WEBVTT

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[bold, dramatic music playing]

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-[Renee] Wait, you want to save Mother?
-[Sam] That's right.

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No, we have a plan.

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The plan is to save you
and then kill Mother.

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-I'm calling an audible.
-You can't double audible.

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Can someone tell me what is going on?

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It's a long story and very weird.

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I can take the short version.

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The Boroughs is fucked up.

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Okay, the short version is that a man
called Edward broke into my home,

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-told me there was an owl in the walls…
-[phone ringing]

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-What's wrong?
-[Wally] Everything. Where are you?

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[Renee] Boroughs back roads.
Seriously, what's wrong?

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Oh, so much.

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I, um… I did something a little rash,
and, um, I'm now in big trouble.

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Meaning?

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I kind of sort of kidnapped Mother.

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You what?!

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Hey, I am trying to save the world here.
I don't need the tone.

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-[Sam] …went to his house at night…
-Okay, get to the community center.

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It's closed during the anniversary.

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-We'll meet you there.
-Right. Wait, who's "we"?

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It's a whole goddamn group project now.

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Over and out.

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Okay, I'm sure I-- God damn it.

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Then Art stole the laundry van.

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Hell yeah, I did.

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So I have a "good news, bad news"
kind of a situation.

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Wally has Mother.

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[Sam] He does?

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Yes, I told him to meet us
at the community center.

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Art.

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Triple audible. Everybody hold on.

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[bold, dramatic music swells]

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[music trails off]

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[Ernest] Mother was here
when I did my rounds a few hours ago.

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Wally couldn't have gotten her f--

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-Shut up.
-Yeah.

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Sam Cooper's hooligans
broke him out of The Manor.

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They're on the run.

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Now, don't worry.
I've put our best men on the--

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[ominous music playing]

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I've put our best men on the gates.

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No one is escaping The Boroughs.

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And in the meantime…

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In the meantime,
we have to keep up appearances.

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I have my speech, and then you're going--

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I don't care about speeches.

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Or Sam Cooper.

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Mother is all that matters.

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I will find her.

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You have to trust me.

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Haven't we endured enough?

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[shushing soothingly]

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Don't worry, my love.

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Time is on our side.

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[ominous music swells, trails off]

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[TV signal drones]

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[intriguing, unsettling
intro music playing]

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[music trails off]

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Hi, everybody.

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Hi there.

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Hello.

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[peppy chatter]

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Oh my.

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That's a lot of people.

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Hello.

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Okay.

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[Mother grunting excitedly]

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Oh, no, no, no, no, no, no.

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Incognito is the vibe.

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Oh!

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Not that way, not that way.

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Thank you for coming out
on a surprisingly chilly night.

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Let's just keep all our limbs inside
and don't let anybody actually…

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Excuse me, sir. Where are you two headed?

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Oh, uh, me and the missus
were just enjoying the festivities.

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-[guard] Missus got a name?
-[Wally] Oh, yeah.

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Sure does. She has a name.

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It's, uh… Petunia.

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[jarring stinger]

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You look busy.

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Come on, Prudence,
let's just, uh, go somewhere else.

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I need to talk to the boss.

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We should be safe enough in here
until Wally arrives.

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At least it's ominous.

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[Judy tuts]
It's best not to draw attention.

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Right.

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Oh, hey, there's a lost and found
under that table.

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If anybody wants to look less conspicuous.

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[disconcerting warbling]

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[breathy, overlapping whispers]

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[Claire, muffled] Dad…

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You okay?

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Dad?

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What's wrong?

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She's here.

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Hey there. Sorry we're late.

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[bold, dramatic music playing]

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So, without any further ado,

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it is my pleasure to introduce
to you the man of the hour.

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You know him and you all love him.

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I love him.

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Our CEO and handsome devil, Blaine Shaw.

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Hello, folks. Thank you.
Thank you very much. That's very kind.

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It's my pleasure to welcome you all
to the 75th anniversary of The Boroughs.

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You know, anniversaries offer us
an opportunity to reflect on the past

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and to plan for the future.

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As Robert Browning said,
"The best is yet to be."

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Actually, the…

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Actually, that's… that's a lie.

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The full quote is,

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"Grow old along with me."

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"The best is yet to be."

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[uneasy music playing]

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That's another lie.

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The… The only certainty
in an uncertain universe

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is that all things end.

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Time is a thief in the night.

