitely

00:31:00.166 --> 00:31:02.916 align:center
took upon the biggest risk.

00:31:03.083 --> 00:31:06.375 align:center
I don't know how many
people would know about it.

00:31:06.458 --> 00:31:09.083 align:center
But it was a huge risk that
we took in making Baahubali.

00:31:09.375 --> 00:31:12.083 align:center
On the day of the release of part one,

00:31:12.750 --> 00:31:15.833 align:center
we had a deficit of 70 crores.

00:31:16.000 --> 00:31:19.916 align:center
What we spent minus what
we recovered was 70 crores.

00:31:20.000 --> 00:31:21.791 align:center
The concept of streaming
rights didn't exist.

00:31:22.000 --> 00:31:27.333 align:center
The main revenue streams
were satellite, theatrical and music.

00:31:27.416 --> 00:31:33.625 align:center
And we hadn't sold the
satellite rights by then.

00:31:33.708 --> 00:31:36.041 align:center
So, there was a deficit
of about 70 crores.

00:31:36.291 --> 00:31:38.875 align:center
Shobu sir and his wife
had a discussion at home.

00:31:38.958 --> 00:31:44.083 align:center
His 8-year-old son asked him,

00:31:45.375 --> 00:31:48.666 align:center
He asked his mother, Lakshmi
"Are we selling the house, mom?

00:31:48.750 --> 00:31:50.375 align:center
Where are we going to live?"

00:31:51.083 --> 00:31:55.625 align:center
It was painful to hear
all this after 10 years.

00:31:58.666 --> 00:32:01.083 align:center
Yeah, it was definitely emotional.

00:32:01.875 --> 00:32:05.291 align:center
All of us went and hugged
Shobu sir and Prasad sir.

00:32:11.541 --> 00:32:14.250 align:center
It's not a joke, what they pulled off.

00:32:14.666 --> 00:32:17.541 align:center
The Producers pooled in almost a

00:32:17.875 --> 00:32:23.125 align:center
100 crores from their
friends and cousins.

00:32:23.625 --> 00:32:26.125 align:center
Today, when we look back at it,

00:32:28.458 --> 00:32:29.416 align:center
it was dangerous, actually.

00:32:30.291 --> 00:32:34.541 align:center
Even Rajamouli sir had to sign

00:32:34.625 --> 00:32:37.375 align:center
a lot of money before release.

00:32:37.791 --> 00:32:41.375 align:center
After all this, the next day
morning show was a disaster.

00:32:41.791 --> 00:32:46.041 align:center
The film opened to rave reviews in Hindi,

00:32:46.958 --> 00:32:48.625 align:center
as well as the US,

00:32:48.708 --> 00:32:54.708 align:center
the Gulf and all over the world.

00:32:54.791 --> 00:33:00.541 align:center
But the majority of money was supposed
to come in from Andhra and Telangana.

00:33:00.625 --> 00:33:05.291 align:center
The reviews here were
terrible, to say the least.

00:33:05.416 --> 00:33:09.625 align:center
An image of Shiva holding a Zandu Balm…

00:33:09.708 --> 00:33:13.916 align:center
instead of the Shiv Ling
was being circulated.

00:33:14.041 --> 00:33:17.000 align:center
We couldn't process

00:33:17.083 --> 00:33:21.083 align:center
what went so wrong.

00:33:21.166 --> 00:33:23.750 align:center
I was completely blank.

00:33:23.958 --> 00:33:27.541 align:center
I don't know how they
survived those 1-2 days.

00:33:30.458 --> 00:33:31.416 align:center
It was war.

00:33:34.583 --> 00:33:35.750 align:center
I'm breaking down.

00:33:40.500 --> 00:33:45.333 align:center
I remember Shobu sir
laughing hysterically at everyone.

00:33:47.041 --> 00:33:47.958 align:center
That was his only response.

00:33:48.291 --> 00:33:53.208 align:center
We couldn't tell if he
understood what was going on.

00:33:54.625 --> 00:34:00.166 align:center
To be honest, I was in a shell.

00:34:00.250 --> 00:34:03.791 align:center
All of that actually didn't touch me.

00:34:03.875 --> 00:34:06.375 align:center
Very little of that information
actually came to me.

00:34:06.458 --> 00:34:11.875 align:center
But I knew that there were
whispers of it not doing well.

00:34:11.958 --> 00:34:15.208 align:center
And then I had my PR
calling me and telling me,

00:34:15.500 --> 00:34:18.541 align:center
"I don't think the reviews are good.
We need to do some damage control."

00:34:19.166 --> 00:34:23.750 align:center
We were discussing what could be done.

00:34:23.916 --> 00:34:25.750 align:center
I was in Bombay at the time.

00:34:26.166 --> 00:34:28.000 align:center
I couldn't wrap my head
around what they were saying.

00:34:28.416 --> 00:34:34.458 align:center
The reception that I got after the
first industry screening was unmatched.

00:34:34.708 --> 00:34:39.625 align:center
We had a lot of Bollywood
stars come over to Yash Raj.

00:34:39.708 --> 00:34:44.458 align:center
I had never had an audience like that.
They loved everything that they saw.

00:34:44.541 --> 00:34:47.375 align:center
Prabhas had called me a bunch of
times by the time the screening was over.

00:34:47.958 --> 00:34:53.291 align:center
He asked if certain scenes
were decent enough.

00:34:53.791 --> 00:34:58.833 align:center
I was totally clueless about
the atmosphere in Hyderabad.

00:34:58.958 --> 00:35:00.958 align:center
Did we watch the same film? I wondered.

00:35:01.333 --> 00:35:04.208 align:center
They said there were
mixed reviews, but no.

00:35:04.416 --> 00:35:06.041 align:center
It was outright negative talk.

00:35:06.166 --> 00:35:10.458 align:center
We had this experience
with his previous films.

00:35:11.000 --> 00:35:14.250 align:center
Films that were considered average
ended up becoming superhits.

00:35:14.750 --> 00:35:20.541 align:center
So we felt that maybe this film
would be a hit too.

00:35:20.625 --> 00:35:21.875 align:center
But there was also a lot of fear.

00:35:22.000 --> 00:35:28.375 align:center
We even discussed
what we would do if it failed badly.

00:35:28.541 --> 00:35:33.083 align:center
We didn't have the means
to cover those losses.

00:35:33.291 --> 00:35:38.166 align:center
All we had was a small piece of land
in Manikonda that I was planning to sell.

00:35:38.583 --> 00:35:41.625 align:center
I knew it wouldn't be enough,

00:35:42.083 --> 00:35:45.291 align:center
but it was the only thing I could do.

00:35:45.500 --> 00:35:50.541 align:center
I don't think I can ever forget
how all of us felt.

00:35:50.708 --> 00:35:51.583 align:center
It was haunting.

00:35:51.666 --> 00:35:56.791 align:center
People had already started
bashing us on Twitter.

00:35:57.250 --> 00:35:58.541 align:center
We were on the verge of breaking down.

00:35:59.041 --> 00:36:00.375 align:center
I was crying,

00:36:00.458 --> 00:36:06.250 align:center
and as I was heading upstairs
to get ready for a show,

00:36:06.333 --> 00:36:09.625 align:center
I saw Dad walking down the corridor.

00:36:09.708 --> 00:36:11.625 align:center
I went up to him, hugged him,
and burst into tears.

00:36:12.166 --> 00:36:14.125 align:center
We were all just trying
to draw strength from each other.

00:36:14.250 --> 00:36:17.041 align:center
He went back inside,
and I continued walking by myself.

00:36:19.208 --> 00:36:21.375 align:center
Then our friend Sai,
who lives upstairs, came over to me.

00:36:22.500 --> 00:36:24.208 align:center
He's a distributor.

00:36:24.416 --> 00:36:28.083 align:center
People usually hesitate
to send me hurtful messages,

00:36:28.375 --> 00:36:31.375 align:center
but they don't hold back with him.

00:36:31.750 --> 00:36:35.750 align:center
"They're calling it the biggest disaster

00:36:35.833 --> 00:36:40.000 align:center
in Indian cinema." Those were
the kinds of messages he was getting.

00:36:40.541 --> 00:36:42.625 align:center
Thankfully, he didn't tell me
that at the time.

00:36:43.208 --> 00:36:45.500 align:center
I asked him,

00:36:46.125 --> 00:36:48.166 align:center
"What's a safe budget for part two,

00:36:49.375 --> 00:36:55.708 align:center
so we don't end up losing money?"

00:36:56.208 --> 00:36:59.125 align:center
But it was obvious we couldn't afford it.

00:36:59.416 --> 00:37:02.750 align:center
As far as we were concerned,
it was the end of our careers.

00:37:03.583 --> 00:37:07.125 align:center
Shobu sir, Prasad sir, and Rajamouli sir
would have ended up on the streets.

00:37:07.208 --> 00:37:13.750 align:center
If anything had gone wrong
during the making of part two,

00:37:14.041 --> 00:37:16.083 align:center
they were sure to end up on the streets.