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It steals our youth.
Our joy. Our love. It…

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It grinds us down and down until

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all that's left is dust.

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But not here.

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The Boroughs is a fortress.

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A citadel blazing in the dark.

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The Boroughs is a promise
turned to brick and stone that says,

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"The best is not to come."

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"It's now."

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"It's here."

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"Together."

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[applause, cheering]

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We have to get her to safety,
far away from The Boroughs.

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We got to get her to a doctor.
She doesn't look healthy.

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No, I am a doctor.

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-[Renee] What about our plan?
-You want to kill her?

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Well, not anymore.

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-She's a miracle.
-She's eating chalk.

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Her blood is the key.

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I'll take that, honey.

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Her blood is the key to curing disease.

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Here you go, take that.

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No more sickness. No more suffering.

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No more death.

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So everybody just lives forever?

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Miracles come at a price.

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Yeah, and who's paying that price? You?

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You?

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It's really easy to indulge
in hypotheticals

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when it's not your patients
who are weeks from dying.

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It's not your husband who's dying
from fucking AIDS.

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It's not your cells attacking you.

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Blaine and his Stepford staff
found the fountain of youth

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and now I am gonna use it, okay?

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I'm gonna use it for good.
Figure out therapies.

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I will figure out ways
we can actually cure people, heal people.

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-People who…
-[breathy whispering]

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We have to help her.

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Great. Somebody finally gets it.

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How do we smuggle her out to freedom?

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No, that's not what she wants.

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-How do you know?
-[Sam] She told me.

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She's talking to you?

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In my mind.

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What does she want, Sam?

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She wants to die.

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Now we have to get her to Art's cave.

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It's where she was born.

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Her children have been preparing it
for this moment.

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For… For her end.

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It has to be there. Now.

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Absolutely not.

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It's her choice to make.

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No. I will not let her die.

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Wally, I get it.

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It's a lot to take in,
and it's even more to ask,

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but Blaine isn't gonna stop using
The Boroughs as his personal buffet.

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He thinks nobody cares about old folks.

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Not even old folks.

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We gotta prove him wrong.

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We have to make a stand.

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For Mother, for The Boroughs,
for everyone.

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Jack can have justice.

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And we can be heroes and set things right.

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Just let her go.

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No.

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Wally.

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I can't. I won't.

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We have to.

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[tender, poignant music playing]

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I don't want to die.

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I know. Honey, I know.

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I know, darling.

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And if I thought for one second

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that torturing that old lady
for all eternity would save you,

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I would be right by your side.

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But it won't.

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Yeah, but…

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I'd be alive.

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But you wouldn't be… you.

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So, let me save you now

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while there's still time.

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Okay…

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Fine.

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But I'm gonna haunt you.

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Well, I hope you do.

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-Like forever.
-Okay.

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Sam, we're with you.

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-How do we get to this cave?
-The exits are all blocked.

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I've got an idea.

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One, two, three.

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[loud clattering]

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[Claire] Hold on, there's a tunnel
under the cooking class?

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We can take 'em to the cave.

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-That's deep.
-Should we flip a coin?

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Before we get down there,
anything else you forgot to mention?

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No. Oh, wait.

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Yeah. Wally extracted
some of my brain fluid,

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and Renee dropped a car on Hank.

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I think that's about it.

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[clanging in distance]

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-[Blaine] Hello! Anyone home?
-Shit, that's Blaine.

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Get to the tunnels.
I'll buy you time to get away.

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Why do you get to do
the self-sacrificing thing?

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Called it first.

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[Blaine] Anybody home?

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-Get in there.
-Help me get Mother.

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-I'm staying with you.
-Here, take this.

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Let's get Mother in…

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[tense, foreboding music playing]

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We know you're in here!

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[foreboding music intensifies]

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["Oye Cómo Va" by Santana playing]

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[groovy Latin rock continuing]

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-[speaker bleeps]
-[song halts]

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[chilling music playing]

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[jolting stinger]

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[Renee grunts] Jesus.
Do I wanna know what I just stepped in?

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Oh, you do not.

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[Renee] Well, do you think
Judy and Art will be okay?

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I've seen Judy mad. I've made Judy mad.

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Trust me, Blaine is the one
who should be worried.

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[Mother vocalizing]

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What… What's wrong with her?

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Her children are there.

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Yeah, Blaine keeps 'em
locked under the security center.

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She says we have to rescue them.

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We can't rescue everyone, Sam.

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They're her children, Wally.

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Paz and I can go.

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Why us?

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You know where they are.

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And Judy took the last big hero moment,
so now it's your turn.

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That too.

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We'll free your kids.

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Promise.

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All right, meet you in the cave.

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Okay, what about us?

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We go that way.

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Okay.

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[Blaine] Where's Mother?

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Whose mother? Your mother?

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You lost your moms? Not cool, dude.

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Ah, I see. I see the problem.

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Your little adventure
has riled up the blood,

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agitated the humors.

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You're feeling invincible,
but sadly, you're not,

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so… just tell me, where's Mother?

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Did you check Señor Cocinas?

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[Art chuckling]

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Everybody loves Cocinas.

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Oh, whoa, whoa, whoa.

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Okay, let's all take
a deep, calming breath, all right?

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Where's Mother?

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You go to hell, Blaine.

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[distressing music playing]

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[Art] What are you doing?

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Get away from her!

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Leave her alone!

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Even after everything she's done to you,

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you still love her.

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How sweet.

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-[Judy cries out]
-Judy!

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-Judy!
-No, no, no, no. Don't worry.

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The blade is buried

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in a relatively innocuous
bit of intestine.

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It'll take almost a day
for her to bleed out.

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Single surgery,
maybe a tiny bit of bowel removal,

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she'd be good as new.

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So… where's Mother?

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All right, enough.

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[Judy cries out]

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Stop!

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[Blaine] Now things get interesting.

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Now that blade is just millimeters
from some rather vital organs.

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We're talking two,
maybe three surgeries now.

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She's gonna need a colostomy bag,

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but it's the internal bleeding
that I'm worried about.

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[Art whimpering] No.

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Within the hour,
she's gonna drown in her own blood.

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Why are you doing this?

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Why does anyone do anything?

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Love.

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Tell me where Mother is.

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The oven's ripped apart.

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The tunnels.

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-Are they taking her to the cave?
-Yes!

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[Judy cries out]

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[Art] Judy… I got you, baby.

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Going after the others?

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No need. Go to security.
Corral them into the cul-de-sac.

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We'll bring these two with us
in case we need a bargaining chip.

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[suspenseful music playing]

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Nobody's here.

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Give me a hand.

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Be careful.

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I got you. That's it.

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Oh, it stinks.

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[kids mewling piteously]

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They're, uh… They're looking at us.

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Yeah, well, they're, uh… curious.

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Hey, control panel.

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Ah, it's not working.
It's not opening the cages.

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-Looks like it needs a key.
-Yeah.

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[Hank] Hello, love birds.

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Welcome to my humble abode.

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[Claire] The largest tunnel systems
in the world are underneath Disney World.

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They call them utilidors.

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[Sam] No, it's not the largest
tunnel system in the world.

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-[Claire] Yeah, it is.
-[Sam] The Delaware aqueduct is larger.

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-[Claire] That's not a utility tunnel.
-[Sam] You didn't say utility tunnels.

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You said tunnels.

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[Wally] Can we save the great
tunnel debate till after I'm dead?

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So, which way now?

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-That way.
-Are you sure?

18:41.500 --> 18:43.458
-[Mother chirrs]
-She's sure.

18:45.041 --> 18:46.541
[alarm blares]

18:46.625 --> 18:48.083
What the fuck?

18:49.416 --> 18:51.666
-They know we're here.
-This is a trap.

18:51.750 --> 18:54.083
No, we're being herded.

18:54.583 --> 18:55.875
Yeah, right into a trap.

18:55.958 --> 18:58.250
Probably, but what choice do we have?

18:58.333 --> 19:00.083
-[Wally sputtering]
-[Sam] Come on.

19:00.916 --> 19:03.333
Was he always such a stubborn bastard?

19:03.958 --> 19:05.708
You have no idea.

19:09.625 --> 19:11.750
[Wally] Hold on, hold on. Wait for me.

19:13.250 --> 19:14.583
[Wally] Easy, hotshot.

19:15.875 --> 19:19.041
I can't imagine I'd be too good
in a fight after my little fender bender,

19:19.125 --> 19:21.375
but let's not test that theory, huh?

19:21.458 --> 19:23.000
[Hank chuckles wheezily]

19:25.625 --> 19:27.458
You know that band you were in?

19:28.666 --> 19:30.166
Cowboy Renegade?

19:31.375 --> 19:33.708
Yeah, you guys rocked hard.

19:34.666 --> 19:37.125
-I didn't know you were a fan.
-Oh, yeah.

19:38.041 --> 19:41.416
I thought it'd be cool
if we could be, like, friends.

19:41.500 --> 19:44.916
You know? Like… hombres.

19:46.583 --> 19:48.250
It's hard when you're the boss.

19:48.833 --> 19:49.666
Sure.

19:51.166 --> 19:54.250
And now they've taken my job,

19:54.875 --> 19:59.000
stuck me down here with the kids
until I'm "presentable."

20:01.208 --> 20:06.333
Yeah, the least Blaine could have done
is get you a nice hotel room or something.

20:07.166 --> 20:09.083
Ain't that the truth.

20:11.875 --> 20:17.750
You know, I went from working
in a prison to living in one…

20:18.500 --> 20:20.250
Thanks to Blaine.

20:22.375 --> 20:24.791
Maybe you could… help us.

20:27.000 --> 20:30.041
Now, why would I do that?

20:31.041 --> 20:35.500
Because there is nothing better
than sticking it to someone

20:35.583 --> 20:37.583
who stuck it to you first.

20:37.666 --> 20:38.666
Huh.

20:41.291 --> 20:43.791
[tense, intriguing music playing]

20:54.166 --> 20:56.000
Fuck Blaine.

21:00.208 --> 21:01.625
What about you?

21:01.708 --> 21:02.791
Me?

21:03.541 --> 21:06.416
I'll let time do what it does best.

21:07.791 --> 21:09.458
Wipe things clean.

21:20.791 --> 21:23.000
Sure those things
aren't going to rip us apart?

21:23.083 --> 21:24.541
[kids yowling]

21:24.625 --> 21:25.625
Nope.

21:27.083 --> 21:28.208
[machinery thumping]

21:31.083 --> 21:32.625
[banging, clattering]

21:44.625 --> 21:46.333
-Clear.
-[Sam] Wally, can you help me?

21:46.416 --> 21:48.875
[Wally] Okay, okay. Now, take her arm.

21:48.958 --> 21:50.125
No, your arm.

21:50.708 --> 21:51.833
[Claire] Where is she going?

21:51.916 --> 21:53.250
[Sam] Over on the chair.

21:53.916 --> 21:55.250
-[Claire] Okay.
-[Sam] Yeah, here.

21:58.708 --> 22:00.541
[Wally] Hello? Anybody got a free hand?

22:00.625 --> 22:01.750
[Claire] You okay?

22:01.833 --> 22:03.375
[Wally] Hey? Hello?

22:03.458 --> 22:05.625
Okay. Here, I'm here.

22:05.708 --> 22:07.875
-Okay, hold on. I'm here. Okay.
-Hey. Great.

22:07.958 --> 22:08.916
Whoa!

22:09.000 --> 22:12.500
Guys, we have to assume
Blaine is on his way.

22:12.583 --> 22:13.958
Not a moment to lose.

22:14.041 --> 22:15.291
Oh, we can take my car.

22:15.375 --> 22:17.750
And go where?
We'll still be trapped in The Boroughs.

22:17.833 --> 22:19.583
No, here's where we make our stand.

22:19.666 --> 22:21.958
Our stand? We don't have any weapons,

22:22.041 --> 22:24.083
unless they're allergic
to mid-century modern.

22:24.833 --> 22:27.291
-We have a weapon.
-Oh, this doesn't work.

22:27.375 --> 22:28.333
It works.

22:28.416 --> 22:31.458
I changed out the transformer
so that the amplifiers don't overload.

22:31.541 --> 22:34.250
I added a little more coil
to increase the power of the beam, but…

22:34.333 --> 22:36.000
What about the voltage spikes?

22:36.083 --> 22:37.875
Silver mica capacitors.

22:38.833 --> 22:40.250
[sweet music plays]

22:42.000 --> 22:44.208
Sorry to interrupt
this father-daughter nerd moment.

22:44.291 --> 22:45.500
The bad guys are coming.

22:45.583 --> 22:48.458
Yeah, right. Let's get these TVs
in the garage. I have a plan.

22:48.541 --> 22:50.541
[tense, plucky music playing]

22:51.791 --> 22:53.208
-Okay.
-Go.

23:07.541 --> 23:08.875
[foreboding music playing]

23:08.958 --> 23:10.208
[Wally] Okay.

23:12.666 --> 23:14.375
This better work, Sam.

23:16.083 --> 23:17.500
[car doors opening]

23:23.458 --> 23:24.958
[Wally clears throat] Hi.

23:25.041 --> 23:26.958
[tense music building]

23:27.041 --> 23:28.041
Uh…

23:28.916 --> 23:30.333
Something you should know.

23:30.416 --> 23:31.666
Is there?

23:31.750 --> 23:34.041
Yeah, I, um, just…

23:37.375 --> 23:40.208
I… quit.

23:50.000 --> 23:52.000
[tense music playing]

23:56.916 --> 23:58.333
Welcome to The Boroughs.

23:58.416 --> 24:00.583
We hope you have the time of your life.

24:03.083 --> 24:04.375
[energy warbling]

24:07.791 --> 24:09.958
Run! Run!

24:13.041 --> 24:14.625
[bold, dramatic music playing]

24:27.291 --> 24:28.833
We have to help them!

24:29.333 --> 24:30.458
Don't!

24:32.500 --> 24:33.500
I'm out.

24:48.208 --> 24:52.083
[distorted] I love you.

24:56.166 --> 24:57.166
[Blaine screaming]

24:58.791 --> 25:00.791
[harrowing, otherworldly howling]

25:04.875 --> 25:05.875
[music halts]

25:17.208 --> 25:19.208
[gentle, wondrous music playing]

25:40.416 --> 25:41.458
Is it over?

25:43.791 --> 25:45.041
I… I think so.

25:45.875 --> 25:46.958
[Art] Help!

25:48.000 --> 25:49.125
It's Judy, help!

25:49.208 --> 25:50.208
[dire music playing]

25:52.250 --> 25:54.250
-[Sam] Get her down.
-[Art] You're okay.

25:55.000 --> 25:56.500
Okay, I'm here, baby.

25:56.583 --> 25:59.083
I'm here, baby. Somebody call 911.

25:59.166 --> 26:00.250
My phone is dead.

26:00.333 --> 26:02.208
[Sam] The blast from the TVs
fried them all.

26:02.291 --> 26:06.416
Can you get me a towel?
I need a towel. Okay. Thank you. Okay.

26:07.333 --> 26:10.208
Okay, I'm gonna move your hands, Judy.
Just give me your hand.

26:10.291 --> 26:13.875
Let me move that, okay?
I need to see what's going on, okay?

26:13.958 --> 26:15.125
Okay.

26:16.083 --> 26:17.875
Oh, oh.

26:17.958 --> 26:20.708
Okay. Jesus.

26:20.791 --> 26:21.791
[Judy moaning]

26:24.125 --> 26:26.083
Oh, she needs a hospital.

26:26.166 --> 26:27.125
I can't…

26:27.208 --> 26:28.833
-Well, get her to one.
-I…

26:31.041 --> 26:32.458
She's out of time.

26:33.041 --> 26:35.166
No, no, no, no, no, no, no! No! No!

26:35.250 --> 26:36.916
-Just…
-No! No!

26:37.000 --> 26:38.208
-No!
-Hey.

26:38.958 --> 26:40.250
Come on baby, come on.

26:40.333 --> 26:42.416
I'm here. Don't go anywhere.

26:42.500 --> 26:44.875
Stay with me, now. Don't go anywhere, now.

26:45.583 --> 26:46.583
[Judy] Remember…

26:46.666 --> 26:48.625
[sweet, aching music playing]

26:48.708 --> 26:53.916
[shakily] …when we went
to the Grand Canyon with the kids?

26:55.083 --> 26:58.000
I remember we tried
to go to the Grand Canyon.

26:59.791 --> 27:01.791
You got us lost.

27:03.333 --> 27:05.166
I knew where I was.

27:07.416 --> 27:10.666
I just didn't know
how to get to where we were going.

27:12.500 --> 27:16.791
We pulled over to a big old empty lake…

27:17.625 --> 27:19.083
in the middle of nowhere.

27:19.583 --> 27:20.833
[Judy] We jumped in.

27:22.416 --> 27:24.708
Swam in our clothes.

27:26.375 --> 27:29.041
Oh boy, you looked so beautiful.

27:30.708 --> 27:33.958
Standing in the water there,
laughing with the kids.

27:34.541 --> 27:35.791
Mmm.

27:35.875 --> 27:37.958
It was a good day.

27:39.541 --> 27:43.625
Well, we never did make it
to the Grand Canyon.

27:45.875 --> 27:48.791
Don't, don't, don't!
No, no, no, Judy, no, don't!

27:48.875 --> 27:51.333
No, Judy! Judy!

27:51.416 --> 27:53.791
Come on, baby. Come on, baby.

27:53.875 --> 27:55.333
Come on, baby!

27:58.208 --> 28:01.000
Judy. Judy.

28:06.416 --> 28:08.416
[enchanting music playing]

28:13.958 --> 28:15.291
What does she want?

28:15.375 --> 28:16.833
She wants to help.

28:16.916 --> 28:17.916
[Mother grunts]

28:18.000 --> 28:21.500
Hey, Art. It's okay. You can trust her.

28:35.541 --> 28:37.250
[energy resonating]

28:37.333 --> 28:39.958
[mystifying, wondrous music playing]

28:52.875 --> 28:53.875
[music trails off]

29:01.250 --> 29:03.416
Well, that's a miracle.

29:04.041 --> 29:06.875
[somber, triumphant music playing]

29:13.291 --> 29:14.750
It's a miracle.

29:16.041 --> 29:17.333
[Mother groans]

29:22.916 --> 29:25.083
I have to get her to the cave. Now.

29:25.750 --> 29:26.791
Okay.

29:35.458 --> 29:37.375
-[Wally] Careful.
-[Sam] I got it.

29:37.458 --> 29:38.541
[Art] Okay.

29:39.375 --> 29:41.416
Almost there. One, two, easy.

29:43.583 --> 29:45.875
-Nice.
-I'm coming with you.

29:45.958 --> 29:48.458
-She said I have to go alone.
-I don't care what she says.

29:48.541 --> 29:51.916
-You're my dad. I'm not gonna let you go--
-Claire…

29:55.416 --> 29:57.083
I couldn't help your mom.

29:58.708 --> 30:00.375
And I wasn't good at helping you.

30:01.583 --> 30:03.166
But I can help her.

30:05.750 --> 30:07.833
I need you to trust me, Claire.

30:09.416 --> 30:10.416
Please.

30:13.875 --> 30:16.208
Okay, but I'm not gonna be happy about it.

30:22.041 --> 30:23.416
Bye-bye, Butterfly.

30:25.458 --> 30:27.291
See you soon, Raccoon.

30:30.833 --> 30:33.375
Hey, cowboy, be careful.

30:38.458 --> 30:39.916
Ride true.

30:41.375 --> 30:42.791
Call when you get there.

30:45.166 --> 30:46.166
Thank you.

31:11.541 --> 31:13.041
[sinister music playing]

31:21.583 --> 31:23.583
[sweeping, adventurous music playing]

31:39.208 --> 31:40.375
[Sam] Careful.

31:42.250 --> 31:43.625
There you go.

31:47.541 --> 31:48.750
You made it.

31:48.833 --> 31:50.875
[Mother vocalizing, groaning]

31:52.166 --> 31:53.250
You're welcome.

31:54.041 --> 31:56.875
[static crackles]

31:57.791 --> 32:00.375
Explode? What do you mean, "explode"?

32:01.000 --> 32:03.166
Whoa, you mean you're gonna explode?

32:03.250 --> 32:05.416
Whoa, hold on. Not yet. Let me get clear.

32:06.708 --> 32:07.625
[Mother bleats]

32:10.791 --> 32:13.333
You know, on second thought…

32:14.208 --> 32:15.250
[Mother yowls]

32:16.125 --> 32:19.958
…I've decided to cancel your contract.

32:21.833 --> 32:25.166
You're just not Boroughs material, Sam.

32:27.125 --> 32:28.583
You took my wife from me.

32:29.833 --> 32:33.291
It wasn't supposed to end like this, Sam.

32:34.916 --> 32:36.208
I'm gonna bring her back.

32:36.291 --> 32:40.833
You have no idea what Mother is…

32:41.333 --> 32:43.666
What she's capable of.

32:43.750 --> 32:44.583
[Mother growls]

32:45.166 --> 32:49.958
Everything you think you've accomplished
can be undone.

32:53.166 --> 32:54.083
It's okay.

32:55.708 --> 32:56.833
Let go.

32:56.916 --> 32:57.791
Never.

32:58.291 --> 32:59.750
[Mother crying out]

32:59.833 --> 33:00.833
[power humming]

33:00.916 --> 33:02.541
[urgent, heroic music playing]

33:10.000 --> 33:10.833
No!

33:11.500 --> 33:12.583
No!

33:12.666 --> 33:13.833
Let me go!

33:14.333 --> 33:16.708
[kids chirring, trilling]

33:21.083 --> 33:22.083
No…

33:25.208 --> 33:26.541
No, I can't…

33:27.416 --> 33:28.875
I can't die!

33:28.958 --> 33:30.708
Everybody does.

33:31.208 --> 33:32.708
Welcome to the club.

33:39.958 --> 33:40.958
[Blaine bellowing]

33:44.625 --> 33:46.125
[high-pitched ringing]

33:48.750 --> 33:50.750
["Thunder Road" playing]

33:52.666 --> 33:54.666
[train rumbling faintly in distance]

33:57.125 --> 33:59.208
♪ The screen door slams ♪

33:59.875 --> 34:02.208
♪ Mary's dress sways ♪

34:03.958 --> 34:07.375
♪ Like a vision
She dances across the porch ♪

34:07.458 --> 34:10.125
♪ As the radio plays ♪

34:10.916 --> 34:14.208
♪ Roy Orbison singing for the lonely ♪

34:14.291 --> 34:17.708
♪ Hey, that's me, and I want you only ♪

34:17.791 --> 34:19.458
♪ Don't turn me home again ♪

34:19.541 --> 34:23.958
♪ I just can't face myself alone again ♪

34:24.916 --> 34:26.708
♪ Don't run back inside ♪

34:26.791 --> 34:29.875
♪ Darling, you know
Just what I'm here for ♪

34:31.666 --> 34:33.750
♪ So you're scared, and you're thinking ♪

34:33.833 --> 34:37.125
♪ That maybe we ain't that young anymore ♪

34:37.208 --> 34:38.208
Lilly?

34:38.291 --> 34:39.708
♪ Show a little faith… ♪

34:39.791 --> 34:41.458
Hey, you old grump.

34:41.541 --> 34:43.291
[fighting back sobs] Li…

34:43.375 --> 34:45.708
♪ But hey, you're all right ♪

34:46.625 --> 34:47.791
Is it really you?

34:49.000 --> 34:50.000
It's me.

34:52.750 --> 34:53.750
How?

34:54.458 --> 34:56.083
She's saying, "Thank you."

34:57.375 --> 34:59.541
Time is a gift.

35:03.708 --> 35:04.958
How long do we have?

35:06.541 --> 35:09.583
Are you gonna stand there
asking questions, or…

35:10.916 --> 35:13.125
are you gonna dance
with your beautiful wife?

35:14.041 --> 35:16.666
♪ With a chance to make it good somehow ♪

35:16.750 --> 35:19.458
♪ Hey, what else can we do now ♪

35:19.541 --> 35:25.375
♪ Except roll down the window
And let the wind blow back your hair ♪

35:26.875 --> 35:33.583
♪ Well, the night's busting open
These two lanes will take us anywhere ♪

35:33.666 --> 35:37.166
♪ We got one last chance to make it real ♪

35:37.250 --> 35:40.458
♪ To trade in these wings on some wheels ♪

35:41.208 --> 35:45.541
♪ Climb in back
Heaven's waiting down on the tracks ♪

35:47.666 --> 35:50.708
♪ Oh-oh, come take my hand ♪

35:50.791 --> 35:54.750
♪ We're riding out tonight
To case the promised land ♪

35:54.833 --> 35:57.458
♪ Oh-oh, Thunder Road ♪

35:57.541 --> 35:59.833
♪ Oh Thunder Road, oh Thunder Road ♪

36:03.250 --> 36:04.916
We'll be together again.

36:07.458 --> 36:11.041
We are together always.

36:11.125 --> 36:13.875
♪ Sit tight, take hold ♪

36:13.958 --> 36:16.791
♪ Thunder Road… ♪

36:21.625 --> 36:23.625
[song trailing off]

36:30.000 --> 36:31.000
[Sam moaning]

36:36.458 --> 36:37.416
[Renee] Sam!

36:39.125 --> 36:40.166
Sam.

36:41.125 --> 36:42.125
Sam.

36:43.750 --> 36:44.750
Hey.

36:47.833 --> 36:49.333
What are you doing here?

36:49.416 --> 36:51.791
We were supposed to
meet at the cave, remember?

36:51.875 --> 36:52.916
Oh, right.

36:54.083 --> 36:56.291
[Paz] Is that… Is that Mother?

36:56.791 --> 36:57.875
Yes.

37:00.083 --> 37:01.458
She's at peace.

37:04.458 --> 37:06.125
What do you say we go home?

37:07.416 --> 37:08.875
That sounds good to me.

37:18.000 --> 37:21.000
["Do You Believe in Magic"
by the Lovin' Spoonful playing]

37:23.416 --> 37:24.416
[Sam] Whoa!

37:24.500 --> 37:25.916
♪ Do you believe in magic? ♪

37:26.000 --> 37:27.291
Okay, dinner's up.

37:28.541 --> 37:30.583
-Pop. Let me give you a hand.
-Yeah, it's hot.

37:30.666 --> 37:32.208
-Yeah.
-You got it?

37:32.958 --> 37:37.458
All right, Art. Kids are present.
No magic mushrooms.

37:37.541 --> 37:43.208
Sweetheart, you are all the magic I need.

37:43.291 --> 37:45.541
[Art, Judy laughing playfully]

37:45.625 --> 37:47.125
[Sam] I got charcuterie.

37:47.208 --> 37:49.708
Oh, thanks.
I already have my snacks right here.

37:49.791 --> 37:53.041
-All right. What is this? What is that?
-Oh, salami, cheese, fruit.

37:53.125 --> 37:54.000
-Dig in.
-Here.

37:54.083 --> 37:54.958
Yeah.

37:56.333 --> 37:58.291
-Oh, you're leaking.
-Huh?

37:58.375 --> 38:00.833
-Oh, that's not appetizing.
-Go clean it up. I got this.

38:00.916 --> 38:03.125
Ah, wait, wait. I got something for you.

38:09.583 --> 38:11.625
-You remembered?
-I remembered.

38:14.958 --> 38:16.000
Thank you.

38:16.500 --> 38:18.333
-[Renee] It's a week in Rome.
-Nice.

38:18.416 --> 38:21.666
-And then on to Florence.
-Oh my God, I love Florence.

38:22.416 --> 38:23.875
-You gotta come!
-Really?

38:23.958 --> 38:25.500
Oh my God, yes.

38:26.791 --> 38:30.250
Word of warning.
I think Wally's gonna crash your big trip.

38:30.333 --> 38:31.958
Yeah, I'm not surprised.

38:33.666 --> 38:35.500
So, what are we talking about?

38:35.583 --> 38:37.833
-[Renee] Our big trip.
-[Paz] Our big trip…

38:43.166 --> 38:45.166
[music, lively chatter in distance]

38:47.625 --> 38:50.458
[Claire] Hey, Dad,
you want a burger or a dog?

38:50.541 --> 38:51.541
Um…

38:52.750 --> 38:54.458
One of each, please.

38:54.958 --> 38:57.458
-[Claire] On it. Hurry up.
-Okay, okay.

38:57.541 --> 38:59.541
[suspenseful music playing]

39:01.208 --> 39:02.416
[staticky glitching]

39:12.458 --> 39:14.458
[enigmatic music playing]

39:20.416 --> 39:22.416
[wondrous music building]

39:59.916 --> 40:01.916
[music swells, trails off]

40:03.208 --> 40:05.708
["Born to Run"
by Bruce Springsteen playing]

40:07.708 --> 40:09.708
[soaring Americana folk rock continuing]

40:17.000 --> 40:20.416
♪ In the day
We sweat it out on the streets ♪

40:20.500 --> 40:22.958
♪ Of a runaway American dream ♪

40:23.500 --> 40:26.708
♪ At night, we ride
Through mansions of glory ♪

40:26.791 --> 40:29.625
♪ In suicide machines ♪

40:30.333 --> 40:33.458
♪ Sprung from cages out on Highway 9 ♪

40:33.541 --> 40:37.708
♪ Chrome wheeled, fuel injected
And steppin' out over the line ♪

40:39.083 --> 40:43.250
♪ Oh, baby this town
Rips the bones from your back ♪

40:43.333 --> 40:46.458
♪ It's a death trap, it's a suicide rap ♪

40:46.541 --> 40:49.708
♪ We gotta get out while we're young ♪

40:49.791 --> 40:55.875
♪ 'Cause tramps like us
Baby, we were born to run ♪

40:59.083 --> 41:01.083
♪ Yes, girl, we were ♪

41:04.875 --> 41:09.000
[vocalizing]

41:23.958 --> 41:24.958
[song trails off]

41:25.041 --> 41:27.541
[sweeping outro music playing]
we were born to run ♪